░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░████████████░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░██████████████████████░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░███████████████████████████▓░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░██████████ ███████████░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░███████░ ████████░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░███████ ████████░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░███████ V E T E R A N S ██████░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░██████ ██████████ █████████ ██████░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░█████▓ ░░█████████ █████████ █████▓░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░█████ ░██████████ █████████ █████▒░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░█████ ░░█████████ █████████ █████░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░█████ ░█████████ ████████ █████░░░░░░░░░░░░░░ ░░░░░░░░░░░░░████ U R B A N ░░██████████████████ U N I T E D █████░░░░░░░░░░░░░ ░░░░░░░░░░░░█████ ████ ████ ░░████████████████ █████ █████ ████░░░░░░░░░░░░░ ░░░░░░░░░░░█████ ░████ ████ ░████████████████ ░█████ █████ █████░░░░░░░░░░░░ ░░░░░░░░░░░████ ░████ ████ ░░██████████████ ░█████ █████ ████░░░░░░░░░░░░ ░░░░░░░░░░░████ ░████ ████ ░░████████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████▒ ░████ ████ ░████████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████ ░████ ████ ░░██████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████ ░██████████ ░█████████▓ ░███████████ ████░░░░░░░░░░ ░░░░░░░░░█████ ░█████████ ░░████████ ░█████████ ████░░░░░░░░░░ ░░░░░░░░░█████ ░███████ ░░██████ ░███████ ████░░░░░░░░░░ ░░░░░░░░░░█████ ░██████ █████░░░░░░░░░░ ░░░░░░░░███████ ░░████ ███████░░░░░░░░ ░░░░░░░████████ ░███ ████████░░░░░░░ ░░░░░░█████▓▓██ ░░██ ██▓▓█████░░░░░░ ░░░░░█████▓▓▓██ ╔══════════════════════════════════════════════╗ ██▓▓▓█████░░░░░ ░░░█████▓▓▓█▓██ ║ r e l e a s e i n f o ║ ██▓█▓▓▓█████░░░ ░░▓████▓▓███▓██ ╚══════════════════════════════════════════════╝ ██▓███▓▓█████░░ ░░████▓▓████▓██ ██▓████▓▓████░░ ░█████▓█████▓██ ▌Artist__│ A.R. Luciani ██▓█████▓█████░ ░████▓▓██▒██▓██ ▌Title___│ Elettroencefalogramma ██▓█████▓▓████░ ░████▓███▒██▓██ ▌Label___│ Finders Keepers Records ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Genre___│ Soundtrack ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Format__│ Album ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Year____│ 2020 ██▓██▒███▓████░ ░░████▓█████▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓█████▓████░░ ░░████▓█████▓██ ▌Time____│ 31:51 ██▓█████▓████░░ ░░░████▓████▓██ ▌Size____│ 76.66 MB ██▓████▓████░░░ ░░░░███▓▓███▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓███▓▓███░░░░ ░░░░░███▓▓▓█▓██ ▌Source__│ Web Store ██▓█▓▓▓███░░░░░ ░░░░░░████▓▓▓██ ▌Quality_│ 320 kbps ██▓▓▓████░░░░░░ ░░░░░░░░░██████ ▀▀▀▀▀▀▀▀▀╝ ██████░░░░░░░░ ░░░░░░░░░░░░███ ███░░░░░░░░░ ░░░ ░░ ╔═══════════════╗ ░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ░░ ░░ 01. Desol 2 2:02 ░░ 02. Battery Farm 1:26 ░░ 03. Bombardment 4:12 ░░ 04. Elettroencefalogramma 2:56 ░░ 05. Diving Underwater 2:24 ░░ 06. Operating Room 3:27 ░░ 07. The Zoo 3:11 ░░ 08. A Man In The Night 3:36 ░░ 09. Forest Of Chimneys 3:16 ░░ 10. Offices 2:38 ░░ 11. Radar 2:43 ░░ ░░ ░░ ░░ ╔═══════════════╗ ░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ░░ ░░ In the widening realms of uncovered European Outsider Art and maligned ░░ musical enigmas, the composer most commonly known as A.R. Luciani ░░ continues to exist on the extreme outer limits. Despite his unwaning ░░ commitment to the Italian avant garde and extensive production for the ░░ film industry, his work remains undocumented in almost all the excitable ░░ documentaries, books and retrospectives on the subject made in recent ░░ years. Trust Andy Votel, Sean Canty and Doug Shipton to put that to ░░ rights - with this first-ever collection of his music, representing what ░░ Votel describes as