Genre | Indie |
---|---|
Date (CEST) | 2018-03-25 17:56:11 |
Group | ERP |
Size | 84 MB |
Files | 5 |
M3U / SFV / NFO |
Anna_Von_Hausswolff-Dead_Magic-2018-ERP
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-anna_von_hausswolff-the_truth_the_glow_the_fall-erp.mp3 | Anna Von Hausswolff | The Truth, The Glow, The Fall | 248 | Unknown |
2 | 02-anna_von_hausswolff-the_mysterious_vanishing_of_electra-erp.mp3 | Anna Von Hausswolff | The Mysterious Vanishing Of Electra | 269 | Unknown |
3 | 03-anna_von_hausswolff-ugly_and_vengeful-erp.mp3 | Anna Von Hausswolff | Ugly And Vengeful | 250 | Unknown |
4 | 04-anna_von_hausswolff-the_marble_eye-erp.mp3 | Anna Von Hausswolff | The Marble Eye | 241 | Unknown |
5 | 05-anna_von_hausswolff-kallans_ateruppstandelse-erp.mp3 | Anna Von Hausswolff | Källans Återuppståndelse | 231 | Unknown |
NFO
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┌────────┐
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Anna Von Hausswolff
Title | Dead Magic
Genre | Indie Format | Album
Source | CDDA Time | 47:16
Label | Pomperipossa Records Store | 2018
Catalog | SLANG50139 Rip | 2018
Bitrate | 247 kbps Size | 88.27 MB
Freq | 44.1 kHz Encoder | Lame 3.98.4
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. The Truth, The Glow, The Fall 12:07
02. The Mysterious Vanishing Of Electra 6:08
03. Ugly And Vengeful 16:17
04. The Marble Eye 5:18
05. Kallans Ateruppstandelse 7:26
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Anna Von Hausswolff is a critically acclaimed singer, songwriter, and
pianist from Sweden who made her Top Five hit album debut with "Singing
From The Grave" in 2010. Born on September 6, 1986, in Gothenburg, Sweden,
she is the daughter of world-renowned sound artist Carl Michael Von
Hausswolff. She made her performance debut in 2008. Her performance at the
Way Out West Festival in Gothenburg the following year established her as
an up-and-coming talent on the Swedish alternative music scene. In
association with the independent label Kning Disk, Von Hausswolff made her
commercial recording debut with the "Track Of Time" EP in 2010. "The
Miraculous" in 2015 was an exercise that moved from the Gothic pop of her
earlier records towards blackened folk-metal and post-rock via a 9,000-pipe
Acusticum Organ.
"Dead Magic" was recorded in nine days with her band, strings (arranged by
Ulfur Hansson) and producer Randall Dunn. Her instrument of choice was a
20th century pipe organ in Marmor Kirken, Copenhagen's "Marble Church".
This date contains only five tracks - though two are well over ten-minutes
long. Von Hausswolff was cryptic about the set's inspirations, introducing
it with a quote from the late Swedish poet Walter Ljungquist: 'Take the
fate of a human being, a thin pathetic line that contours and encircles an
infinite and unknown silence. It is in this very silence, in an only
imagined and unknown centre, that legends are born. Alas! That is why there
are no legends in our time. Our time is a time deprived of silence and
secrets; in their absence no legends can grow'.
The set's opening track, "The Truth, The Glow, The Fall" is over 12
minutes; it illustrates the quote's premise in the droning pulse of the
morgan, synth, strings, and drums. Von Hausswolff uses the organ's pedals
and whirling pipes to set the pace, allowing her remarkable voice to equate
the passionate futility of the human condition with the stark savagery of
nature. Layers of chords and tender violins add overtone drones to the
melody, as music spirals and gradually unwinds amid an echoing sonic din.
Single "The Mysterious Vanishing Of Electra" initially sounds inspired by
folk-metal, with Earth-esque guitars, rumbling, dirgey tom-toms, and layers
of natural reverb, but Von Hausswolff wails like a maniacal blues singer
(think Diamanda Galas' solo vocal and piano outings) over a hypnotic,
menacing vamp, eventually digging inside herself to project passionate
shrieks and growls that add immense emotional impact.
The album's hinge is the nearly 17-minute "Ugly and Vengeful". Slow,
simmering organ drones, guitar chords, wordless, and bittersweet chanted
vocals offer an intro worthy of Dreyfuss' Nosferatu, as siren-like peals,
shimmering dark cymbals, and dour chords carry over. When Von Hausswolff
starts singing, her multi-tracked vocals offer monotonal whispers that
introduce the rest of the drum kit, the organ's full droning power, and
ultimately crashing power guitar chords. She eventually soars above them,
adding drama, pain, and a haunted, hunted spirituality.
The pace picks up in the final third with distorted guitars, pummeling kick
drums, and masterful, angular organ arpeggios cascading and swirling
through the middle. Closer "Kallans Ateruppstandelse" commences as an
instrumental ballad before her aching vocal and violins cut through the
organ-blasted soundscape. She offers a different glimpse of the
unspeakable, the unknowable, before it and "Dead Magic" dissolve into
silence. As promising as Von Hausswolff's earlier records are, this one
towers over them and above it in terms of musical imagination and emotional
impact. It's not an easy or gentle listen, but it is unforgettable and
constantly rewarding.
┌────────┐
────┤ Salute ├─────────────────────────────────────────────────────────────────
└────────┘
r35 BERC NuHS GRAVEWISH FWYH