- ARRRRRRR! - ░▓░░░░░░░░▓▒░ ▒▓░██▓▓███▓██░███░░ ░░▒▓██ ██░░░ ░░▒████ ███░▒ ░▓███ ██▓▒ ░▓█ ██▓░ ▓██ ██▒ ░██ ▓███ █▓░ ░█ ███ ██▒░ ▓█ ████ █░ ▒▓█ ███ █▓ ░█ ██▓ █▒ ░█ █░░░ ▓█ ███░ ██▓░█▒ ░█ █▓░▓█ █░░▒█░░ ░█ ██░ ░█ █▒ ░█ █░ ░█ █▓ ░█ ██▒▒▓█ █ ▒█ █░ ▓█ ███▒░▒██ █░ ░█ █▓ ░█ ████▓░▒▒██ █░ ░█ █ ░█ ███▓▓░▒▒██ █▓ █░ █ ░█ ███▓▒░░▒▓██ █░ ░█░ █▓▓█ ░░███░ ░░███▓▓▒░▒███░ ░█░ ░█░ ░██ ░████████░████▒░▓░░░███▓█████░ █▓ ░█░ █ ░█████████████▒░░░▓███░▒░ ░▒▒▓▓███ █▓ █░ ░███████████████▓███░ ░█ ░░░▓█ █░ ░█ ░██████████████████░ █░ ░▓ █▓ ▓█ ░██████████████████░ █░ ░█ █░ ▒█░ ███████████████████ █░ ░▓█▓ █░ ░▒█ ░██████████████████░ █▒░ ░█░▒ █░ ░█ ████████████████████ ░█▓ ░█░ █░ ░█░ █░▒▒█████████████████ █▒ █▓ ░█░ ▓███▓░▓▒█████████████████ ██ █░ ▒░█ █░ ▒▓░░░████████████████████░▓▓██ ░█ ░░█ █ ░▓██ ░██████████████████▒░░▓▒█ █░ ░█░ █ ░██░█ ░███████████████░█░ ░█ █░ ░░ ▓█ ▒█░▒ ██████████████░ █░ ░▓ ▒█ ░█ ░ █░ ▒█░██ ██████████████ █ █ █░ ░░▓█░ ▓█░ ░███ ░████████████░ ░█ ▒█░█░ ░██ ░▒▓░ ▓█ ░█████████░ █░ ░█ ░█▒░░░░░░▒█░ ▒█░█░ █ ░░░░ ░█▒ ▒█ ░████████░ ░█▒░░ ░█░ █▒ █ ░░░ ██▓▒ ░█▓█████░ █░ ▓█░ ░█░ ░░▓▓░░▓███░ █░ ▓█ █░░ ▒░█░ ░█░ █░ ░ ░█▒ ░██ ▓█ █▓ ▓█ █▓ █░░ █▓░█░ █▒ █▓ █ ░██░ ░█░ █ ▓▓█ █▓ ▓░ ░█ █▓░█ ░█░ ░█ ░█ █▒ █▓ ░░ ▓█ █░░█ ░█░ █░░ ░█ █░ ██▓▓▓██▓▒░░██ █▒░█ █░░ █▓ █ █░ ███ ████ █▒ █ █░ ░██▓░ █ █▒ ▒█░ █ █▒ ░█▓ █ █▓ █░ █ ░█ ██ █ █ ░░ ░█░ █░ █░ █░█ ░█ ░███ ░█▒ █░ █░ █░█ ░██░░ █░ ▓█ ███ ░ ██ ░█ █ ██░ ░ █▒▒█░ ░▒█ ██░░░▓█ █░ ░█ █░ █░█ ██░█▒ ░█ █▒ ░░█ ███ █████ █░ █ █░ ░█▒ █░█░░ █░▒▒█ █▒░▓░ ░ ░█ █ ██ ▓██▒ ░█▓██░ █ ░██░ ▒██ ░█ █░█▒ ▓█░▒ ░▒█░ ▓█ ░████░░▓░███ ░█ ██ █░▒░▓░▓░█▓░▒▓██░█░░█░█ █▒░░░███░█ ░█ ▒▓▓▓ ░█ ██████ ████ ████░█░▒█ ▓██░ ░▒▓███▒ ▒█ ░██ ░█░ ░███░░█▓ ░░▓░ ▒█░ ░█░ ░▓█░░ ░█▒ ███▓░ ▒█ ░███░ ▒█░ ░█▒ ░▓█░░██░ ░██ ░ ░████▒░ ▓▓█ ░███▓░ ░█░ ░█▓░ ░░███░ ░████ ░▓██░ █ ░██▓ ▒█ ░█▓░░ ░░░█████░ ░████░░ ░██░ ░█░ ░░█ ░██▓▒░ ░░▒█████████░░░ ░░█░░ ░░ ░█░ ░▓██░ ░██▒░░ ░░░▒▓░▒ ░██░ ░██░▓██░ ░▓█▀███ ░██▓▓▒░ ▒█░ ░██░▓██░░ ░█░ ░███▒ ░ ▒█░ ░█▓▓▓░▓ ░█░ ░░ ░█▓▒░ ░███░ ░░█▓░ ▒█░ ░█████░ ░██▓░ ░░█░░ ░██░░ ░████▓░░▓▓█████░ ░██▓▓▒ ▒▓██░ ░██░▒ ░░░░ ░░▒▓██░ ░███░▒░ ░▒▓██░ ░██▓░ ░▒░██░ ░██▓░░ ░▒██░ ░█▒░░ ░██░ ░███░░ ░░▒██░ ░██░ ▓▓██░ ░██░░ ░▓███░ ░█▓▒░ ▓▓▓███░░ ░█░▒░░█░ ░██▒ ░░░▒▓████░ ░█████▓▓▓░▓███░░ ░▒▓██░ ░░██▓██░▒▒ ░▓██░ ░████▓░░░░ ░▒████▒▒███░ ░▓▓▓█████▓░ ███░░ ░░██░████░ ░░░███▓▓░░ ░██░░ ░███▓░░▒░░░████ ░█████▓▓▒░░░ ░░░ ▒░██░░ ░███▓░░ ░▒▒░█ ░██████▓▒▒░░░░░ ▒███░░ ▒▓▓░███░ ░██░░ ░░██░░ ░░░███████▓░ ░█░░░█░▒▓█████▓░░ ░░█▒ ░▓████░░ ░░░█▓ ░█░ ░███░░░ ████▒ ░░░███░ ░██░ ░█ ░▓░░ ▒▓▓██░░ ░░█░ ▒██░ ██ ░██░ Washed Up Sceners ░░████░ █░ █▓ ░▒▓█░█░ ░█░░ ░░▒▓██░ █▓██░ ░██ ░░░█░ ░░▓██░ ░██▓░ ░█░ ░███▒ just sailed your bandwidth with... ░▓█░░░██▓░ ▓█░ ░░█░░░ ░▓████▓░ ░█░░ ░█▒ ░░░░░ ▒███░░░█ Apostolic Polyphony - Apostolic Polyphony ░▒▓███▓ ░░░ ────────────────────────────── │ │ ░ ░░░ │ │ ░ ░ │ Supplier ....: Mrs Angel │ ░░ ░ │ Ripper ....: Mr Devil │ ░ ░░░░ │ Language ....: English │ ░░░ │ Genre .......: Jazz │ ░░░ │ Rip. Date ...: Jun-11-2003 │ ▒███▒ │ Str. Date....: 000-00-0000 │ ▒█░▓▒█░ │ Label .......: Drimala Records │ ▒█▒ ▒▒░ │ Catalog Nr ..: n/a │ ▓▒▒ ░▒█░█▒ ░░ │ Web Site ....: n/a │ ▒█▒█▓▒▓▓▓▒▓██░ ██▒░▓ │ Encoder .....: LAME v.3.93.1 ██░ ▒▒▒▓▒▒▒▓▒██▓░ ███▓▒░▓ │ Bitrate .....: 192kbps \ ░█ █▒ ▒█▒▒▒▒▓▒▒██░ ░▒▓▒▒▓█▒▒█░ │ Mode ........: Full Stereo ▒ ░░ ▒███▒▓▒░▒▒█▓░ ▒▓█▒▒▒▒▓▓█▓ │ Size ........: 87 MB █▒ ░██ ▓▒▒▓█░▒▒██▓▓▓▓▒▓▓██▒▒▒▓░ │ Source ......: CDDA ▒█ ░██ █▒█▒▒▓░▒█▒█▓█▓██▓▒▒▒▓░█ │ / ██ ░█ █ █▓█▒▒▓ ▒░░░░▒▓▓▓▒ ▓▒▓▓ │ / ██ █▓ █ █▒█▓▒█▒▒▒▒▒▓ █░█▒▒█ ▒█ █ █ █▒█▒▒█▒██▓██▒▒▓▒▒ ───────────────────────────── █░ ░█ ██░░██▒▒█▒█▓█░█▓▒▓ ███ █░ ███▓▒▒▒▒░▓█░▓ ░██▒▓▓▒▒▒▒▒█▒ ░█▓████▒░███░█ ░█▓▓▒▒█▓██░█▓██░░ ░░░░ ░▒▒▓▓▓▒██▒█░ ██▓▒▒█ ░░░░ ░▒████░ ▒▒█▓█▒▒█▓███ ▒█▒█▒█▒░████ ░▓██░░▒█▓░ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█▓▒▒▓▒▄▄▄▓█░▓▄▄▒██▒█▓██▓░ ▒█░ ▒█▒ ░ ██▒░░▄██▀ ▀ ▀ ▓▓█▒ ░▓▓█▓█▓█░ ▒█░ ▒█▒ ░██▐▓▓▓█ ▓▓░▒▒ ▓▓▒█▒▓█▒ ░█░ ░██░ ░░░ ░░▐█ ░░░░ ░░ ▓█▓▓▀ ▓▒▒██▓█▓▒ ███▓ ▒▓██░ ░█ ▐█ N ░░ ░░ ▀▒▓▓ ▒▒▒█▒▒█▒█ ░█▒ ▓▒███ ░█▓▓▓▌█ ░░ Treasure ▓▒▒█▒▒▓█▒▓▓ ░█ ▒█ ▓█ ▀█▀█  ░ Island ▒▒▒▓▒▒▓█▓█▓░█ ░█░░ ░█░ █ │ ░░▒░░░ ░ ░ █▒▒█▒▒▒█▒▒██▓ ▒███░░░█░ ▐▌ W <──┼──> E ░▒░▓▒▒░░░░ ░░ ▓▓▓▓█▒▒█▒▒ ░░ ░▒▓███▓ ▐▌ │ ░▒▓▒▓▓▒▓▒░░░░ ░░ █▒▒▒█▒▒█▒▒█ ░░░ ▐▌ ° ░▒▒▒▓▓▓▓▓▒▓▒▓▒░░ █▓▒█▒▓▒▒░ █ ░░ ░▒▒▓▓▓▓▓▓▒▒▓▒▓▒▒░ ░ █▒▒▒▒▒▒ █ S ░ ░░▓▓▓▓▓▓▓▓▓▓▓▓▒▒░░ ░ █▌ ▒█ ░ █ ░░░ ░░▓▓▒▓▓▓▓▓▓▓▓▓▒▒░ ░ █ █ ░ ░░▒▒▒▓▓▓▓▓▓▓▓▒░ ░ █ ▐▌ ░░░▒▒▓▓▒▒▓▒░░░ ░ ▐▌ ▐▌ ░░ ░░▓▒▒▓░░░░ ░ ▐▌ ▐▌ ░░ ░░░░░ ▐▌ ▐▌ ▐▌ ▐▌ ░░ ▐▌ ▐▌ ░░░░ ▐▌ █ █ █ NR TRACKNAME TIME █ █ █ █ █ █ 01. part one invention 11:34 █ █ 02. two part invention 03:56 █ █ 03. three one invention 04:56 █ █ 04. part two invention 03:50 █ █ 05. three part invention 07:40 █ █ 06. three two invention 09:05 █ █ 07. one three invention 09:29 █ █ 08. part four invention 10:32 █ █ ----------------- █ █ Time: 61:02 min █ █ █ █ █ █ Terrorizing the corners of the world! WUS brings █ █ to you Apostolic Polyphony's self titled album █ █ Apostolic Polyphony! If your Jazz lovers and █ █ love to lounge and just read a nice book to nice █ █ music, this CD is for you! WUS Warriors are now █ █ on the assault raping and pillaging worldwide! █ █ Find this underground release on your nearest █ █ Site. NO we don't send files or have a public █ █ channel. You know where to find us if you have █ █ that godly sense about you! Support the music █ █ artists!! Consider this release a Trial █ █ listening period. BTW We love the artists, but █ █ we don't support the RIAA "Retards Industry Anal █ █ Assholes" FAWK the RIAA, putting innocent people █ █ in jail is what you want niggahs?? Well fuck you █ █ and stick your cock up Madonnas Loose Coochie █ █ since she's already a whore. You don't need to █ █ know who we are! Only the gods know who we are. █ █ Were over 100+ thats all you need to know. █ █ █ █ Release Info: Apostolic Polyphony features █ █ pianist Matthew Shipp, multi-instrumentalist █ █ Charles Waters, and drummer Andrew Barker. This █ █ trio of leaders started working together in 2002 █ █ in New York City and their music very quickly █ █ began generating a lot of excitement. Moving █ █ seamlessly from full throttle free blowing to █ █ dirges of Messianic color and proportions, the █ █ music is the face of the next generation of post █ █ -modern jazz. The cd also features an exciting █ █ new composition by NYC electronic musician and █ █ composer, Shannon Fields, based on █ █ transformations of source material from the █ █ preceeding seven tracks. █ █ █ █ Drimala Records has reached the length of a █ █ strong furlong to a finishing line with its █ █ release, APOSTOLIC POLYPHONY, performed by Andrew █ █ Barker, drums, Matthew Shipp, piano, and Charles █ █ Waters, B-flat clarinet and alto saxophone. █ █ █ █ The conceptual density of the recording is awe- █ █ inspiring. It provides an emotional sensibility █ █ to chew on, to seize with exuberance. The █ █ apostles in the tradition of the Bible were █ █ sanctioned by Christ to carry His word. In a █ █ corresponding metaphor, this beautifully molded █ █ trio carries the word of all its predecessors in █ █ terms of its musical statement