Genre | Indie |
---|---|
Date (CEST) | 2018-10-12 17:23:27 |
Group | ERP |
Size | 74 MB |
Files | 10 |
M3U / SFV / NFO |
Anna_Calvi-Hunter-2018-ERP
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-anna_calvi-as_a_man-erp.mp3 | Anna Calvi | As A Man | 237 | Unknown |
2 | 02-anna_calvi-hunter-erp.mp3 | Anna Calvi | Hunter | 237 | Unknown |
3 | 03-anna_calvi-dont_beat_the_girl_out_of_my_boy-erp.mp3 | Anna Calvi | Don't Beat The Girl Out Of My Boy | 256 | Unknown |
4 | 04-anna_calvi-indies_or_paradise-erp.mp3 | Anna Calvi | Indies Or Paradise | 256 | Unknown |
5 | 05-anna_calvi-swimming_pool-erp.mp3 | Anna Calvi | Swimming Pool | 220 | Unknown |
6 | 06-anna_calvi-alpha-erp.mp3 | Anna Calvi | Alpha | 237 | Unknown |
7 | 07-anna_calvi-chain-erp.mp3 | Anna Calvi | Chain | 246 | Unknown |
8 | 08-anna_calvi-wish-erp.mp3 | Anna Calvi | Wish | 246 | Unknown |
9 | 09-anna_calvi-away-erp.mp3 | Anna Calvi | Away | 204 | Unknown |
10 | 10-anna_calvi-eden-erp.mp3 | Anna Calvi | Eden | 233 | Unknown |
NFO
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┌────────┐
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Anna Calvi
Title | Hunter
Genre | Indie Format | Album
Source | CDDA Time | 43:43
Label | Domino Store | 2018
Catalog | WIGCD354 Rip | 2018
Bitrate | 237 kbps Size | 78.15 MB
Freq | 44.1 kHz Encoder | Lame 3.98.4
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. As A Man 3:46
02. Hunter 4:11
03. Don't Beat The Girl Out Of My Boy 4:04
04. Indies Or Paradise 4:41
05. Swimming Pool 4:55
06. Alpha 3:41
07. Chain 4:47
08. Wish 5:16
09. Away 4:14
10. Eden 4:08
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Hailed as 'the best thing since Patti Smith' by Brian Eno, as well as being
included in the BBC's Sound of 2011 list, the hype surrounding London-born
Anna Calvi came to a crescendo in late 2010. Gaining critical acclaim among
music journalists, Calvi drew comparisons with passionate and brooding
musicians like Nick Cave and PJ Harvey. The dense and rich musical
influences that inhabit Calvi's world are broad and distinctive strokes of
sultry flamenco, smoke-filled blues, and seductive goth pop/rock. Adding to
this tapestry of influences, Calvi claims to have been inspired by the
films of David Lynch, Gus Van Sant, and Wong Kar Wai; the cinematic element
of her music contributes a mysterious and unyielding undercurrent to her
work.
Calvi took a five-year break after releasing 2013's "One Breath", but the
intervening time didn't diminish the grand sound she's been cultivating
since her debut. From the title track's breathy opening to the soaring
melody of "Away", her gift for elucidating the drama of a bygone era is
intact and just as effective. If anything, the lustily provocative nature
of her artistry reaches its dizzy apex on "Hunter".
She takes the drama of 80's power ballads and extracts its most gothic
textures, no doubt aided by Nicolas Launay's (Nick Cave And The Bad Seeds,
Yeah Yeah Yeahs) expansive production, which recalls the airiness he gave
the Bad Seeds' "Push The Sky Away". A great deal of the record explores the
fluidity of gender by playing with many of the common tropes associated
with masculinity, from "Alpha" to "Hunter". The former track's arch,
elongated riffs, and the predatory prowl of "Indies Or Paradise", include
some of Calvi's most warped and consummate shredding to date, further
dispelling another macho myth - that only boys can play guitar.
Nevertheless, these virile expressions never come at the expense of Calvi's
femininity, as the lush swirl of "Swimming Pool" attests. Like gender, the
record also examines sexuality. Calvi has flirted with a queer point of
view before, as on "I'll Be Your Man" from her 2011 debut. But "Hunter" is
the record which fundamentally lives and breathes queerness, a record where
on "Chains" she suggests, 'I'll be the boy, you be the girl/I'll be the
girl you be the boy'. Unlike earlier efforts, this feels less like theater
for theater's sake, and ultimately, unbridled and infinitely real. On
"Wish," for instance, she's never sounded so liberated, and that lack of
constraint bleeds into her guitar playing, hinting at a newfound joy amid
the curious majesty of her music.
"Hunter" is the record where, more than any other, Calvi's talents have
fully crystallized. The true character of her music has been unleashed and
will likely see all those PJ Harvey comparisons finally fade, eclipsed by
the radiance of this tough yet open-hearted work.
┌────────┐
────┤ Salute ├─────────────────────────────────────────────────────────────────
└────────┘
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