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Number : WED058 / BNM022 ▓███ ███▓ Street Date : 2018-00-00 ▓███ ███▓ Rip Date : 2020-01-07 ▓███ ███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███ ███▓ Quality : 241kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 8 ▓███ ███▓ Playtime : 00:55:39 (101.MB) ▓███ ███▓ URL : http://anantakara.biz/album/momentum-lapses ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Momentum 9:06 ▓███ ███▓ 02 The High Meets the Low 7:14 ▓███ ███▓ 03 Breath of an Unstained Desire 6:01 ▓███ ███▓ 04 Intuition's Breeze 5:40 ▓███ ███▓ 05 The Great Chi in the Sky 5:46 ▓███ ███▓ 06 Spiral Bridge to Timelessness 8:07 ▓███ ███▓ 07 The Meaning in Every Curves and Lines 7:20 ▓███ ███▓ 08 Doorways to Unnamed Power 6:25 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 55:39 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ Anantakara. A Philippe Wauman's project, a Belgian musician who ▓███ ███▓ defines himself as a contemplative sound calligrapher, Anantakara, ▓███ ███▓ a Sanskrit adjective meaning to make infinite, proposes in MOMENTUM ▓███ ███▓ LAPSES a little jewel for the pleasure of the sounds and ambiances ▓███ ███▓ which flirt with a New Age rather progressive, even experimental. ▓███ ███▓ Arpeggios whose limpidity is dancing with their sibylline shadows ▓███ ███▓ accompany the smothered knocks in the very theatrical opening of ▓███ ███▓ Momentum. Immediately, gurgles flutter in this setting embellished ▓███ ███▓ by waves with abrasive rays which come and go in a tonal envelope ▓███ ███▓ always growing. A synth wave perfumed of Mark Isham's trumpet tones ▓███ ███▓ explores these ambiences, giving it a seraphic charm that adds to ▓███ ███▓ the dramatic power of this charming opening title. And that's not ▓███ ███▓ all! Keyboard riffs take on an orchestral garb and sculpt a ballet ▓███ ███▓ choreography with a gentle staccato movement whose intensity is ▓███ ███▓ driven by percussions that are very limited but oh so well placed. ▓███ ███▓ The piano also sets its delicate notes in a finale that swaps its ▓███ ███▓ passive rhythm for a brief movement of sound oasis, just before ▓███ ███▓ resuming the rhythm of classical dance that brought Momentum to its ▓███ ███▓ emotional bloom. The tone is set and the music of MOMENTUM LAPSES ▓███ ███▓ is launched. The orchestrations are less jerky in The High meets ▓███ ███▓ the Low which, having left chords juggling in suspension, animates ▓███ ███▓ the ambiances with clanic tom-toms. Sound jewels gravitate ▓███ ███▓ suspended on this rhythm very close to the spiritual trance and the ▓███ ███▓ synth waves smear the horizons with rays which flirt with the doors ▓███ ███▓ of oblivion. Breath of an Unstained Desire does in music ▓███ ███▓ decomposition with a rather daring approach where everything seems ▓███ ███▓ to be played backwards. The result is amazing. Even if one ▓███ ███▓ recognizes small bits of structures that come and go in this 7th ▓███ ███▓ album of Anantakara, including a beautiful finale more musical, we ▓███ ███▓ are rather in the perfumes of Universe Zero here. Intuition's ▓███ ███▓ Breeze takes us on the paths of an unarmed war with a bass line ▓███ ███▓ whose resonances found echo in the tears of the Martenot waves. The ▓███ ███▓ rhythm without bumps progresses beneath a sonic sky well adorned by ▓███ ███▓ multiple synth streaks full of strident weeping and by electric ▓███ ███▓ piano notes which sparkle in a contracted melodious approach. The ▓███ ███▓ percussions, which have been grafted in all subtlety around the 3 ▓███ ███▓ minutes, give a second rhythmic breath to this title that caught my ▓███ ███▓ attention from the first listening. Slow and very sinister in its ▓███ ███▓ development, The Great Chi in the Sky has nothing to do with this ▓███ ███▓ Rick Wright classic in Dark Side of the Moon! Its rhythm is slow, ▓███ ███▓ like a giant clock whose pendulum intimidates and orders ▓███ ███▓ submission. The chords and arrangements which sculpt it are king of ▓███ ███▓ its sneaky musicality, since they magnetize our attention while ▓███ ███▓ deploying a musical force that forms a din that still remains at ▓███ ███▓ the doors of a fascinating musicality. These sounds, these notes as ▓███ ███▓ well as these orchestrations on continuous evolutions in order to ▓███ ███▓ create musical layers on a bed of slow, almost hypnotic rhythms, ▓███ ███▓ are the strength of this album of which one never knows on which ▓███ ███▓ foot to dance ... or on which neuron to meditate. Ditto for ▓███ ███▓ Doorways to Unnamed Power which, on the other hand, is more complex ▓███ ███▓ and more evasive in its melodious approach. The light rhythm, ▓███ ███▓ Spiral Bridge to Timelessness unfolds like a series of melodies ▓███ ███▓ chained in a music box. Percussions and percussive effects are just ▓███ ███▓ divine here. Those with blown glass tones tickle the ears, and ▓███ ███▓ start this chain of melodies, while others closer to the real offer ▓███ ███▓ a clever mix of Tibetan tribal and oriental tribal in a soundscape ▓███ ███▓ adorned with graffiti and fantasy which can possible only by the ▓███ ███▓ means of EM and its vast array of equipment. The final sprinkles ▓███ ███▓ our ears with a Steve Roach fragrance. An affirmation that is ▓███ ███▓ necessary considering the opening of The Meaning in Every Curves ▓███ ███▓ and Lines. The peculiarity of this title are these lassos of sounds ▓███ ███▓ that come and go like immense sound fronds whereas gradually a slow ▓███ ███▓ rhythm imposes its stability in a kind of esoteric Groove with ▓███ ███▓ another display of percussive effects high in colors. ▓███ ███▓ The color and the calligraphy of the sounds is the goal aimed by ▓███ ███▓ Anantakara and force is to admit that MOMENTUM LAPSES reaches ▓███ ███▓ Philippe Wauman's real intentions. All in all, it's an amazing ▓███ ███▓ album that is musical enough for the genres imposed through a ▓███ ███▓ delightful palette of tones and a sound aesthetic that does justice ▓███ ███▓ to the ambitions of the Belgian multi-instrumentalist. Meditative ▓███ ███▓ music with a zest of creation that brings us into a world where few ▓███ ███▓ artists dare to venture! ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