and, then, becomes █ █ the bearer of the word as is exemplified by the █ █ coda, which is the last track. █ █ █ █ The tracks on the CD are named in seemingly non- █ █ sensical permutations of the number three to list █ █ ôinventionsö on the recording. The term █ █ æinventionÆ stems from J.S. Bach, who used it to █ █ describe the keyboard pieces he wrote to teach █ █ his children. The structure of BachÆs short works █ █ are single lines, each played where the hands █ █ operate individually. The genius of the works is █ █ that the independent lines develop into one █ █ melody. █ █ █ █ These three instrumentalists improvise █ █ independently and co-dependently as is the skin █ █ and bones of the performance art. The lines move █ █ in and out of each other as would passers-by on █ █ the street ofttimes recognize each other and stop █ █ to intersect, move away from each other in █ █ opposite directions, move close to each other, █ █ slide by each other, become distant from one █ █ another, or one on top of another, back to back, █ █ front to front. The sound is contrapuntal, only █ █ slightly melodic at any one point. The music is █ █ tragic, wrenching, peaceful, unanalyzable. █ █ █ █ Barker, the drummer, breaks a torrential first █ █ two inventions where the bass drum constantly █ █ reminds the listener of a tumultuous stream, with █ █ an abstractly rhythmic third cut. The mallet █ █ struck toms predominate, evolving into a set of █ █ brushed edges, a bowed cymbal accenting the █ █ beginning and the end. This drum cut provides a █ █ segue between WatersÆ clarinetÆs agonizing cries █ █ to the introduction of the altoÆs more middle- █ █ range sound, which in turn gives entrance to the █ █ pianoÆs strongly hammered note progressions. The █ █ alto hovers in a steady orbit. The drums later █ █ joined by the piano paint a solid base on which █ █ the alto can land and from which it can take off. █ █ The clarinet comes back in to close the series of █ █ improvisations with much the same rapidity as it █ █ had played in the beginning. █ █ █ █ Shipp opens the recording fading in with █ █ muscularly pointed repeated phrasings. █ █ Thereafter, the quality of his playing never █ █ wanes. His rhythmic mode rises and falls in runs █ █ up and down the keyboard; the unmistakably █ █ invaluable chord walls