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Love Me Just A Little (Sometime) 6:05 ░▐ ▌░ 02. Baby No Lie 3:53 ░▐ ▌░ 03. All In Your Mind 3:19 ░▐ ▌░ 04. Earnestine 2:35 ░▐ ▌░ 05. Forty Days And Forty Nights 4:23 ░▐ ▌░ 06. Another Man's Woman (It's So Hard) 4:38 ░▐ ▌░ 07. Days Of Our Lives 3:12 ░▐ ▌░ 08. Yours And Mine 2:42 ░▐ ▌░ 09. Can't Stand It No More 4:09 ░▐ ▌░ 10. One More Problem 3:16 ░▐ ▌░ ░▐ ▌░ ░▐ ▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐ ▌░ ▒▒▒│ rip notes │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐ ▌░ └─────────────┘ ░▐ ▌░ ░▐ ▌░ Often described as a more radio-friendly version of Lynyrd ░▐ ▌░ Skynyrd or the Allman Brothers, the Atlanta Rhythm Section ░▐ ▌░ was one of many Southern rock bands to hit the upper reaches ░▐ ▌░ of the charts during the late '70s. Hailing from the small ░▐ ▌░ town of Doraville, Georgia, the beginning of the Atlanta ░▐ ▌░ Rhythm Section can be traced back to 1970. It was then that a ░▐ ▌░ local recording studio was opened, Studio One, and the ░▐ ▌░ remnants of two groups (the Candymen and the Classics Four), ░▐ ▌░ became the studio's house band. One of the facility's head ░▐ ▌░ figures, Buddy Buie, soon began assembling the session band ░▐ ▌░ -- singer Rodney Justo, guitarist Barry Bailey, bassist Paul ░▐ ▌░ Goddard, keyboardist Dean Daughtry, and drummer Robert Nix. ░▐ ▌░ After playing on several artists' recordings, it was decided ░▐ ▌░ to take the band a step further and make the group of players ░▐ ▌░ a real band, leading to the formation of the Atlanta Rhythm ░▐ ▌░ Section. ░▐ ▌░ ░▐ ▌░ Buie soon became an invisible fifth member of the fledgling ░▐ ▌░ band; he served as their manager and producer, in addition to ░▐ ▌░ providing a major hand in the songwriting department. Finding ░▐ ▌░ time between sessions to record their own original material ░▐ ▌░ (which was initially, entirely instrumental), an early demo ░▐ ▌░ wound up landing the band a record deal. The group's first ░▐ ▌░ few albums failed to generate much chart action (1972's ░▐ ▌░ Atlanta Rhythm Section, 1973's Back Up Against the Wall, ░▐ ▌░ 1974's Third Annual Pipe Dream, 1975's Dog Days, and 1976's ░▐ ▌░ Red Tape), but it was during this time that Justo was ░▐ ▌░ replaced with newcomer Ronnie Hammond, which would eventually ░▐ ▌░ pay dividends for the group. Although they had gained quite a ░▐ ▌░ bit of radio airplay down south, their record company began ░▐ ▌░ to put pressure on the quintet to deliver a single that would ░▐ ▌░ break them nationally. The demand worked -- the Atlanta ░▐ ▌░ Rhythm Section scored a Top Ten single, "So Into You," on ░▐ ▌░ their next release, 1976's A Rock and Roll Alternative, which ░▐ ▌░ was the group's first album to reach gold certification. ░▐ ▌░ ░▐ ▌░ But this wouldn't be the