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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Altin Guen - Yol ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Altin Guen ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Yol ▓▓▓▓█ ████ GENRE...[ Alternative CAT#....[ GB103 ████ ████ LABEL...[ Glitterbeat ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 44:58 REL.DATE[ 02.26.2021 ████ ████ TRACKS..[ 12 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 103,16 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Bahcada Yesil Cinar 00:54 ████ ████ 02 Ordunun Dereleri 04:57 ████ ████ 03 Bulunur Mu 03:27 ████ ████ 04 Hey Nari 03:35 ████ ████ 05 Yuece Dag Basinda 04:41 ████ ████ 06 Kesik Cayir 05:19 ████ ████ 07 Arda Boylari 02:46 ████ ████ 08 Kara Toprak 04:35 ████ ████ 09 Sevda Olmasaydi 03:38 ████ ████ 10 Macka Yollari 04:03 ████ ████ 11 Yekte 04:09 ████ ████ 12 Esmerim Guezelim 02:54 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 44:58 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://altingun.bandcamp.com/album/yol ████ ████ ████ ████ Altin Guen return with a masterful album that ████ ████ widens their critically acclaimed exploration ████ ████ of Anatolian rock and Turkish psychedelic ████ ████ stylings to include dreamy 80Æs synth-pop and ████ ████ dancefloor excursions. Yol (Road) brings ████ ████ together all vectors of the Altin Guen ████ ████ experience and delivers their most compelling ████ ████ and individual album to date. ████ ████ --------------------------------------- ████ ████ ████ ████ AmsterdamÆs Altin Guen have built a strong ████ ████ reputation for melding past and present to make ████ ████ brilliantly catchy, psychedelic pop music, as ████ ████ seen with their Grammy-nominated second album, ████ ████ Gece. They are also a renowned live band with ████ ████ strings of sold-out shows on three continents, ████ ████ who have consistently brought a muscular groove ████ ████ to their recordings. Yol, their third album in ████ ████ as many years, excitedly continues these ████ ████ trends; while also digging in deep to unveil a ████ ████ new palette of sonic surprises. ████ ████ ████ ████ Though it draws from the rich and incredibly ████ ████ diverse traditions of Anatolian and Turkish ████ ████ folk music, Yol is not just a record that ████ ████ reframes traditional sounds for a contemporary ████ ████ audience. The album often presents a textured, ████ ████ avant-pop sound as evidenced by the debut ████ ████ single "Ordunun Dereleri.ö Mysterious and ████ ████ atmospheric, the track is a thrilling evolution ████ ████ for the band. It patiently coaxes the listener ████ ████ into a resonant soundworld of down-tempo ████ ████ electro beats, majestic synths and Erdinc ████ ████ Ecevit's yearning vocal of unrequited love. ████ ████ The album also signals a very different ████ ████ approach in making and recording for the band. ████ ████ Singer Merve Dasdemir takes up the story: ôWe ████ ████ were basically stuck at home for three months ████ ████ making home demos, with everybody adding their ████ ████ parts. The transnational feeling maybe comes ████ ████ from that process of swapping demos over the ████ ████ internet, some of the music we did in the ████ ████ studio, but lockdown meant we had to follow a ████ ████ different approach.ö ████ ████ ████ ████ Yol displays a noticeable dreaminess, maybe ████ ████ born from this enforced time to reflect. And ████ ████ select elements of late 1970s or early 1980s ████ ████ ôEuroö synth pop also shines through. This new ████ ████ musical landscape was nurtured by certain ████ ████ instrument choices; namely the Omnichord, heard ████ ████ on æArda BoylariÆ, æKara ToprakÆ and æSevda ████ ████ OlmasaydiÆ, and the drum-machine, an instrument ████ ████ that is key to the gorgeous closing number, ████ ████ æEsmerim GuezelimÆ. Dasdemir once more: ôbass ████ ████ player Jasper Verhulst loved the song. He said, ████ ████ æit doesnÆt sound like Altin Guen, this sounds ████ ████ like a Turkish kindergarten music teacher from ████ ████ the 1980s using an 808!ö ████ ████ ████ ████ As ever, the tracks are the result of a true ████ ████ group effort, with ideas on Omnichord, 808 and ████ ████ other elements - such as field recordings and ████ ████ new age-esque ideas - continually kicked about ████ ████ between the six band members. At a safe ████ ████ distance of course. The record also owes ████ ████ something special to its production team, the ████ ████ band working this time with Asa Moto (the ████ ████ Ghent-based producer-crew, Oliver Geerts and ████ ████ Gilles Noδ) who mixed the record. Before this ████ ████ Altin Guen always recorded on tape with their ████ ████ own sound engineer. ████ ████ ████ ████ It would be wrong to say that what made Altin ████ ████ Guen such a loved and successful band has been ████ ████ left to one side. The pressure-cookers æSevda ████ ████ OlmasaydiÆ and æMacka YollariÆ are classic cuts ████ ████ from the band. And their signature employment ████ ████ of a dizzying array of ideas and approaches can ████ ████ be heard with the marked Brazilian feel of ████ ████ æKara ToprakÆ and æYekteÆ. Cosmic reggae ████ ████ filters through the grooves of æYuece Dag ████ ████ BasindaÆ, and there is a steaming version of ████ ████ æHey NariÆ which gives the traditional ████ ████ composition by Ali Ekber Cicek a kick onto the ████ ████ dancefloor. ████ ████ ████ ████ But with Yol, Altin Guen have maybe patented ████ ████ their own magical process of reimagining and ████ ████ sonic path-finding, one probably not heard ████ ████ since the late 1960s and early 1970s British ████ ████ folk-rock boom. Less of a reworking than a ████ ████ seduction, their recordings transport the ████ ████ listener to a world where the original songs ████ ████ never previously inhabited. Merve Dasdemir ████ ████ again: ôAfter we worked on them, they got a ████ ████ whole new life of their own. Maybe we went a ████ ████ little bit too far (laughs).ö ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .