_ _ _ _ _ _ _ _ _ _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - F u F F E N S p r o u d l y p r e s e n t s a r e l e a s e w h i c h i n t e n t i o n i s t o p l e a s e a n d t o e n l i g h t e n t h o s e l e s s a w a r e o f t h e t r u e m e a n i n g a n d q u a l i t y o f m u s i c d u e t o d a m a g e s r e l a t e d t o m t v b u t w i t h o u t f u r t h e r a d o f u f f e n s o f f e r y o u t o i n c r e a s e y o u r k n o w l e d e g e a b o u t m u s i c a n d i n t h a t w a y c r e a t e a b e t t e r w o r l d f o r o u r c h i l d r e n t h e f o l l o w i n g m a s t e r p i e c e o f a r t _ _ _ _ _ _ _ _ _ _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - a r t i s t allan pettersson a l b u m seven sonatas for two violins l a b e l Grammofon BIS g e n r e classical r i p d a t e 09.25.2003 s t r e e t d a t e 2000 o r i g i n a l r e l 2000 s u p p l i e r doodoo s o u r c e cd b i t r a t e 192 kbps, JS e n c o d e r lame 3.92 r e l e a s e n o t e s Drone and ambient post rock acts are "in" these days, and we like it too. But as always, FuFFENS wants to dive into things and point out influences for the music of today. Among others, the Canadian based Godspeed You Black Emperor! mentions Allan Pettersson as a huge influence. Pettersson received a grounding in the folk music of his native Sweden from his mother. He attended the Stockholm Conservatory where his instruments were viola and violin. He later began to study counterpoint. After a short period of study in Paris via the Jenny Lind Scholarship, Pettersson played viola in The Stockholm PO, and made his compositional debut in 1949 with his Concerto for violin and string quartet, both of which were poorly received. He returned to Paris to study 12-tone composition and, suffering from arthritis, abandoned his performing career to concentrate on composition. In 1968 his Symphony no. 7 brought him recognition, and this work became widely popular after it was recorded in 1972. Subsequent symphonies brought him continued success. Pettersson's music is marked by both dissonant, complex and explosive passages as well as simple sections born of his roots in folk music. The feeling tone of his work is one of compassion toward the persecuted and the outsider. ...and remember: s t a y f u f f e n s f o r l i f e t r a c k l i s t sonata no 1 13:19 sonata no 2- i allegro con allegrezza 01:36 sonata no 2- ii moderato 03:10 sonata no 2- iii allegro veloce - ostinato 02:12 sonata no 3 05:24 sonata no 4 05:29 sonata no 5 11:00 sonata no 6- i andante 02:19 sonata no 6- ii walzer 01:13 sonata no 6- iii mesto 02:17 sonata no 6- iv tempo di walzer 01:40 sonata no 6- v andante 04:53 sonata no 7 03:54 lamento for piano 02:58 two elegies for violin and piano- i andantino 01:42 two elegies for violin and piano- ii (no tempo marking) 01:27 romanza for violin and piano 02:33 andante espressivo for violin and piano 02:58 70:04 MB 96,4 g r o u p n e w s Now releasing more than the 5 rels per week our good old manifest said we would. We are growing every day, and we just cannot help it. h e l p f u f f e n s We are looking for quality sites in Europe and US, to be afilliated on. Remember, we are not in it for the creds, but for the spreading of quality music - we just want to get our releases out to the ppl that wants/needs it. More pre sites fills this purpose. Contact us on [email protected] g r e e t s CMS CMG diss DPS HiT2000 IGR JUST kw miso NuHS om sb sfE smc soup YOU s p e c i a l g r e e t s g o e s o u t t o : SChiZO _ _ _ _ _ _ _ _ _ _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - i f y o u l i k e t h i s r e l e a s e t h e n g e t y o u r l e e c h a s s d o w n t o y o u r l o c a l r e c o r d d e a l e r a n d b u y t h e s t u f f b e c a u s e t h i s i s m a d e b y r e a l a r t i s t s a p a r t f r o m t h e m a i n s t r e a m p r o d u c t s t h a t s i n t h e t o p 2 5 l i s t i n t h a t s t o r e y o u w i l l v i s i t r i g h t a w a y t o s h o w y o u r s u p p o r t t o t h e t r u e a r t i s t s o f m u s i c - t h e f u f f e n s a r t i s t s t h a t s i n i t f o r t h e m u s i c n o t t h e m o n e y _ _ _ _ _ _ _ _ _ _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - a l w a y s d o r e m e m b e r : s t a y f u f f e n s f o r l i f e ⌐ FuFFENS 2 0 0 3