Genre | Electronic |
---|---|
Date (CEST) | 2020-07-23 07:21:55 |
Group | ENSLAVE |
Size | 24 MB |
Files | 2 |
M3U / SFV / NFO |
All_We_Are-Not_Your_Man_(Ninetoes_Eighties_Electro_Remix)-(DS149D5)-WEB-2020-ENSLAVE
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-all_we_are-not_your_man_(ninetoes_eighties_electro_remix)-c7ffac60.mp3 | All We Are | Not Your Man (Ninetoes Eighties Electro Remix) | 320 | Unknown |
2 | 02-all_we_are-not_your_man_(ninetoes_eighties_electro_remix_edit)-73b56f37.mp3 | All We Are | Not Your Man (Ninetoes Eighties Electro Remix Edit) | 320 | Unknown |
NFO
enslave: (verb)
make (someone) a slave.
ARTIST.....: All We Are
TITLE......: Not Your Man (Ninetoes Eighties Electro Remix)
LABEL......: Domino Recording Co Ltd
CATNUM.....: DS149D5
GENRE......: Electronic
RIP DATE...: 2020-07-23
RETAIL DATE: 2020-07-22
RUNTIME....: 10:17
TRACKS.....: 2
SIZE.......: 23.74MB
QUALITY....: CBR 320kbps 44.1kHz Stereo
CODEC......: MP3 (MPEG-1 Audio Layer 3)
ENCODER....: LAME
URL........: https://play.google.com/store/music/album?id=Bnhvb2e6iil7rknfgsyyu6rei2i
Tracklist:
----------
01. Not Your Man (Ninetoes Eighties Electro Remix) 06:06
02. Not Your Man (Ninetoes Eighties Electro Remix Edit) 04:11
Notes:
------
"We've been gone from home for too long for our roots to remain
and this leaves us anchorless. We've taken to making music to
feel a sense of belonging in a world where we don't really belong
anywhere. In a sense that is what All We Are is about, a
surrogate family born from music."- All We Are, 2017Remember pop
that wasn't just background music? That didn't just dream of the
past but fearlessly faces down the present and the future? Music
that helps? Liverpool-based three-piece All We Are do. In Sunny
Hills they have created an irresistibly danceable, uplifting
album about what it means to be alive right now, how it feels to
be alive right now, and the power of friendship and togetherness
in a world intent on driving us apart. It's telling that hearing
an album that's both timeless and timely seems such a rarity -
All We Are themselves are stunned that any band could not feel
compelled to respond to the times we're in."For us it's hard to
understand how an artist can't be influenced and talk about
what's going on, sometimes you hear music coming out that seems
to come from a completely different world", explain the group.
"It's important to try and raise our heads up and draw attention
to the everyday intolerable things that somehow become background
noise. The need for us to have an outlet for this was very
influential in writing this album." Coming together as students
at Liverpool's Institute for Performing Arts in 2011, the trio
are made up of Guro Gikling (Norway), Luis Santos from Brazil
(guitars) and Richard O'Flynn from Ireland (drums). Years of
playing and developing their multifaceted music meant that their
debut album for Double Six/Domino got major plaudits from critics
and fans in 2015, but Sunny Hills is a serious step up that
reflects their increasing cohesiveness as a unit, as well as the
times All We Are, and all of us, find ourselves in. Emblematic of
a diversity and dissidence criminally lacking in music at the
moment the heterogeneity of All We Are's make up is both their
launch pad and their onward spur - especially in times where that
kind of diversity is being marginalised and attacked. "We're even
more determined to say, through our music, that it's ok not to
belong", say the band. "Everyone on this planet is in a sense
isolated in some way; it's the human condition, but there is a
sense of unity in that loneliness. We want to say that it's ok to
feel different; it's ok to feel alone and just do what you can to
be loved and loving." After spending much of 2015 touring and
honing their sound further the band started to write new material
with a new sense of urgency and power, songs that documented the
emotional rollercoaster the trio have been on in the past two
years. Where All We Are was funky, liquid, seamless, Sunny Hills
has a wobble to it, a human heartbeat and a grit that reflects
the energy of the band's thrilling live shows. The aforementioned
idea of displacement as well as notions of personal struggle,
despair and hope started pouring out in the writing process and
the result is an album shot through with struggle but pulsing
with a spirit of resistance and joy. Inevitably, the city of
Liverpool itself affected the album.Or as the group put it: "All
We Are is a Liverpool band. We have been formed by and have
absorbed the spirit of the city. Liverpool is an immigrant city
and has a proud history of welcoming everyone, drawing from the
