░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░▒▓██▓██░██████▓██░▓███░███▓███▒█░██▒█▓███▓███████░▒████░▒██▓██▒██░██░▒█▓███▓░▒ ░ ░ ░ ░ ░ ░ ░ ▓ ░ ░ ░ ▓▄░▐▓▄ ▄▄▄ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ▐▓▄ ░ ░ ░▄▒████████████░▄░ ░░░░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ▄▄█████▄▄░ ░▐░███▀▐██▓██▒██░▓▌░░░░░░ ▐█▄ ░ ░ ░ ░ ░ ░▒███▓██░████▄ ████ ▓██▓ ██████▓ ░ ▄▄██▓█▓▄▄░ ░ ░ ░ ░▐█▓██▀▀▀▀▒▓██▓████▌ ▐░███░ ███▓█▓ ▄████░█████▓█░ ░ ░ ░ ░ █▓▀▀░ ▄▓██▓▌██▓ ░████▓▌ ▓███▓▐████▒▀░▀▀███▓▌░ ░ ░ ░ ▒█▄ ░ ▀░░ ░ ▄▄▓████░▀▐░██▓ ▀███▓ ▐▓███ ███▓ ▄███░ ░ ░▐▓▄ ▄▄▓██▄ ░▄█████▀▀▀ █████▄ ▀▓▌ ░ ░██▓▐██▓▌ ▄▄▄█████ ░▄▄░▓███▄▓ ▄██▓█████▄ ▐▓███▓ ▀▀░▀▀▀▒▀▀▀▀▀ ▐▒▐▒██░ ███░████▀▀░ ▄▓██████████░▄ ▐████▀▀▓███▌█▓██▒█ ▄▄▒▓███ ░▄▀ ▐ █▄████▀▌█████ ▀ ▀███░▀▀▀▀████▒█ ▓██▓ ▓▒██▐████░████▓██▌▄▀░▓ ▌ ▐▀█▌▓▀ ░███▓ ░ ░ ▀▀▀▓▓▓▀▀ ▄████▓ ░ ▐██▓▌ ░ ▐░██▌▀██████████▀█░ ░░▄▄░▓▐ ▌░ ▌███░▌░ ░ ░ ░ ░ ░▄▄▄█████▀ ░ ░▓██▓ ░ ░ ░███▀▀▀▀▀░▀▀▀▀▀█▓▒ ░ ▌ ▓▓▌ ▐███▓▌░░ ░ ▓█░ ░▀░▀▀▀▓██▄░ ░ ░ ░ ▐▓██▌ ░░ ▐░██▌ ░ ░ ░ ░ ▄▓▓ ▓ ░▒ ▓ ■░ ░▓▓▄▀▐██▀▀░░ ░███▄ ░ ▐░███░░ ░ ░▒▓██░██▄██▄██████░▓███░█▓▌▒░░▓▒ ▒▓░▒░░░░░▓ ░▒█▓█■███░▒██▐▓██▓░▄▄▄░████▓█▓░▒ ░ ▀░▒▓█▀░ ░ ░ ░ ░ ░ ░▓▓▒▒▒░▒▓█▒▓░░▐▒▒░░ ▓░▐░ ░ ░ ░ ░ ░ ░▀▀█▓█▀·mRmiSta· ░ ▐▀▌ ░ ░ ░ ░ ░ ░ ░█▒▓░░▓█▓▓▀▓▒▓▌ ▓▓▒ ░░ █▄▓▒░ ░ ░ ░ ░ ░ ░▐░█░ ░ ░ ░ ░ ░ ░ ░ ▐▓▓▒░▓▀ ▀ ▐▐▒▒░ ▒░░█▓░ ░ ░ ░ ░ ░ ▐░ ░ ░ ░ ░ ░ ▀░▒▒█ ▀ ▓▓▒░▓░▒█▀ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ▀ ▀▓▓░▓░▒░ ▄ ▀▀█▒▀ [ OZMP3 - BRiNGiN AUSSiE MUSiC RELEASES▄░▒▄ TO THE MASSES WORLD WiDE! - OZMP3 ] ▀ ░▒▓██▓██░██████▓██░▓███░███▓███▒█░██▒█▓███▓███████░▒████░▒██▓██▒██░██░▒█▓███▓░▒ ┌───────────────────────────────────────────────────────────────────────────┐ │ ▓ Artist: 67 Special │ ▓ │ ▓ Album Name: Hey There Bomb │ ▓ │ ▓ Label: FMR │ ▓ │ ▓ Genre: Rock & Roll │ ▓ │ ▓ Release Date: 01/12/2005 │ ▓ │ ▓ Retail Date: 2004 ┌────────────┐ │ ▓ Ripper: The Drummer From Taxiride │Release Info│ └──────────────────────────────────────────────────────────────┘ │ ┌───────────────────────────────────────────────────────────────────────────┘ │ ▓ CD Time: 17:01 min │ ▓ │ ▓ Size: 26,6 MB ┌────────────┐ │ ▓ Quality: VBRkbps/44.1kHz HQ Joint-Stereo │Tracklisting│ └──────────────────────────────────────────────────────────────┘ │ ┌───────────────────────────────────────────────────────────────────────────┘ │ ▓ Track Name Time │ ▓ │ ▓ ----- ---- ---- │ ▓ │ ▓ 01 Hey There Bomb [03:39] │ ▓ │ ▓ 02 Lost That (The Way That You Do) [02:20] │ ▓ │ ▓ 03 Last Drag [02:58] │ ▓ │ ▓ 04 Princess Pie [02:58] │ ▓ │ ▓ 05 Curious Mind [05:06] │ ▓ │ ▓ │ ▓ │ ▓ ┌────────────┐ │ ▓ │ Comments │ └──────────────────────────────────────────────────────────────┘ │ ┌───────────────────────────────────────────────────────────────────────────┘ │ ▓ Ella Hooper sings on curious mind. Just thought i'd mention that. It │ ▓ │ ▓ is, (to me), a very incongrous inclusion. │ ▓ │ ▓ │ ▓ │ ▓ www.67special.com - www.fmrecords.com.au │ ▓ │ ▓ When Ash Santilla and Gavin Campbell met each other in their hometown │ ▓ │ ▓ of Benalla in 1994, it was Ash who overheard Gav playing Led │ ▓ │ ▓ Zeppelin's Black Dog on guitar and was immediately drawn to Gav's │ ▓ │ ▓ ability to play this fine classic riff. The pair, whod each been fed │ ▓ │ ▓ blues and rock'n'roll from an early age, subsequently built a strong │ ▓ │ ▓ bond on their passion for rock'n'roll. After a few years of │ ▓ │ ▓ separation, Gav and Ash found each other again in Melbourne in 2001 │ ▓ │ ▓ and began writing furiously. They soon recruited Ben Dexter on drums, │ ▓ │ ▓ Louis Macklin on keys and Bryan Dochstader on bass, and 67Special was │ ▓ │ ▓ formed. A natural ability to write, arrange, improvise and rock was │ ▓ │ ▓ present within each member of the band and by early 2003, 67 Special │ ▓ │ ▓ had recorded their first demo at Sing Sing Studios in Melbourne with │ ▓ │ ▓ Producer/Engineer Dave Davis. This first recording coincided with the │ ▓ │ ▓ bands assault on Melbournes rock n roll live circuit. Delivering │ ▓ │ ▓ driving guitars, soulful keys freak-outs, retro-rock beats and a │ ▓ │ ▓ mesmerising frontman, the seeds of 67Specials reputation for │ ▓ │ ▓ blistering live shows were sown. │ ▓ │ ▓ │ ▓ │ ▓ "...their stage presence is second to none for such a young band, and │ ▓ │ ▓ their songs have a signature sound that makes me want to get out on │ ▓ │ ▓ the dance floor and pull out a few smooth moves. Their song writing │ ▓ │ ▓ sets them apart from the like of Jet, The Vines, the Casanovas et │ ▓ │ ▓ al... they can tone their sound to a whisper, then bring an all-out │ ▓ │ ▓ assault on their instruments and your eardrums." (Inpress - 2003). │ ▓ │ ▓ "...they had a frenetic and commanding stage presence... their songs │ ▓ │ ▓ relayed this passion, evading mediocrity." (The Brag - 2004) │ ▓ │ ▓ │ ▓ │ ▓ "...vocalist and guitarist Ash Santilla grins through a black │ ▓ │ ▓ waterfall of sweaty fringe and occasionally falls to his knees while │ ▓ │ ▓ veering wildly between rock-boy screech and smoky blues croon." (Time │ ▓ │ ▓ Off - 2004) │ ▓ │ ▓ │ ▓ │ ▓ Throughout December 2003 to January 2004, 67Special recorded their │ ▓ │ ▓ debut EP Hey There Bomb