: ' .. .:.... . ' ' ______________ : ________ : ' \ / .. .:. .. \ / : : \ /_________ \ / . .. ... .. . : .\ / /___ /\ \ / ______________ ___ _. : \ / / \ / \ \/ / \ \ \ \ \ . ...:..\ / _______/ \/ \ ___/__ / / / / / : /\ / / \ \/ \ / / / . sH! ' / \/ / / / \ / / . ... .:.... .. . :/ _______/ / / / _______/__ ___ __ .\ / / / / / / / / / / / \ / / / / / / / / / / / . . \ /\______/ / / / / \___ / / : \/ ____ \ / / / / / : \ / \ /\____/\ / / : : ________\/ \ / \ / / : ' \ / \/ \ /\ / : . ..:.. . \ / \/ \ / \ / \ / . ' : \/ F A N G \ / : ' ____ \ / . . .. .. .:.. . \ / presents \ / . . \/ \/ : : . ..:.. , : Artist......: Albert Day Kreimer : Album.......: Mutations : : Label.......: Public Eyesore Records .. .:.. . Genre.......: Avantgarde : Catnr.......: PE142 . ' Source......: CD , ; Rip.date....: 2021-07-19 Str.date....: 2018-09-01 Quality.....: 261kbps/44.1kHz/Joint Stereo . :.. .:. Url.........: http://www.publiceyesore.com ' ' , ________ ________ \ / \ / \ / \ / \ / # title time \ / \/ \/ 1. Mutation 1 5:53 2. Mutation 2 6:50 3. Mutation 3 5:20 4. Mutation 4 4:54 5. Mutation 5 5:50 6. Mutation 6 6:46 ______ \ / ________ Runtime 35:33 ,\ /... . . .... .... \ / ' Size 69.82 ______ :\/ ', \ / , \ / ' '... ..\ /.. .. .....:. .. .... .. . ..\ /. : Release Notes: \/ , \/ , ' ' ,: Mutations is the product of the virtual collaboration of sound :, : artists and instrument builders Bryan Day of San Francisco and : :' Jay Kreimer of Lincoln, Nebraska, and Marco Albert, an ': ,: Italian-born musician now based on Oaxaca, Mexico. The three :, : played together in Queretaro, Mexico, in 2018 at the Festival : :' Internacional de Improvisaci≤n y M·sica Extrema, where they had ': ,: the idea of continuing to work together via file sharing. For :, : Mutations, each recorded his part at home; Albert provided the : :' final mix. The six tracks give evidence of the trioÆs fine ': ,: chemistry and obvious compatibility of approaches to sound, as :, : well as the willingness of each to build an uncluttered audio : :' space in which the others can thrive. Consequently, Day and ': ,: KriemerÆs invented instruments combine with AlbertÆs electronics :, : and voice to create richly colored environments telling of : :' unlikely sounds: imaginary objects ricocheting off of mirrors ': ,: amid electronic glisses bringing news of yesterdayÆs vision of :, : the future. AlbertÆs voice grounds several of the pieces as he : :' whispers coded messages against a background of kalimba-like, ': ,: ad hoc percussion and scraped metal, delivers a lecture on :, : modern art and objectification to an increasingly : :' raucousùskeptical?ùGreek chorus of noise, or chants over ': ,: burbling sounds recalling the reaction of baking soda with hot :, : water. : :' ': : ' '.. ..' .. . :........... . . . . ............: . . ______________ ______________ \ / \ / \ / Shout out to all our homies from: \ / \ / \ / \ / iPC BOSS HiT2000 1way UKi i8 RNS \ / \ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ / \ / \ / \/ ____ ____ \/ \ / F A N G \ / \/ 2 0 2 1 \/