group's commercial peak, as they ░▐ ▌░ scored the highest charting album of their career in 1978, ░▐ ▌░ the Top Ten Champagne Jam, which spawned two hit singles -- ░▐ ▌░ "I'm Not Gonna Let It Bother Me Tonight" and "Imaginary ░▐ ▌░ Lover." To keep up their high profile, the Atlanta Rhythm ░▐ ▌░ Section soon became one of the hardest touring bands of the ░▐ ▌░ entire Southern rock genre (including a performance at the ░▐ ▌░ White House for then-president Jimmy Carter). But the group's ░▐ ▌░ commercial success would be fleeting -- it appeared as soon ░▐ ▌░ as mainstream rock fans embraced the Atlanta Rhythm Section, ░▐ ▌░ they just as quickly forgot about them. Each subsequent album ░▐ ▌░ -- 1979's Underdog and live set Are You Ready, 1980s The Boys ░▐ ▌░ from Doraville, and 1981's Quinella -- sold less than the ░▐ ▌░ previous one, resulting in the band's split shortly ░▐ ▌░ thereafter. ░▐ ▌░ ░▐ ▌░ In the wake of their split, the Atlanta Rhythm Section has ░▐ ▌░ reunited sporadically for tours (although only a few original ░▐ ▌░ members would be present), and issued their first all-new ░▐ ▌░ studio album in more than a decade in 1999, Eufaula. ░▐ ▌░ Additionally, some of country-rock's biggest names have gone ░▐ ▌░ on to record Atlanta Rhythm Section covers -- Travis Tritt, ░▐ ▌░ Wynonna Judd, and Charlie Daniels, among others. ░▐ ▌░ ░▐ ▌░ ░▐ ▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐ ▌░ ▒▒▒│ marr │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐ ▌░ └─────────────┘ ░▐ ▌░ ░▐ ▌░ indie . pop . rock . shoegaze . dream . jangle . twee ░▐ ▌░ chamber . noise . c-86 . college . goth . post . kraut ░▐ ▌░ darkwave . alternative . lo-fi . country . americana ░▐ ▌░ folk . folk/rock . psychedelic . progressive . metal ░▐ ▌░ heavy . hair . math . grunge . classic . southern . aor ░▐ ▌░ west coast . punk . garage . avantgarde . classical ░▐ ▌░ electronic . ambient ░▐ ▌░ ░▐ ▌░ ░▐ ░▌░ ░ █ █ ░ ░▐░ ▌░ ▓▓█ █▓▓ ░▐ ▌░ ░█ █░ ░▐ ▌░ █ ░ ▒ ░ ░ ▒ ░ █ ░▐ ░ ▌░██ ░ ▒█████░ ░█████▒ ░ ██░▐ ░ ▒ ░ ▌░█ ░ ███▓ ▓██ ▒ ▒ ██▓ ▓███ ░ █░▐ ░ ▒ ░██ ▌█▓ ████ █▒ ▒█ ████ ▓░▐ ██░ ░██████░ ███ █ █ ███ ░██████░ ██████ ███ █ █ ███ ██████ ▒███ ███▒ ██ █ █ ██ ▒███ ███▒ ████ ████████ ▒ █ █ ▒ ████████ ████ ████░ ███████░ ░░ █ █ ░░ ░███████ ░████ █████░ ████▒ ▒ ▓█ █▒ ▒█ █▓ ▒ ▒████ ░█████ █████░ ██████████ ███ █ █ ███ ██████████ ░█████ ▒██████ ░ ███████▒ ████▒▒█ █▒▒████ ▒███████ ░ ██████▒ ░ ███░ ███ ░ * █▓▓ ▓▓ ▓▓█ * ░ ███ ░███ ░ █░ ███ █░ *** * * █▒█▒▒██████▒▒█▒█ * * *** ░█ ███ ░█ ████ ██ * ████████ ████████ * ██ ████ ████████ * *** ░ ░██████ ██████░ ░ *** * ████████ █████ ** ░ ████ ▓▓▓▓▓▓▓▓ ████ ░ ** █████ ▒█████████████▒▒ ░░ ░░ ▒▒█████████████▒ ░▓██████████▒ ░░ ░░ ▒██████████▓░ ▒█████ ░░ ░░ █████▒ ███ ███ ██ ██ ▒█ █▒ https://play.google.com/store/music/album?id=Bnkqtrvwrvis63cy62bbx7zmxke