chain the listener to the █ █ seriousness of the music. Any solo tangent █ █ reveals ShippÆs unremitting relentless fervor for █ █ the keys. They are the extension of his █ █ particular mind-set, one that is extraordinarily █ █ imbued with culture and the world and desirous of █ █ altering the perception of the same through █ █ music. █ █ █ █ The "New Testament" paradigm for a world view █ █ completes this recording. The mode is a remix of █ █ acoustics from the drums and the clarinet (and █ █ how about a set of lilting, melancholic, sounds- █ █ like, harmonica phrases), with electronic scrapes █ █ & reverberations and piano ostinatos. This is the █ █ music that follows what came before it in the █ █ largest sense. This is the music that █ █ incorporates the use of tools not available when █ █ Bach wrote. This is the point where all musics █ █ within this recordingÆs defined set of limits are █ █ shaped into a 21st century invention of how █ █ melodic lines can merge as one. One adamant, █ █ sacred, spiritual, art-is-life determination. █ █ █ █ >>> --------------------- WUS ----------->>>> █ █ We are your Lords, We are your dominators, and we █ █ are most certainly gonna have you bow down. █ █ >>> --------------------- WUS ----------->>>> █ █ █ █ █ █ █ █ /│/│\ █ █ /_│_│_\ █ █ ___│_│___ █ █ ▄▄ ██▄ Pleasure \ / █ █ ████ ███ Island ----- █ █ ██ █ █ ██ ▄▄ █ █ █ █ ▓█ █ █ █ ███ █ █ █ ▓█ ░░ ▄██ ████ █ █ ░ ░▓█░░ ▄██ █ ███ █ █ ░ ░░▒▓█▒▒░░ ██ ▓█ █ ██ █ █ ░░░▒▒▓█▓▒▒▒▒▄█ █▓█░ █ █ █ █ ░ ░░▒▒▒▒█▒██▓▒██ ▓█░ ░ █ █ ░▓▓▓▒███▓█▓▒▒░ ▓█ ░ ░ █ █ ░░▓▓▓██▒▒█▓██▒▒░▓█ █ █ ░░ ░░▓▓▓█▒▓▓█▓▓██▒▒▓█▓░░ █ █ ░ ░▒▓▓█▓▓▓▓█▓▓▓█▓▓▒█▓▒▒░░ ░ █ █ ░ ░▒▓▓▓▓▓▒█▒▓▓▓▒▓▒█▒▓▒▒▒░ ░ █ █ ░░▒▓▓▓▒▒█▒▓▓▓▒▓▓▒▒▓▒▒▒░ ░ █ █ ░ ░▒▒▒▒▒▒▒▓▒▓▓▓▒▓▓▓▒▓░░ ░ █ █ ░░ ░░▒▒▓▓▓▒▓▓▒░░░░░░ ░░ █ █ ░ ░ ░░░░░░░░ ░░░ █ █ ░░░░ ░ █ █ ░░ ░░ ░ █ █ ░░░░░ █ █ █ █ █ █ █ █ ACME, BLiZZARD, CLASS, CHALLENGE OF REVERSE █ █ ENGiNEERiNG, CORPORATE, DEViANCE, DiViNE & VCD, █ █ EAGLE SOFT iNCORPORATED (c64), ECLiPSE, ENFUSiA, █ █ EQUiNOX, EXODUS, FAiRLiGHT (c64 & AMiGA & PC), █ █ FANTASTiC 4 CRACKiNG GROUP, FAST ACTiON TRADiNG █ █ EXCHANGE, FUTURE CREW, GENESiS, HERiTAGE, HYBRiD, █ █ iNTERNATiONAL NETWORK of CRACKERS, JUDGEMENT, █ █ LAXiTY, LEGENDS NEVER DiE, LUCiD, MALiCE, █ █ MANiFEST, DESTiNY, MASQUE, NATiONAL ELiTE █ █ UNDERGROUND ALLiANCE, NEXUS, NOKTURNAL TRADiNG █ █ ALLiANCE, ODDiTiES, ORiON, PARADOX (c64), █ █ PENTAGRAM, PENTiUM FORCE TEAM, PHROZEN CREW, █ █ PiRATES GONE CRAZY, QUARTEX, RADiUM, RAZOR 1911, █ █ REBELS, RiSE, ROYAL, SiEGE, SiN, SNEAKERS, █ █ TDU-JAM!, THE DREAM TEAM, THE MiLLENiUM GROUP, █ █ TYPO, UNiTED CRACKiNG FORCE, WE LOVE WAREZ, ZEN, █ █ █ █ ANSi CREATORS iN DEMAND, CEZAR, ECHELON, EURASiA, █ █ iNSANE CREATORS ENTERPRiSES, KALiSTO, LiGHTFORCE, █ █ MODE7, PROJECTX, SUPERiOR ART CREATiON, VENOM, █ █ █ █ 2 DA BEAT, ADDiCTED TO MUSiC, AGAiNST THE REST, █ █ AMOK, APOCALYPSE PRODUCTiON CREW, BEATFORGE, BEAT █ █ MASTERS iNTERNATiONAL, BETTER U TAKE THiS, █ █ CHROMANCE, CORE OF RESiSTANCE, COUNCiL MUSiC █ █ GROUP, DA OLDSCHOOL CREW, DEAFNESS, EGO, █ █ EiTHELMP3, FAiNT, GRAVEWiSH, GROOV[E]MiSSiON, █ █ iMAGiNE, JUST, KLUDGE SOUND iNC, MiNDSCAPE, █ █ NUTRiTiONAL HEARING SUPPLiES, OVERDOSED, PHAT █ █ METAL SHiT, PSiLOCYBiN, RABiD NEUROSiS, RADiAL, █ █ REVOLUTiON, RiP-HOP, SOUR, SWEET, SWiSS QUALiTY, █ █ SYNTHESiS MEDiA, THE SCHOOL OF OLD, UNiTED █ █ PUNKERS of QUEBEC, VITAE IETERNA CORPORATION, █ █ WALL OF SOUND, WE LOVE MUSiC & █ █ █ █ *ALL* our other friends and supporters worldwide! █ █ █ █ █ █ █ █ To DRiNK OR DiE & PiRATES WiTH ATTiTUDE: █ █ we will NEVER forget! █ █ █ █ █ █ █ █ ░░ ░░ ░░░ █ █ ░░░ ██ ██ ░░ █ █ ░░ ░███░████ ░ Depraved █ █ ░ ░██░▓▓█░░██ ░░ Island █ █ ░ ░░░█░▒▒▒█▒░░█ ░░ █ █ ░░░▒░▓▓▒▒█▓▓▒░█ ░░░ ░ █ █ ░▒▒▒▓▓▓▓▒█▓▓▓▒▓░ ██ ░░ ░░ █ █ ░▒▒▓▓▓▓▓▒█▒▓▓▒▓██ ██ ░ ░░ █ █ ░▒▒▓▓▓▓▓▒▒▒▓▒▓██░█░██ ░ █ █ ░▒▒▓▒▒▒▒▓▓▒▓▓▓█▓░█░ ██ ░ █ █ ░▒▒▓▓▓▓▒▓▓▒▓▓██▓▒█░░ █ ░ █ █ ░ ░▒▒▓▒▓▓▓▓▒▒▓▓▓▓▓▓█▒░░█ ░ █ █ ░░ ░░▒▒▒▓▓▒▒▒▓▒▒▒▓▓▓█▒░░ █ █ ░ ░░░▒▒▓▒▓▓▓▓▓▒▒▓▓█▒▓░ █ █ ░░ ░░░▒▒▓▓▒▒▓▓▓▒▒█▒▓░ █ █ ░░░ ░░░▒▓▓▓▓▓▓▓▒▒▒▒░ █ █ ░░ ░░░░▓▓▓▓▒▒▒░░░ ░ █ █ ░░ ░░▒▒▒▒▒░░░ ░░ █ █ ░░░░ ░░░░░░ ░░ █ █ ░░░░ █ █ █ █ █ █ █ █ When the egos arose and things got caught into █ █ loads of useless politics, we definately had █ █ second guessings about what time it really was. █ █ So we left! █ █ █ █ Now on board of our vessel filled up with rebel █ █ and adventure hungry pirates, we're sailing the █ █ seas and taking parts in shady cargo exchanges █ █ and wild sex parties on hot caribbean beaches █ █ drinking rhum ... █ █ █ █ Washed Up Sceners is composed of the elite █ █ warriors of the past, who have all come from all █ █ walks of the underground. We are a boat that █ █ strives in bringing the