░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░████████████░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░██████████████████████░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░███████████████████████████▓░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░██████████ ███████████░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░███████░ ████████░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░███████ ████████░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░███████ V E T E R A N S ██████░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░██████ ██████████ █████████ ██████░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░█████▓ ░░█████████ █████████ █████▓░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░█████ ░██████████ █████████ █████▒░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░█████ ░░█████████ █████████ █████░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░█████ ░█████████ ████████ █████░░░░░░░░░░░░░░ ░░░░░░░░░░░░░████ U R B A N ░░██████████████████ U N I T E D █████░░░░░░░░░░░░░ ░░░░░░░░░░░░█████ ████ ████ ░░████████████████ █████ █████ ████░░░░░░░░░░░░░ ░░░░░░░░░░░█████ ░████ ████ ░████████████████ ░█████ █████ █████░░░░░░░░░░░░ ░░░░░░░░░░░████ ░████ ████ ░░██████████████ ░█████ █████ ████░░░░░░░░░░░░ ░░░░░░░░░░░████ ░████ ████ ░░████████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████▒ ░████ ████ ░████████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████ ░████ ████ ░░██████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████ ░██████████ ░█████████▓ ░███████████ ████░░░░░░░░░░ ░░░░░░░░░█████ ░█████████ ░░████████ ░█████████ ████░░░░░░░░░░ ░░░░░░░░░█████ ░███████ ░░██████ ░███████ ████░░░░░░░░░░ ░░░░░░░░░░█████ ░██████ █████░░░░░░░░░░ ░░░░░░░░███████ ░░████ ███████░░░░░░░░ ░░░░░░░████████ ░███ ████████░░░░░░░ ░░░░░░█████▓▓██ ░░██ ██▓▓█████░░░░░░ ░░░░░█████▓▓▓██ ╔══════════════════════════════════════════════╗ ██▓▓▓█████░░░░░ ░░░█████▓▓▓█▓██ ║ r e l e a s e i n f o ║ ██▓█▓▓▓█████░░░ ░░▓████▓▓███▓██ ╚══════════════════════════════════════════════╝ ██▓███▓▓█████░░ ░░████▓▓████▓██ ██▓████▓▓████░░ ░█████▓█████▓██ ▌Artist__│ Al Johnson ██▓█████▓█████░ ░████▓▓██▒██▓██ ▌Title___│ Back for More ██▓█████▓▓████░ ░████▓███▒██▓██ ▌Label___│ Columbia Records ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Genre___│ Soul ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Format__│ Album ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Year____│ 1980 ██▓██▒███▓████░ ░░████▓█████▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓█████▓████░░ ░░████▓█████▓██ ▌Time____│ 39:30 ██▓█████▓████░░ ░░░████▓████▓██ ▌Size____│ 95.73 MB ██▓████▓████░░░ ░░░░███▓▓███▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓███▓▓███░░░░ ░░░░░███▓▓▓█▓██ ▌Source__│ Web Store ██▓█▓▓▓███░░░░░ ░░░░░░████▓▓▓██ ▌Quality_│ 320 kbps ██▓▓▓████░░░░░░ ░░░░░░░░░██████ ▀▀▀▀▀▀▀▀▀╝ ██████░░░░░░░░ ░░░░░░░░░░░░███ ███░░░░░░░░░ ░░░ ░░ ╔═══════════════╗ ░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ░░ ░░ 01. I'm Back For More 5:09 ░░ 02. Saved By The Bell 4:40 ░░ 03. You're A Different Lady 4:07 ░░ 04. School Of The Groove 4:47 ░░ 05. I've Got My Second Wind 5:32 ░░ 06. Tonight's The Night For Love 5:39 ░░ 07. You Are My Personal Angel 5:00 ░░ 08. Peaceful 4:36 ░░ ░░ ░░ ░░ ╔═══════════════╗ ░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ░░ ░░ Back in 1983 while I was a college student in Michigan, I wandered one ░░ day through a second floor loft record store with -- as usual -- almost ░░ no money in my pocket. I couldn't afford a new LP, so I went to the ░░ "cutout" bin, where they were selling discs for 50 cents. I flipped ░░ through crates of LPs trying to find something that looked moderately ░░ interesting, and found a scuffed up sleeve that included Al