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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Amaro Freitas - Rasif ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Amaro Freitas ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Rasif ▓▓▓▓█ ████ GENRE...[ Jazz CAT#....[ FARO205D ████ ████ LABEL...[ Far Out Recordings ENCODER.[ Lame 3.100 ████ ████ YEAR....[ 2018 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB (FLAC) MODE....[ Joint Stereo ████ ████ PLAYTIME[ 57:32 REL.DATE[ 12.18.2021 ████ ████ TRACKS..[ 09 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 131,78 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Dona Eni 04:03 ████ ████ 02 Trupe 04:09 ████ ████ 03 Paco 04:23 ████ ████ 04 Rasif 06:07 ████ ████ 05 Mantra 07:07 ████ ████ 06 Aurora 10:17 ████ ████ 07 Vitrais 07:01 ████ ████ 08 Plenilunio 09:03 ████ ████ 09 Afrocatu 05:22 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 57:32 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://open.qobuz.com/album/j4v9rg8k7q8xc ████ ████ ████ ████ Rasif Review by Thom Jurek ████ ████ Pianist and composer Amaro Freitas hails from ████ ████ the coastal city of Recife in the northeastern ████ ████ Brazilian state of Pernambuco. He grafts the ████ ████ musical heritage of that region into his ████ ████ bracing take on contemporary jazz. His second ████ ████ album Rasif is unlike any other piano trio ████ ████ recording; it is a tour de force of ████ ████ experimentation and a bold, yet intimate ████ ████ reconsideration of jazz. Freitas was influenced ████ ████ by iconic jazz pianists including Monk and ████ ████ Chick Corea, but also by the boundary-less, ████ ████ time-stretching explorations of Brazilian ████ ████ masters such as Hermeto Pascoal, Sivuca, Moacir ████ ████ Santos, and Egberto Gismonti. Freitas' method ████ ████ is not reflective of the more familiar ████ ████ Brazilian samba or bossa with jazz. Instead, he ████ ████ marries the harder rhythms of Afro-Brazilian ████ ████ maracatu, and the rough and rowdy carnival ████ ████ beats of frevo and baiao, to swinging, ████ ████ sometimes angular harmonic architectures via ████ ████ complex mathematical and improvisational ████ ████ patterns. He achieves this in simultaneous, ████ ████ double-handed comping and soloing, with ballast ████ ████ from his rhythm section: bassist Jean Elton and ████ ████ drummer Hugo Medeiros. While his debut album, ████ ████ 2016's Sangue Negro (Black Blood) introduced ████ ████ these concepts, it focused on their ████ ████ articulation through the modern jazz idiom ████ ████ while Rasif turns that m.o. on its head. ████ ████ ████ ████ Opener "Dona Eni" employs baiao in percussive ████ ████ chords and knotty yet trancelike ostinato ████ ████ patterns. The rhythm section doesn't enter for ████ ████ nearly two minutes, then adds swinging force in ████ ████ the union of melody and beats, creating ████ ████ something danceable from the swirling ████ ████ maelstrom. "Trupe" uses the same rhythm but to ████ ████ completely different ends. It commences with ████ ████ percussion playing a skittering, circular ████ ████ pattern before Elton grafts an equally ████ ████ entrancing vamp onto the top. When Freitas' ████ ████ piano enters, he initially battles with his ████ ████ sidemen by offering colorful, spirited single ████ ████ notes and trills in counterpoint before joining ████ ████ the bass to double in a dance. Despite the ████ ████ fiery acrobatics, the trio is capable of ████ ████ equally remarkable intimacy and lyricism in a ████ ████ ballad. The title track is steamy and ████ ████ nocturnal, with syncopated pulses that ████ ████ underscore a restrained yet tender drama in the ████ ████ pianist's chord voicings and lithe middle- ████ ████ register harmonics. "Mantra" is a dazzling ████ ████ exercise in rhythmic and melodic invention ████ ████ using maracatu and postbop. "Aurora," a three- ████ ████ part suite, is an elaborate showcase for ████ ████ Freitas' compositional skill, with abundant, ████ ████ inquisitive lyricism. The rhythm section ████ ████ doesn't just keep time, but signifies its ████ ████ liquidity as they engage with one another and ████ ████ the pianist. Reed player Henrique Albino guests ████ ████ on the final two selections. "Plenilunio" ████ ████ sounds thoroughly composed, a seeming union of ████ ████ classical music and modal jazz, while ████ ████ "Afrocatu" is the most joyous and dissonant ████ ████ thing on the set, with carnival-esque rhythms, ████ ████ bumping horns and angular blocks of layered, ████ ████ lower-register notes and extended chords. Rasif ████ ████ may be the inside-out companion to its ████ ████ predecessor, but it goes much further, offering ████ ████ a series of new sonic dimensions for both ████ ████ contemporary jazz and Brazilian music. Fans of ████ ████ David Virelles, Vijay Iyer, and Craig Taborn ████ ████ (and the Brazilian masters) will find Rasif no ████ ████ less than exhilarating. ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .