Genre | Jazz |
---|---|
Date (CEST) | 2002-08-03 22:00:00 |
Group | JUST |
Size | None MB |
Files | 22 |
M3U / SFV / NFO |
Anita_Oday-Volume_2_1941-1999-JUST
Infos
Similar Releases
- Aznavour-40_chansons_d_or-2CD-1996-JUST
- The_John_Butler_Trio-Live_At_The_Continental-2023-2CD-JUST
- Keziah_Jones_and_Philippe_Cohen_Solal-Ground_Control-DVBS-2023-JUST
- Johan_Papaconstantino-We_Love_Green-FR-DVBS-2023-JUST
- Grand_Corps_Malade_Ben_Mazue_Et_Gael_Faye-Ephemere_Le_Concert_(Salle_Pleyel)-FR-DVBS-2023-JUST
- The_Fearless_Flyers-Jazz_A_La_Villette-DVBS-2022-JUST
- Heaven_Shall_Burn-Live_A_Lolympia-DVBS-2023-JUST
- Nirek_Mokar_featuring_Sax_Gordon-Back_To_Basics-CD-2023-JUST
- Macklemore-Main_Square_Festival-DVBS-2023-JUST
- Dode-Live_A_Saint-Pierre-Et-Miquelon-FR-DVBS-2023-JUST
Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-anita_oday-two_in_love-just.mp3 | Anita Oday | Two in love | 192 | Unknown |
2 | 02-anita_oday-stop_the_red_light_is_on-just.mp3 | Anita Oday | Stop! the red light is on | 192 | Unknown |
3 | 03-anita_oday-how_do-just.mp3 | Anita Oday | How do | 192 | Unknown |
4 | 04-anita_oday-copping_a_plea-just.mp3 | Anita Oday | Copping a plea | 192 | Unknown |
5 | 05-anita_oday-bolero_at_the_savoy-just.mp3 | Anita Oday | Bolero at the savoy | 192 | Unknown |
6 | 06-anita_oday-let_me_off_uptown-just.mp3 | Anita Oday | Let me off uptown | 192 | Unknown |
7 | 07-anita_oday-thanks_for_the_boogie_ride-just.mp3 | Anita Oday | Thanks for the boogie ride | 192 | Unknown |
8 | 08-anita_oday-skylark-just.mp3 | Anita Oday | Skylark | 192 | Unknown |
9 | 09-anita_oday-bolero_at_the_savoy_(2)-just.mp3 | Anita Oday | Bolero at the Savoy (2) | 192 | Unknown |
10 | 10-anita_oday-thanks_for_the_boogie_ride_(2)-just.mp3 | Anita Oday | Thanks for the boogie ride (2) | 192 | Unknown |
11 | 11-anita_oday-thanks_for_the_boogie_ride_(3)-just.mp3 | Anita Oday | Thanks for the boogie ride (3) | 192 | Unknown |
12 | 12-anita_oday-pass_the_bounce-just.mp3 | Anita Oday | Pass the bounce | 192 | Unknown |
13 | 13-anita_oday-thanks_for_the_boogie_ride_(4)-just.mp3 | Anita Oday | Thanks for the boogie ride (4) | 192 | Unknown |
14 | 14-anita_oday-side_by_side-just.mp3 | Anita Oday | Side by side | 192 | Unknown |
15 | 15-anita_oday-side_by_side_(2)-just.mp3 | Anita Oday | Side by side (2) | 192 | Unknown |
16 | 16-anita_oday-harlem_on_parade-just.mp3 | Anita Oday | Harlem on parade | 192 | Unknown |
17 | 17-anita_oday-harlem_on_parade_(2)-just.mp3 | Anita Oday | Harlem on parade (2) | 192 | Unknown |
18 | 18-anita_oday-fighting_doug_macarthur-just.mp3 | Anita Oday | Fighting Doug MacArthur | 192 | Unknown |
19 | 19-anita_oday-that_is_what_you_think-just.mp3 | Anita Oday | That is what you think | 192 | Unknown |
20 | 20-anita_oday-barrelhouse_bessie_from_basin_street-just.mp3 | Anita Oday | Barrelhouse Bessie from Basin Street | 192 | Unknown |
21 | 21-anita_oday-deliver_me_to_tennesse-just.mp3 | Anita Oday | Deliver me to Tennesse | 192 | Unknown |
22 | 22-anita_oday-that_is_what_you_think_(2)-just.mp3 | Anita Oday | That is what you think (2) | 192 | Unknown |
NFO
▄▄▄▄▄▄▄ ░ ▄▄▄▄▄▄▄ ▄
▄ ▄ ▄ ▄▄ ░ ▄▄███▓▓▀ ▄▄▓██▓▓▀ ░ ▄ ▄▄ ▄ ▄ ▄
▄ ▓▀ ░ ▄▄▄▄ ▀█▓▄████▓▀▀ ░▄███▓██▀ ▄▓▄▄▓▄ ░ ▀▄▀ ▄▄▄▄ ▀▓ ▄
▀ ▄▄▄██▓██▓▓██ ▓█████▓▄▄ ░ ▄████▓▀ ▄█████████▒▓▄ ▓▌ ██▓▓██▓██▄▄▄ ▀
▀ ▄▄███████▓▓██▓▓▓▌▐▓███▀▀▀ ▀▓█████▓▀ ▄████████████▓▓▄▐▀▐▓▓▓██▓▓███████▄▄ ▀
▄▓████████▓█████▓▓█ ▓▀ ▄▓▄ ▐▓███▓▄ ▄▓██████▓▓██████▓▓▌ █▓▓█████▓████████▓▄
▄▓██████████████▀▀█▓█ ▄█▓███▄▒ █▀▀ ▄▄▓██████▓▀▀ ▓█████▓▓█ █▓█▀▀██████████████▓▄
▐▓████████████▓█▌▒▒▐█▓▌ ▀███▓▄ ▒▒ ▄▓████▀▀ ▒▐█████▓▓▌▐▓█▌▒ ▐█▓████████████▓▌
▓▓▓██████████▓▓█ ▄▓ ▐▒▌▓█▄▄ ███▓▄ ▒ ▀█▓▓██▄ ▒ ░▄▄ ███▓▓█▀▄▐▒▌ ▒ █▓▓██████████▓▓▓
▐▓██████████████ ▀██ ░▌███▓▌▐██▓█ ▒▒ ▀█████▄▄███▓▌▐█▓▓█▀ ▐░ ▒▒ ██████████████▓▌
▀▓██████▓▀▀█▓█▓█ ▐██ ▌███▓ ███▓▌ ▒▒▒ ▀▓█████▓████▐▓█ ▄▄█▓▐ ▒▒ █▓█▓█▀▀▓██████▓▀
▀▓██▓▀▀ ░ ▐███▓█ ▀▓▀▐██▓▌▒ ███▓█ ▒ ▀▀▀▀▓▓▀▓█▌▒▌████▓▄█ ▒ █▓▓██▌ ░ ▀▀▓██▓▀
▐▓█▌▒▒ ███▓▓▌ ▒ ███▓▌▒ ███▒▓▌ ▒█▄▄▓▄▄▄▄ ▀▓ ▒▒ ▒▌ ▀███▓▓▌ ▐▓▓███ ▒▒▐█▓▌
█▓▌▒ ▓███▓▓ ░ ███▓ ▒ ▐▓██▓▓▄ ░▐▓██▓▓▓█ ░ ▒ ░ ▐██▓▓█ ▓▓███▓ ▒▐▓█
▐▒▌ ▐████▓▌ ▐█▓▌ ▒▒ ▓████▓▄ █▓███▓▓▓▄ ░ ███▓▓▌ ▐▓████▌ ▐▒▌
░▌▒ ▐████▓▓ ▓██▓▄ ▄█▓███▓▓▓▄▐██████▓▓▓▄ ░ ▐██▓█▀ ▓▓████▌ ▒▐░
▐▓ ▐█▓███▓▌▐▓███▓█▓███████▓▓▌▓████████▓▓▌░▒▄█▓▀▀ ▒ ▐▓█████▌ ▓▌
▀▓▄ ▄███▓██▓▌ █▓███▓▓█████▓▓▓█ ▀▓██████▓▓▓▓▒▓█▀ ▒▒▒▒ ▓█▓█▓██▓▄ ▄▓▀
▄▄███████▓▓ ▀▀▀▀▓▀ ▀▀░▀▀▒ ▀▀▀▀▀▀▀▀▀▀ ▒ ▀▓▓████▓▌
▄█▓████████▓▓▀ ▀▀▀▓▀ ▀▓▀ ▀▀▓▀ ▀▀▀ ▀▓▀ ▀ ▀▀▀▓▀ ▀░▀▀ ▀▓██▓█▓█▓▄
▄▓█████████▓▓█▀ ▀▀▀▓██▓▌
░ ▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ [ J U S T F U N . P R E S E N T S ] ██▓▓█▀▀
░ ▓████▓▌ ░ ▐▓▀▀
▓ ▐█████▓█ ▀ ░
▀█▄▓████▓▓▄█▀ Artist.......: Anita Oday ░▓ ▌
▄▀██▓██▓▓▀ Album.Title..: Volume 2 1941 ░▓░▐▓
▓▓▄▀█▓▓▓▀ Label........: Musisoft ░▓░ █▓▌
▐█▓▓ ▀▓ Genre........: Jazz ░▓▓▓ ▐█▓▓
▓█▓▌ ▓░ ███▓▓[z0o]░
▐██░ ░ ░ ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
▀▓█░▄ ▌ ░▓░ [ R E L E A S E . I N F O ] ▓░ ▓▀▓█████████████▓▓▓▀
░ ▀▀▓█▄▐▓ ░▓▓▓░ ░▓▓▓░ ░ ▀▓██████▓██▓▓▀ ░
░ ░ █▓▌▄▄▄ ▄▓ ░▓▓▓░ ░▓▓▓▓▓▓░ ▀▓█████▓▓▓
░▓▓░ ▐█▓▓ ░ ░▓▓░ rip.date....: Aug-01-2002 ░▓▓ ▐███████▓▓▌ ░
░░ ███▓▓ ▓▓░▓░ str.date....: 000-00-1999 ░▓▓░ ▓███▀ ▀▓█▓▓ ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ ripper......: Just ▓ ▐█▓▀ ░ ░▀█▓▌
▀▓█████████████▓▓▓▀ quality.....: 192 kbps ░▓░ █▀ ░░▓▓▓ ▀▓
░ ▀▓██████▓██▓▓▀ ▓░ size........: 87,9 MB ▓▓ ▀░ ░ ░ ░▓░ ░▀
▀▓█████▓▓▓ ░░▓ playtime....: 63:48 min ░▓▓░▓▓▓▓ ▓▓▓░
░ ▐███████▓▓▌░▓▓▓░ Catnr.......: n/a ░▓▓▓▓▓ ▓░▓▓░░ ░
▓███▀ ▀▓█▓▓ ▓░░ URL.........: n/a ░▒░ ░▓░ ░
▐█▓▀ ░░ ▀█▓▌░ ░ ▒
█▀ ░▓▓▓▓░ ▀▓ ░ ░ ░
▀░ ▓▄▄▓▓▓▓▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█▓█▄▄▄
░ ▄█▒████████▓▓▀ ▀▓██▓███▓▄
▄▓██░██████▓▓█▀ [ T R A C K . L I S T I N G ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
▓████▓▌ ░ track title time ▐▓▀▀
▓████▓▌ ▀ ░▌
▓████▓▌ 01. two in love 03:15 ▓▌
▓████▓▌ 02. stop! the red light is on 02:25 ▓▌
▓████▓▌ 03. how do 03:18 ▓▌
▓████▓▌ 04. copping a plea 02:45 ▓▌
▓████▓▌ 05. bolero at the savoy 02:52 ▓▌
▓████▓▌ 06. let me off uptown 03:09 ▓▌
▓████▓▌ 07. thanks for the boogie ride 02:53 ▓▌
▓████▓▌ 08. skylark 03:08 ▓▌
▓████▓▌ 09. bolero at the savoy (2) 02:54 ▓▌
▓████▓▌ 10. thanks for the boogie ride (2) 03:09 ▓▌
▓████▓▌ 11. thanks for the boogie ride (3) 03:09 ▓▌
▓████▓▌ 12. pass the bounce 02:58 ▓▌
▓████▓▌ 13. thanks for the boogie ride (4) 02:41 ▓▌
▓████▓▌ 14. side by side 02:51 ▓▌
▓████▓▌ 15. side by side (2) 02:55 ▓▌
▓████▓▌ 16. harlem on parade 02:47 ▓▌
▓████▓▌ 17. harlem on parade (2) 02:49 ▓▌
▓████▓▌ 18. fighting doug macarthur 02:58 ▓▌
▓████▓▌ 19. that is what you think 03:13 ▓▌
▓████▓▌ 20. barrelhouse bessie from basin street 03:09 ▓▌
▓████▓▌ 21. deliver me to tennesse 03:17 ▓▌
▓████▓▌ 22. that is what you think (2) 01:13 ▓▌
▓████▓▌ ▓▌
▓████▓▌ [ A B O U T . T H i S . R E L E A S E ] ▓▌
▓████▓▌ ▓▌
▓████▓▌ Few female singers matched the hard-swinging and ▓▌
▓████▓▌ equally hard-living Anita O'Day for sheer ▓▌