with Producer/Engineer Andy Baldwin (28 Days, │ ▓ │ ▓ Killing Heidi, The Cat Empire). The five tracker encompasses fast │ ▓ │ ▓ living, flirtation and the music biz, and is rounded out with a │ ▓ │ ▓ sizzling sleepy blues number. The EPs knockout title track is at │ ▓ │ ▓ radio mid-June and is accompanied by a killer performance based video │ ▓ │ ▓ clip, shot in New Zealand with director Wade Shotter of award-winning │ ▓ │ ▓ NZ music video production company Fish n Clips. │ ▓ │ ▓ │ ▓ │ ▓ ┌────────────┐ │ ▓ │ About OZM │ └──────────────────────────────────────────────────────────────┘ │ ┌───────────────────────────────────────────────────────────────────────────┘ │ ▓ As Australians, it is depressing enough to walk into the local cd │ ▓ │ ▓ store, and find little to no new local music on the racks. Instead, │ ▓ │ ▓ we are saturated with popular American artists, none of which have │ ▓ │ ▓ much idea about what 'music' really is. Here in our own country, our │ ▓ │ ▓ much loved bands and artists struggle for recognition, let alone │ ▓ │ ▓ anywhere else in the world. │ ▓ │ ▓ │ ▓ │ ▓ What OZM is all about is getting good Australian music OUT there for │ ▓ │ ▓ people to listen to. If its worth listening to, its worth BUYING. │ ▓ │ ▓ Australian music deserves nothing less than world wide coverage AND │ ▓ │ ▓ support. It's time people saw that Australian music kicks ass as │ ▓ │ ▓ much as their American counterparts (if not more so :) │ ▓ │ ▓ │ ▓ │ ▓ We believe in .au music... So should you... │ ▓ │ ▓ │ ▓ │ ▓ TEAM OZM 1998-2005 │ ▓ │ ▓ ┌────────────┐ │ ▓ │ News │ └──────────────────────────────────────────────────────────────┘ │ ┌───────────────────────────────────────────────────────────────────────────┘ │ ▓ │ ▓ │ ▓ We are currently looking for the following: │ ▓ │ ▓ - Rippers/Suppliers of quality Australian Music │ ▓ │ ▓ - */100mbit Affils running *nix │ ▓ │ ▓ - Shell Suppliers │ ▓ │ ▓ │ ▓ │ ▓ If you can be of help, please contact us. │ ▓ │ ▓ ┌────────────┐ │ ▓ │ Contact Us │ └──────────────────────────────────────────────────────────────┘ │ ┌───────────────────────────────────────────────────────────────────────────┘ │ ▓ │ ▓ │ ▓ IRC: IRC? whats that?... │ ▓ │ ▓ E-MAIL: Is that like G-Mail? │ ▓ │ ▓ ┌────────────┐ │ ▓ │ Nfo │ └──────────────────────────────────────────────────────────────┘ │ ┌───────────────────────────────────────────────────────────────────────────┘ │ ▓ NFO Body/Header/Layout By: siber/wKd1/mRmiSta 05/02 │ ▓ ┌───────────────────────────────────────────────────────────────────────────┘ O Z M