culture of the people who choose to live here and making that
part of its own unique vibe." Liverpool is also a singularly
radical and resistant city and the band see a parallel between
today's climate of alienation and fear and that of the era when
Margaret Thatcher, the city's most despised political figure
ever, was presiding over a government that seriously considered
evacuating the entire city after the Toxteth Riots in 1981. That
was also the time that gave birth to post punk, a movement
largely incubated in the north west of England, and it's this
bristling, dissident sprit that provides the foundation of Sunny
Hills. The record's message burns through largely because the
painstaking care and attention paid to the sound is also
reflected in every aspect of the album's design - from the music
itself, to the sequencing and the album's hugely symbolic
artwork. All We Are at all times want to create a total
experience with Sunny Hills, the kind of record you can lose
yourself, and find yourself, in."The artwork shows an old house
sandwiched between two large buildings under industrial
development", say the band. "The woman who owned the house
refused to sell to a number of developers including Donald Trump.
She resisted for years while the developers even bought the space
above the house. She finally won the case and stayed there for a
decade more until her death. Before that moment she watched
Donald Trump's casino fail and finally close its doors. There is
a feeling of powerful resistance in this story that we relate to
along with a real sense of defiance and eventual victory against
a bigger power."What makes Sunny Hills so rewarding is that it
isn't just a recalibration and reaffirmation of All We Are's
spirit, it's musically a simultaneous refinement and loosening of
what made the debut so compelling. Tracks like the startling
opener 'Burn It All Out', and blistering battering ram 'Human'
suggest psychedelia, avant-rock, krautrock and the aforementioned
post-punk were all heavy influences on the band's sound but also
that the band are finally surpassing those wide influences, truly
becoming magically more than their parts. Sunny Hills doesn't
sound like an amalgam or a stitch up - it sounds fluid, cohesive,
and holistic. The band are now making All We Are music, nothing
else. A big factor in the band arriving at their visceral new
creative destination was the formation of a new working
relationship with Kwesi Sey, better known as the Warp Recording
artist and producer Kwes (Solange, Loyle Carner, Kano). "We
started working with Kwes as an A&R through his role at the
label", they explain. "But the more we planned the forthcoming
album it became clear he really got the music and us, as people
and so eventually he put himself up for the job. It's more of an
old-school approach, the A&R/producer and that was quite
attractive to us. He's incredibly versatile and really got stuck
in personally and emotionally in a way which helped us realise
the vision we had for these songs.""With this record we don't
want to hold back and more than anything we want people to relate
and hopefully end up taking something important from it", says
the group. "Directness and humanity were, we felt, the best way
to do that. All the imperfections and wobbles are what make this
album human. We never really tried to make them happen
consciously but when they did, we were really careful to honour
that feeling. Not just in the writing and recording process but
also in the mix and master. In that way it's different to the
debut as we are far more confident in letting that happen. There
is a beauty in the imperfections this time around."For the band
Sunny Hills was healing music. "Sunny Hills is the positive
outcome, the end result, the catharsis. It was very important to
us to start the record with 'Burn It All Out'. 'Burn It All Out'
sets the tone, it kind of says get ready to be re-born, to re-
skin, as the rest of the songs punch themselves out of the
darkness towards the light. The titles reflect us emerging from a
dark place to some form of redemption.""There is a sort of 'self
-immolation' in the record, a voluntary death in the darkness and
a rebirth from surrendering to that", offer the band, "we would
love people to take this message and translate it to their world
on a personal level and on a more macro level. There is always a
way out of even the worst place. Human beings are resilient and
capable of the most incredible things and there's always a light
at the end of the tunnel."Political, poetic, danceable and
affirming - for all the proud citizens of nowhere, All We Are
give you Sunny Hills.