humbleness of true █ █ friendship while releasing the floods of █ █ deserving music that would generally be held down █ █ by greedy merchants. █ █ █ █ As the story unfolds and the years pass by, █ █ you will all come to know what we are about █ █ as we deliver our mighty weapons into the █ █ Earth to rape, pillage and conquer... █ █ █ █ ...As it was prophesied. █ █ █ █ █ █ █ █ █ █ ░░ ██ █ █ Pirates ░ ███ ██ ░░░ █ █ ████ █ ██ ░░ █ █ Island ░░█ ███ ░▓█▌████ ░ █ █ ░█████▓ ░▓█▌ ██ ░░ █ █ ███ █▓██░ ░▓█▌ ███ ░ █ █ ██ █ █ ██ ▓█ █ █ █ ██░ █▓ ░██░░▓█░ ░ █ █ ░ █ ░█▓░▓▓██▒▓█░░░░ ░░░ █ █ ░░ ░░░█▓▒▓▒▓█▓▓█▒░░░░░ ░░ █ █ ░░ ░░░▓█▓▓▓▓▒█▓▓█▓▒▒██▒░░ █ █ ░ ░ ░▒░▒█▓▓▒▓▓▒▒▓█▓███▒██░░ ░░ █ █ ░ ░ ░░░▒▓█▓▒▒▒▓▓▒▒█▒██▓█▒██░ ░ █ █ ░ ░░▓▓▓█▒▓▓▒▒▓▓▓▒██▓▓█▓▓█░ ░░ █ █ ░ ░░▒▓▓█▒▓▓▓▒▓▒▒▒██▒▒█▓▒██░ ░ █ █ ░ ░░▒▒▓▓▒▓▓▓▓▒▓▓▓█▓▓▒█▓▒░█░ ░ █ █ ░ ░░▓▓▒▒▒▓▓▓▒▓▓▒▒▒▓▓▓█▒▒░░ █ █ ░ ░░░▓▓▓▓▓▓▓▒▒▒▓▓▓▓░█▒░░ █ █ ░ ░░░░░░░▒▒▒▒▓░▓▒░▒▒▓░ █ █ ░░ ░░░░░░▒▒▒▒▒░▓░░▒ ░ █ █ ░░░ ░░░░░░░░░░ ░ █ █ ░░ ░░░ █ █ Aye captain! ░░░░░░ █ █ ░░ █ █ █ █ So you would be interested in sailing with us? █ █ Be sure you read and understand the following: █ █ █ █ █ █ - We do *NOT* have a public IRC channel nor a █ █ public WWW site nor will we *EVER*! █ █ █ █ - We *NEVER* give/send files on request! █ █ █ █ - Our boat is *FULL*, so keep on wishing... █ █ ...Unless you are bisexual twin sisters. █ █ █ █ You could always try your luck @ █ █ █ █ █ █ █ █ This release is dedicated to our fallen comrads █ █ from operation buccaneer, cyberstrike and all the █ █ other futile attempts made to stop piracy. █ █ █ █ A Special note to the idiotic ▄███▄ █ █ law enforcers who have taken ▐█████▌ █ █ the national tax up to new ███████▓ █ █ hights, the haters who thoughed ███████▓ █ █ this group would never be ▒███████▓ █ █ happening and to all con-scene ▒░███████▓░ █ █ people: ▒░▒███████▓▒░ █ █ ▒▒░▒███████▒▒░░ █ █ We hope to bathe in your ▒░░▓▓▓▓▓▓▓▓▓░▒▒ █ █ family's blood soon ... ▒░▒░▒░▒░▒░░▒▒░░ █ ░░░ █ ▒░▒▒░▒▓▒▒▒░▒░ █ ░▓██▓░ █ ░░▒░▒▒░▒▒░ █ ░░░ ▓█░░█▓░ █ ▀ ░▓███▓ ░█░ ░█▓░█ ▄███▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█▄ ░██░░██░ ░█░ ░███▄█▄▄▓█ █▓▓░ ░█ ▓██░ ░░░░░ ░░▐▌ Last updated: 05/23/2003 ▐▌ ░█ ░▓██ ░ ░░ ▐▌ by bug in 2003 ▐▌ ████▓ █░ ░░█▀█▀▀▀▓█▌ █▓░ ░█▓ ░█░ ░██░ ▀▄███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█▀░██ ░█░ ░▓███▓░ ░█░ █░ ░░░░ ▓█░░█░ ░███░ ░░░