▓████▓▌ exuberance and talent in all areas of jazz vocals. ▓▌
▓████▓▌ Though three or four outshone her in pure quality ▓▌
▓████▓▌ of voice, her splendid improvising, wide dynamic ▓▌
▓████▓▌ tone and innate sense of rhythm made her the most ▓▌
▓████▓▌ enjoyable singer of the age. O'Day's first ▓▌
▓████▓▌ appearances in a big band shattered the traditional ▓▌
▓████▓▌ image of a demure female vocalist by swinging just ▓▌
▓████▓▌ as hard as the other musicians on the bandstand, ▓▌
▓████▓▌ best heard on her vocal trading with Roy Eldridge ▓▌
▓████▓▌ on the Gene Krupa recording "Let Me Off Uptown." ▓▌
▓████▓▌ After making her solo debut in the mid-'40s, she ▓▌
▓████▓▌ began incorporating bop modernism into her vocals ▓▌
▓████▓▌ and recorded over a dozen of the best vocal LPs of ▓▌
▓████▓▌ the era for Verve during the 1950s and '60s. Though ▓▌
▓████▓▌ hampered by heavy drinking and later, drug ▓▌
▓████▓▌ addiction, during her peak period, she made a ▓▌
▓████▓▌ comeback and continued singing into the 1990s. ▓▌
▓████▓▌ Born Anita Belle Colton in Chicago, she was raised ▓▌
▓████▓▌ largely by her mother, and entered her first ▓▌
▓████▓▌ marathon-dance contest while barely a teenager. She ▓▌
▓████▓▌ spent time on the road and occasionally back at ▓▌
▓████▓▌ home, later moving from dancing to singing at the ▓▌
▓████▓▌ contests. After bad experiences amid brief tenures ▓▌
▓████▓▌ with Benny Goodman and even Raymond Scott, O'Day ▓▌
▓████▓▌ earned a place in Gene Krupa's band in 1941. ▓▌
▓████▓▌ Several weeks later, Krupa also hired trumpeter Roy ▓▌
▓████▓▌ Eldridge, and the trio combined to become an ▓▌
▓████▓▌ effective force displayed on hits like "Let Me Off ▓▌
▓████▓▌ Uptown," "Boogie Blues" and "Just a Little Bit ▓▌
▓████▓▌ South of North Carolina." She spent a brief period ▓▌
▓████▓▌ away from Krupa with Woody Herman, but returned to ▓▌
▓████▓▌ the band, only to have it break up by 1943. After ▓▌
▓████▓▌ moving to Stan Kenton, she starred on Kenton's ▓▌
▓████▓▌ first big hit, 1944's "And Her Tears Flowed Like ▓▌
▓████▓▌ Wine." Another stint with Krupa presaged her solo ▓▌
▓████▓▌ debut in 1946, and with drummer John Poole as her ▓▌
▓████▓▌ accompanist, she recorded a moderate hit one year ▓▌
▓████▓▌ later with the novelty "Hi Ho Trailus Boot Whip." ▓▌
▓████▓▌ ▓▌
▓████▓▌ Her career really ignited after her first album ▓▌
▓████▓▌ (and the first LP ever released by Verve), 1955's ▓▌
▓████▓▌ Anita (also known as This Is Anita). Much more ▓▌
▓████▓▌ successful in the jazz world than she was in its ▓▌
▓████▓▌ pop equivalent, she performed at jazz festivals and ▓▌
▓████▓▌ jazz-oriented concerts, appearing with figures ▓▌
▓████▓▌ including Louis Armstrong, Thelonious Monk, and ▓▌
▓████▓▌ George Shearing. Her performance at 1958's Newport ▓▌
▓████▓▌ Jazz Festival made her fame worldwide after being ▓▌
▓████▓▌ released on film titled Jazz on a Summer's Day. ▓▌
▓████▓▌ ▓▌
▓████▓▌ O'Day's series of almost twenty Verve LPs during ▓▌
▓████▓▌ the '50s and '60s proved her to be one of the most ▓▌
▓████▓▌ distinctive, trend-setting, and successful vocal ▓▌
▓████▓▌ artists of the time, arguably surpassed only by ▓▌
▓████▓▌ Frank Sinatra and Ella Fitzgerald. She worked with ▓▌
▓████▓▌ a variety of arrangers and in many different ▓▌
▓████▓▌ settings, including a hard-swinging Billy May ▓▌
▓████▓▌ collaboration (Anita O'Day Swings Cole Porter with ▓▌
▓████▓▌ Billy May), an excellent, intimate set with the ▓▌
▓████▓▌ Oscar Peterson Quartet (Anita Sings the Most), ▓▌
▓████▓▌ several with the mainstream Buddy Bregman Orchestra ▓▌
▓████▓▌ (Pick Yourself Up, Anita), one with the cool-toned ▓▌
▓████▓▌ Jimmy Giuffre (Cool Heat), and a Latin date with ▓▌
▓████▓▌ Cal Tjader (Time for Two) as well as a ▓▌
▓████▓▌ collaborative LP with the Blue Note instrumental ▓▌
▓████▓▌ trio the Three Sounds. Even by the early '60s ▓▌
▓████▓▌ however, her ebullient voice had begun sounding ▓▌
▓████▓▌ tired; the cumulative effects of heroin addiction, ▓▌
▓████▓▌ its resulting lifestyle, and a non-stop concert ▓▌
▓████▓▌ schedule forced her into a physical collapse by ▓▌
▓████▓▌ 1967. ▓▌
▓████▓▌ ▓▌
▓████▓▌ After taking several years to kick alcohol and drug ▓▌
▓████▓▌ addictions, she made a comeback at the 1970 Berlin ▓▌
▓████▓▌ Jazz Festival and returned in the early '70s with a ▓▌
▓████▓▌ flood of live and studio albums, many recorded in ▓▌
▓████▓▌ Japan and some released on her own label, Emily ▓▌
▓████▓▌ Records. Her autobiography, 1981's High Times, Hard ▓▌
▓████▓▌ Times was typically honest and direct regarding her ▓▌
▓████▓▌ colorful past. Though her voice gradually ▓▌
▓████▓▌ deteriorated, O'Day recorded throughout the 1970s ▓▌
▓████▓▌ and '80s, into the '90s remaining an exciting, ▓▌
▓████▓▌ forceful vocalist on record as well as in concert. ▓▌
▓████▓▌ ▓▌
░ ▓████▓▌ ▓▌
▓ ▐█████▓█ [ A B O U T . U S ] ▓▌
▀█▄▓████▓▓▄█▀ ▓▌
▀██▓██▓▓▀ Our group consists of many rippers who are music enthu- ▓▌
▀█▓▓▓▀ siasts. Justfun is releasing different kind of music ▓▌
▀▓ like indie rock, trip-hop, ethnic, jazz, french, ▓▌
░ electro and many more ... We will bring you the music ▓▌
░ we like and share it with the rest of the under- ▄ ▓▌
░ ground scene. If you have, like us, a passion for ▄▄█▌ ▓▌
░ music, don't hesitate to contact us ! ▄████▓▌ ▓▌
░ █████▀▀▀▀ ▓▌
░ GREETinGs : Nuhs . Hit2000 . DGN . Ksi . SEQ . CHR ░███ ▓▌
░ Om . Rh . Fuffens . Remix . FMF . SB ██▌ ▓▌
Kw . LOGOS . iTs . i . ATM . Aaf ... ▓██ ▓▌
░ and all ppl who share music with us ! ▄▄▄██▌ ▓▌
▐▓ ▐░▓▓▓▓▌ ░ ░▌
▀■░▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▐▓░░░▓▌▄▄█▓█▄▄■▀
▄█▒████████▓▓▀ ▀▀▀▀▀ ▀▓██▓███▓▄
▄▓██▓██████▓▓█▀ [ C O N T A C T ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ We're currently looking for : ██▓▓█▀▀
▓████▓▌ ░ - music enthusiast ppl buying cds on a regular basis. ▐▓▀▀
▓████▓▌ - ppl who can get promos or advanced rls. ▀ ░▌
░ ▓████▓▌ - Siteop who can provide at least 10mbits and ▓▌
▓ ▐█████▓█ 50gb++ for our archive. ▄ ▓▌
▀█▄▓████▓▓▄█▀ - People with skill and experience ▄▄█▌ ▓▌
▀██▓██▓▓▀ ... and everyone who wants to help in a ▄████▓▌ ▓▌
▀█▓▓▓▀ pleasant atmosphere our Just family. █████▀▀▀▀ ▓▌
▀▓ ░███ ▓▌
░ Share your forces with us ! ██▌ ▓▌
▌ IRC : #justfun ▓██ ▌ ▓▌
░ ▐▓ Email : [email protected] ▄▄▄██▌ ▐▓ ▓▌
▐▓ █▓▌ Webpage : .secret. ▐░▓▓▓▓▌ █▓▌ ░▌
▀■▄▐█▓▓ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▐▓░░░▓▌▄▐█▓▓ ▄■▀
░ ███▓▓ ▀▀▀▀▀ ███▓▓
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ ▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄
▀▓█████████████▓▓▓▀ ▀▓█████████████▓▓▓▀
░ ▀▓██████▓██▓▓▀ NFO and Layout proudly made in Quebec ░ ▀▓██████▓██▓▓▀
▀▓█████▓▓▓ by z0oy0rk ▀▓█████▓▓▓
▐███████▓▓▌ ▐███████▓▓▌
▓███▀ ▀▓█▓▓ [ J U S T F U N born in Apr. 2 0 0 0 ] ▓███▀ ▀▓█▓▓
▐█▓▀ ░▀█▓▌ ▐█▓▀ ░▀█▓▌
█▀ ▀▓ █▀ ▀▓
▀░ ░ ░▀ ▀░ z!░▀