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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Alex Malheiros - Tempos Futuros ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Alex Malheiros ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Tempos Futuros ▓▓▓▓█ ████ GENRE...[ Jazz CAT#....[ FARO228D ████ ████ LABEL...[ Far Out Recordings ENCODER.[ Lame 3.100 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB (FLAC) MODE....[ Joint Stereo ████ ████ PLAYTIME[ 68:44 REL.DATE[ 11.26.2021 ████ ████ TRACKS..[ 12 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 157,56 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 The Razor's Edge 04:13 ████ ████ 02 Telegramas para Arp 07:48 ████ ████ 03 Retrato 07:28 ████ ████ 04 Prece 04:35 ████ ████ 05 Nikiti 04:41 ████ ████ 06 Kuarup 05:15 ████ ████ 07 O Temporal 07:19 ████ ████ 08 Alto Verao 06:32 ████ ████ 09 Sereno 06:26 ████ ████ 10 Marcinha 05:51 ████ ████ 11 Tempos Futuros 06:22 ████ ████ 12 Requiem For a Storm 02:14 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 68:44 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://open.qobuz.com/album/yazwsnal6drjb ████ ████ ████ ████ Stargazing from the sands of the Niteroi beach, ████ ████ Tempos Futuros is low-end-led Brazilian ████ ████ futurism from one of BrazilÆs most prolific and ████ ████ influential bassmen. As one third of legendary ████ ████ Brazilian trio Azymuth, Alex Malheiros has ████ ████ pioneered a unique fusion of space-funk, samba ████ ████ and jazz since the early seventies. His playing ████ ████ can be heard on the records of Jorge Ben, ████ ████ Milton Nascimento, Roberto Carlos, Marcos ████ ████ Valle, and Mark Murphy (to name a few), and ████ ████ heÆs performed and toured with everyone from ████ ████ Stevie Wonder to Chick Corea. ████ ████ ████ ████ Written and recorded in Niteroi, Brazil, ████ ████ overlooking Guanabara and the beaches, ████ ████ mountains and forests of Rio de Janeiro, Tempos ████ ████ Futuros has deep roots in Brazilian soil. The ████ ████ rhythms of MalheirosÆ homeland have always ████ ████ permeated his music. But just like the Oscar ████ ████ Niemeyer designed Niteroi Contemporary Art ████ ████ Museum which stands spaceship-like over the ████ ████ water, Tempos Futuros - while inspired by ████ ████ terrestrial forms, reaches out deep into the ████ ████ great unknown... ████ ████ ████ ████ Produced by acclaimed London-based producer ████ ████ Daniel Maunick, who has worked with Marcos ████ ████ Valle, Azymuth, Terry Callier, and Ivan Conti, ████ ████ the funk comes full circle. DanielÆs father ████ ████ Jean-Paul ôBlueyö Maunick and Alex Malheiros ████ ████ shared a reciprocal stream of influence ████ ████ throughout the 80s, between London and Rio; ████ ████ Azymuth and Incognito; brit-funk and samba- ████ ████ funk. But just as with AzymuthÆs music, you can ████ ████ also hear the influence of stateside jazz-funk ████ ████ masters like Roy Ayers, Weather Report, Lonnie ████ ████ Liston Smith, Mtume and Pleasure. ████ ████ ████ ████ Tempos Futuros features AlexÆs daughter, a ████ ████ Brazilian star in her own right, vocalist ████ ████ Sabrina Malheiros, Brazilian percussion master ████ ████ Sidinho Moreira, London based saxophonist Sean ████ ████ Khan, Marcos ValleÆs go-to drummer Massa, as ████ ████ well as Victor Bertrami on drums and keyboard ████ ████ player Dudu Viana. Featuring the late Azymuth ████ ████ keyboard maestro Jose Roberto Bertami on Fender ████ ████ Rhodes, the title track ôTempos Futurosö was ████ ████ originally recorded as a demo in 1995. On this ████ ████ finished version, Alex Malheiros used BertamiÆs ████ ████ original keyboard take, explaining the ████ ████ posthumous release. ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .