Genre | Death Metal |
---|---|
Date (CEST) | 2019-03-22 11:54:50 |
Group | ENTiTLED |
Size | 12 MB |
Files | 1 |
M3U / SFV / NFO |
Amon_Amarth-Ravens_Flight-SINGLE-WEB-2019-ENTiTLED
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-amon_amarth-ravens_flight-b1f2ed6d.mp3 | Amon Amarth | Raven's Flight | 320 | Unknown |
NFO
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▒ release information for : ▒
░ Amon_Amarth-Ravens_Flight-SINGLE-WEB-2019-ENTiTLED ░
░ ░
artist.....: Amon Amarth
title......: Raven's Flight
label......: Metal Blade Records, Inc. Issued under exclusive lic
genre......: Death Metal
rip date...: 2019-03-22
retail date: 2019-03-20
runtime....: 05:20
tracks.....: 1
size.......: 12.4MB
quality....: 320kbps 44.1kHz
codec......: MP3 (MPEG-2 Audio Layer III)
encoder....: LAME
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▒ track list ▒
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░ 01. Raven's Flight 05:20 ░
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▒ release notes ▒
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It was nearly two decades ago when an unlikely collective from
Tumba, Sweden affectionately known as Scum reared its callow head
upon an unsuspecting underground. Initially a death/grind group
made of jagged riffs, dark atmospheres, untethered vitriol and
copious amounts of mead, Scum prowled the burgeoning Stockholm
metal scene unnoticed before enlisting vocalist Johan Hegg to
their ranks in 1992. Little did the young warriors know that
Hegg's imposing stature, Thor-like growl and treasure-trove of
Viking-related lyrical themes would inevitably help shape the
very core of their sound. The band later changed their name to
Amon Amarth -- "mount doom" in J. R. R. Tolkien's Middle-earth
legendarium -- and unleashed the five-song Thor Arise demo.
Though raw and uneven in sound and execution -- it was their
first demo, after all -- their infectious brand of epic-sounding
brutality and unadorned conviction caught the attention of
vigilant metallers searching for a new variety of extreme. Amon
Amarth continued to sharpen their warring death metal skills with
The Arrival Of The Fimbul Winter demo and subsequent Sorrow
Throughout The Nine Worlds EP and by 1997 found themselves on
Metal Blade Records, where they remain to this day. A compelling
fusion of buzzsaw riff work, melodic harmonies and soul-crushing
rhythms punctuated by Hegg's callous black/death roar and
accounts of Norse battles and treachery, Amon Amarth's 1998 Metal
Blade debut, Once Sent From The Golden Hall, earned the band
international accolades by critics and fans alike. For the next
ten years and an astounding six full-lengths, Amon Amarth marched
on, longswords in hand, pillaging their way through countless
tours and festival appearances stateside and abroad. With each
passing recording came a discernable growth in musicianship and a
deeper connection with the Nordic myths that make their already
brutalic sound all the more absorbing.A record Metal Hammer
called "the biggest and most powerful" the band had ever
recorded, 2008's heroic Twilight Of The Thunder God was applauded
around the globe. The record landed at position #6 in the
official German album Charts as well as #10 in Finland, #11 in
Sweden, #14 in Austria, #21 in Switzerland, and #48 in the
difficult to crack US. Time Out New York commended the Swedes for
playing " some of the most unabashedly epic metal you're likely
to find these days," while popular online music portal MetalSucks
called the offering "[a] bottomless gauntlet of riffs that the
band endlessly takes gargantuan swigs from, sounding both lush
and emotive as well as skull crushingly heavy...." The Village
Voice agreed stating, "the Viking war metal Of Amon Amarth is
limitless." Twilight Of The Thunder God earned the #7 position in
Revolver Magazine's Top 20 Albums that year and was met with
numerous European tours/fest appearances as well as a victorious
North American headlining tour in October 2008. In 2009 the band
returned to the states for another successful stretch of dates
with Goatwhore, Skeleton Witch and Lazarus AD and again in 2010
with Holy Grail and Eluveitie! In addition, Amon Amarth was
crowned "Best Breakthrough Act" at Metal Hammer's prestigious
Golden Gods Awards and earned a support slot on the European leg
of the Unholy Alliance Chapter III tour featuring Slayer. The
band even made their way to India for the first time, headlining
the Deccan Rock Festival in Bangalore as well as tours in China
and Taiwan! In May of 2010, Amon Amarth -- Hegg, guitarist Olavi
Mikkonen and Johan Soderberg, bassist Ted Lundstrom and drummer
Fredrik Andersson -- began writing what would become Surtur
Rising. Recorded at Park Studios and Fascination Street Studios
and produced at Fascination Street Studios by Jens Bogren, the
offering is named in tribute to Surtur, leader of the fire giants
of Muspelheim ("flame land") and the oldest being in the nine
worlds of Norse mythology. According to legend, when Surtur
lights his sword in the Eternal Flame, he will be given the power
to raze the nine worlds. It's a gripping story -- both visually
and thematically -- for what is easily Amon Amarth's most
sonically monolithic offering to date. "It was a cool story and
character," elaborates Hegg, "and one we knew we could write a
really brutal song around." The eighth long-player in Amon
Amarth's winding discography, Surtur Rising offers ten tracks of
fist-raising, peck-flexing, hyper climactic fight anthems led by
the fiery lungs of Hegg, searing rhythms and a volatile twin riff
assault with a courser, more organic-sounding production to add
more depth to their already consuming tone. "A major change for
us on this album was the sound and production," comments the
frontman. "It was one of the main things we had discussed before
going into the studio. We thought we needed to be a bit more
aggressive and rougher than the previous two. We wanted a harder,
tougher sound and I definitely think we got that."Each track
writhes under the weight of its own valiant heaviness with the
band's signature Viking themes pulling it all together. From the
first world war between the two clans of gods in "War Of The
Gods" to the return of Loke, the god of treachery, in "Tock's
Taunt - Loke's Treachery Part II," (Loke first appeared on 2006's
With Oden On Our Side studio offering in "Hermod's Ride To Hel -
Lokes Treachery, Part 1"), Amon Amarth manage to keep the Norse
gods glued to their headphones for 48 minutes. "We basically deal
with Loke's actual deceit on 'Loke's Treachery Part II.' When he
totally told the gods to go fuck off," laughs Johan. "Then
there's the title track which talks about Surtur and his fight
against Frej [the ruler of peace and fertility and the son of the
sea god Njord] at the end of the world," he continues. "It's told
from the perspective of Surtur himself. Then we did something
kind of cool and have 'The Last Stand Of Frej,' which is derived
from the same Norse myth but told from a totally different
perspective. I thought that was pretty cool to do... to have that
kind of mirror effect.""Hopefully we can take some new steps in
our career and reach another level as a band," Hegg notes
thoughtfully. "We want to play places we haven't played yet and
reach a wider audience without sacrificing what it is we do best.
We've always mainly made music for ourselves so as long as we
like it, it's ok. Of course it's better if other people like it
too."Description provided by artist representative
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▒ greetings ▒
░ ░
░ Shout out to all of those who keep the dream of the scene alive. ░
Special thanks to those who have paved the way and parted.
We miss you!
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