ôjust the tip of an iceberg in a very deep oceanö. It ░░ represents a stunning haul of largely unheard material offering an ░░ immersive overview and the first contemporary assessment of this ░░ seldom-scanned musical mastermind. Followers of Teresa Rampazzi, Daniela ░░ Casa, Roland Kayn, Maurizio Bianchi or the wider Gruppo di ░░ Improvvisazione Nuova Consonanza universe need to delve deep into this ░░ one. ░░ ░░ æElettroencefalogrammaÆ scans the full breadth of solo experimental ░░ composition by Antonino Riccardo Luciani, revealing a strong, prescient, ░░ frankly shocking line in mind-bending, fathoms-deep work with tape and ░░ early, pre-synth devices. Awarded unprecedented access to the polymath ░░ composerÆs archive of inter-disciplinary work, Andy Votel follows his ░░ pressing of Maria Teresa LucianiÆs æSounds of The CityÆ with this first ░░ compilation survey of her siblingÆs vast catalogue. The set falls deep ░░ within the labelÆs remit of reissued and previously unreleased work by ░░ overlooked and undocumented pioneers of 20th century sound, revealing a ░░ distinctive mix of material that nods to contemporary, tape music, ░░ neo-classical, jazz, electro-acoustic and counterpoint composition. ░░ ░░ Drawn from original tapes recorded during the 1970s, ░░ æElettroencefalogrammaÆ spans the heyday of LucianiÆs work, before synth ░░ music was popularised. In this sense itÆs worth noting LucianiÆs links ░░ with Teresa Rampazzi and the pioneering electroacoustic group NPS - and ░░ namely Serenella ôSerenaö Marega - with whom he shares a strong ░░ affiliation toward embracing the possibilities of new music at the dawn ░░ of an unprecedented sonic epoch. ThereÆs a sense of being in transition ░░ between worlds and eras in the opening blend of melancholy strings and ░░ bubbling electronic rhythm æBattery FarmÆ, and likewise the cranky ░░ mixture of bestial growls and dissonance in æThe ZooÆ, while the rattly ░░ rhythm of æOfficesÆ uncannily recalls TrunkÆs recent issue of æMechanical ░░ Keyboard SoundsÆ from the modern day. But Luciani excels at quieter, ░░ introspective styles, as with the flute-led vision of æDesol 2Æ, and most ░░ remarkably in the stygian, primitive drum machine pulse and clammy string ░░ drones of æForest of ChimneysÆ, which is surely crying out for imagery of ░░ Satanic mills, while the rupturing tape of æBombardmentÆ sets him firmly ░░ in a lane of advanced Italian noise that connects him to GruppoÆs Roland ░░ Kayn and Maurizio Bianchi. ░░ ░░ Needless to say all of the material compiled here is taken from records ░░ that are incredibly rare and which were never intended for commercial ░░ release. It serves as a multifarious toolkit portfolio of LucianiÆs most ░░ introspective, intimate, individualistic and uninhibited studio ░░ experiments - compiled and assembled in collaboration with the artist ░░ himself, whose vast and incredible oeuvre will hopefully now be made ░░ available to a new generation of listeners. ░░ ░░ https://play.google.com/store/music/album?id=Bsojhgsrqb6ss3uprxpnnmd5jjq ░░ ░░█ ░░███ ░█ ░░░░██ █▓█ ████░ ░░░░░██ y o o v e e y o o █████ █████ ░░░░░░██ g o t t h e ▒████░ ██▒▒██ ░░░░░░░█ ░ ██▓██ ▓█▒██ ░░░░░░░█ ███ ███ ███ ███ ███ ████ ▒▓███ ▒███ ░░░░░░░█ ░█ █░█ █░█ █░█ █░█ ░███████ ████░ ░███ ░░░░░░░█ ░███░███░█ █░███░███ █████████▒ █████ ██ ░░░░░░░█ ░█ ░█ █░█ █░█ ░░░█ ██████████████ █████ █ ░░░░░░██ ░█ ░█ █░█ █░█ ░█ ██████████████████ ████▓ ░░░░░██ ░█ ░█ █░█ █░█ ░█ ████████████████████▒ ░░░░██ ░█ ░█ █░█ █░█ ░█ ▓██████▒▒▒▒███████░ ░░░██ ░█ ░█ █░█ █░█ ░█ ▓█████▒███████████ ░░░█ ░█ ░█ █░█ █░█ ░█ █████▒▒░████████ ░░░█ ░█ ░█ █░█ █░█ ░█ ██▓██▒██▓███▒ ░░░█ ░█ ░█ █░█ █░█ ░░░█ ██████████ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░░░█ ░█ ░█ █░███░█ ░███ ▒███████ /─────────────────────────\ ░░░██ ███ ░| learned from vets |░ ░░░░██ ████ ░| and they |░ ░░░░░██ █████ ░| ain't pet doctors |░ ░░░░░░███ ████▒ \─────────────────────────/ ░░░░░░░▓▓█████████████▒ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