Genre | Alternative |
---|---|
Date (CEST) | 2020-02-28 00:28:41 |
Group | FANG |
Size | None MB |
Files | 10 |
M3U / SFV / NFO |
Agnes_Obel-Myopia-(483_7173)-CD-2020-FANG
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-agnes_obel-cameras_rolling.mp3 | Agnes Obel | Camera's Rolling | 246 | Unknown |
2 | 02-agnes_obel-broken_sleep.mp3 | Agnes Obel | Broken Sleep | 254 | Unknown |
3 | 03-agnes_obel-island_of_doom.mp3 | Agnes Obel | Island of Doom | 247 | Unknown |
4 | 04-agnes_obel-roscian.mp3 | Agnes Obel | Roscian | 234 | Unknown |
5 | 05-agnes_obel-myopia.mp3 | Agnes Obel | Myopia | 265 | Unknown |
6 | 06-agnes_obel-drosera.mp3 | Agnes Obel | Drosera | 243 | Unknown |
7 | 07-agnes_obel-cant_be.mp3 | Agnes Obel | Can't Be | 247 | Unknown |
8 | 08-agnes_obel-promise_keeper.mp3 | Agnes Obel | Promise Keeper | 255 | Unknown |
9 | 09-agnes_obel-parliament_of_owls.mp3 | Agnes Obel | Parliament of Owls | 244 | Unknown |
10 | 10-agnes_obel-wont_you_call_me.mp3 | Agnes Obel | Won't You Call Me | 241 | Unknown |
NFO
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\ / \ / . '
: \/ F A N G \ / : '
____ \ / . . .. .. .:.. .
\ / presents \ / .
. \/ \/ :
: .
..:.. ,
: Artist......: Agnes Obel
: Album.......: Myopia :
: Label.......: Blue Note .. .:.. .
Genre.......: Alternative :
Catnr.......: 483 7173 .
' Source......: CD ,
; Rip.date....: 2020-02-27
Str.date....: 2020-02-21
Quality.....: 247kbps/44.1kHz/Joint Stereo . :..
.:. Url.........: http://www.agnesobel.com '
' ,
________ ________
\ / \ /
\ / \ /
\ / # title time \ /
\/ \/
1. Camera's Rolling 4:43
2. Broken Sleep 4:55
3. Island of Doom 5:29
4. Roscian 2:17
5. Myopia 5:16
6. Drosera 2:27
7. Can't Be 3:26
8. Promise Keeper 2:29
9. Parliament of Owls 4:29
10. Won't You Call Me 4:16
______
\ / ________ Runtime 39:47
,\ /... . . .... .... \ / ' Size 74.53 ______
:\/ ', \ / , \ /
' '... ..\ /.. .. .....:. .. .... .. . ..\ /.
: Release Notes: \/ , \/ ,
' '
,: Agnes Obel doesn't take the easy roads. Myopia is the latest :,
: example of that, with her taking a short-sighted approach to :
:' creating her music, she notes, "For me the production is ':
,: intertwined with the lyrics and story behind the songs ... :,
: Paradoxically, for me I need to create my own myopia to make :
:' music." Going inward in this way, she is able to open gateways ':
,: into her own personal experiences. :,
: :
:' Trust and doubt are at the heart of Myopia. As Obel explains, ':
,: "Can you trust your own judgments? Can you trust that you will :,
: do the right thing? Can you trust your instincts and what you :
:' are feeling? Or are your feelings skewed?" The opening ':
,: untreated notes of 'Camera's Rolling' establish one reality, yet :,
: quickly these notes are treated, suggesting that what is real :
:' depends on where you look. ':
,: :,
: Opening with treated vocals, the world of 'Broken Sleep' deals :
:' with restlessness in a world where dreams are broken this yet ':
,: the personal is never far from the surface as she sings, "Take :,
: my word for it, ooh, in the dark, in the dark, in the dark, :
:' words can follow." There's both a beauty and fragility to the ':
,: piece. Surprisingly, the entire piece is in a major key, which :,
: seems like an odd choice yet it works perfectly creating :
:' something both slightly agitated and serene. ':
,: :,
: Obel continually takes an experimental approach to the recording :
:' process, warping, and pitching down both vocals, along with the ':
,: strings, piano and celesta to create something both foreign and :,
: familiar on æIsland of Doom'. The language she uses makes it :
:' perfectly clear that death wins in the end, "Nature laughed ':
,: away as?their voices grew. They told me, they told me, 'Clean :,
: out the room and bury the body.'" But is death actually the end? :
:' Obel suggests perhaps not, "On your island of doom, where the ':
,: voices all have gathered up to a choir of fools. But I know my :,
: mind will reach you there, and I will be with you." :
:' ':
,: From her Berlin studio, the Danish Obel finds ways to create :,
: songs that both challenge and engage. Airy and ethereal, the :
:' music both challenges and intoxicates in equal measure. Part of ':
,: what draws the listener in is the unsettling beauty of what she :,
: has conjured. Amidst the confusion there is also lucidity. From :
:' that perspective, Agnes Obel doesn't suffer from Myopia, she ':
,: revels in it, creating songs that offer clarity amidst the :,
: chaos. :
:' ':
: '
'.. ..'
.. . :........... . . . . ............: . .
______________ ______________
\ / \ /
\ / Shout out to all our homies from: \ /
\ / \ /
\ / iPC BOSS HiT2000 1way UKi i8 RNS \ /
\ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ /
\ / \ /
\/ ____ ____ \/
\ / F A N G \ /
\/ 2 0 2 0 \/