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Having passed off a random gabba track as a Lemonheads remix and not bothering to hear the Nine Inch Nails originals before handing over his mixes, Aphex Twin has historically proved a little wayward in his methods. Not so much remixing as recycling, Richard D James's method is not unlike flinging tracks into a garbage crusher just long enough so only the bare bones of melody and structure survive. Covering a decade's work, this stunning eclectic mix effortlessly flicks from cinematic ambience (Nine Inch Nails--"At the Heart of It All") and industrial pandemonium (Mescalinum United's "We Have Arrived") to squelching acid trance (his own previously unreleased acid edit of "Windowlicker"). The disparate range of artists remixed is as remarkable as the music, with Mike Flowers Pops and Wagon Christ making unlikely bedfellows. Improbable yet inspired highlights come in the form of his haunting interpretation of David Bowie's "Heroes" symphony conducted by Philip Glass and the breathtakingly ethereal transformation of Curve's "Falling Free." --Christopher Barrett ─ Contact ───────────────────────────────────────────── ─── ─ ─ Contact us @ : #eos (efnet) █▀▀ ▀ ▀ ▀▀█ ▀█▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▓▀█▀ ▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