Johnson's ░░ 1980 album Back For More. I knew the title song from the Tavares version ░░ that appeared on 1979's Madam Butterfly, but didn't know who Al Johnson ░░ was. However, looking at the supporting cast on the disc, including ░░ producer Norman Connors and A-list musicians such as Lee Ritenour, David ░░ T. Walker, James Gadson and members of Earth, Wind & Fire's band, it was ░░ clear that this was an album that had a lot of talent involved. Of ░░ course, while I didn't recognize the name Al Johnson, the DC-based singer ░░ had a notable history. Johnson had been the lead in the Unifics ("Court ░░ of Love") and had been a noted songwriter and arranger (Tata Vega, ░░ Bloodstone) for over a decade. I took the four-bit chance on the ░░ unknown-to-me artist and was rewarded with one of my favorite bargain ░░ purchases ever. ░░ ░░ Back for More opened with the familiar title track, but in a format very ░░ different than the Tavares version. Johnson's cover delivered a deeper, ░░ more infectious groove and topped it off with a great vocal duet with ░░ Jean Carne. The song had been a moderate hit in the US, but has since ░░ taken on a larger life, particularly in Europe, where it is cited as one ░░ of the premiere examples of the "rare groove" movement of the early 80s. ░░ A couple well-produced but lyrically challenged dance cuts (even by 1980, ░░ the metaphors comparing love to a battle ["Saved By the Bell,"] or school ░░ ["School of the Groove"] were pretty trite) rounded out side one, ░░ accompanied by the Philly-influenced ballad, "You're a Different Lady." ░░ But the real treat came on side two, where Johnson showed his songwriting ░░ chops in a series of terrific ballads and midtempos. The richly arranged ░░ "I've Got My Second Wind" was a minor R&B hit, but it deserved to be ░░ much, much bigger. And the romantic "Tonight's the Night For Love" and ░░ "You Are My Personal Angel" were perfect for the emerging Quiet Storm ░░ format on radio. The disc then closed with Johnson's pensive ballad, ░░ "Peaceful," a fine coda to one of 1980's best album sides. ░░ ░░ Columbia Records didn't see Johnson as a priority, so sadly the label ░░ didn't give Back for More the promotion it deserved. It wasn't long after ░░ its release that Back for More went out of print, and within a few years ░░ it became almost impossible to find. And while Johnson went on to work ░░ hard behind the scenes with acts like the Whispers and Krush (and an ░░ occasional reunion with the Unifics), and even to record another solo ░░ album in the late 90s, his impressive Columbia debut album remained a ░░ lost treasure. Back for More is a real find for lovers of lush 80s soul ░░ and a welcome reintroduction to the talented Mr. Al Johnson. Highly ░░ Recommended. ░░ ░░ https://play.google.com/store/music/album?id=Bgtptnqrb6ag524ioz2fzukxuqq ░░ ░░█ ░░███ ░█ ░░░░██ █▓█ ████░ ░░░░░██ y o o v e e y o o █████ █████ ░░░░░░██ g o t t h e ▒████░ ██▒▒██ ░░░░░░░█ ░ ██▓██ ▓█▒██ ░░░░░░░█ ███ ███ ███ ███ ███ ████ ▒▓███ ▒███ ░░░░░░░█ ░█ █░█ █░█ █░█ █░█ ░███████ ████░ ░███ ░░░░░░░█ ░███░███░█ █░███░███ █████████▒ █████ ██ ░░░░░░░█ ░█ ░█ █░█ █░█ ░░░█ ██████████████ █████ █ ░░░░░░██ ░█ ░█ █░█ █░█ ░█ ██████████████████ ████▓ ░░░░░██ ░█ ░█ █░█ █░█ ░█ ████████████████████▒ ░░░░██ ░█ ░█ █░█ █░█ ░█ ▓██████▒▒▒▒███████░ ░░░██ ░█ ░█ █░█ █░█ ░█ ▓█████▒███████████ ░░░█ ░█ ░█ █░█ █░█ ░█ █████▒▒░████████ ░░░█ ░█ ░█ █░█ █░█ ░█ ██▓██▒██▓███▒ ░░░█ ░█ ░█ █░█ █░█ ░░░█ ██████████ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░░░█ ░█ ░█ █░███░█ ░███ ▒███████ /─────────────────────────\ ░░░██ ███ ░| shouts 2 all the groups |░ ░░░░██ ████ ░| putting out |░ ░░░░░██ █████ ░| quality music |░ ░░░░░░███ ████▒ \─────────────────────────/ ░░░░░░░▓▓█████████████▒ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