Awenson-Within-CD-2019-D2H

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-awenson-beyond_the_flash.mp3 Awenson Beyond the Flash 287 Unknown
2 02-awenson-sentimental_journey.mp3 Awenson Sentimental Journey 267 Unknown
3 03-awenson-monolith.mp3 Awenson Monolith 255 Unknown
4 04-awenson-a_saucerful_of_mysteries.mp3 Awenson A Saucerful of Mysteries 245 Unknown
5 05-awenson-spheric_passage.mp3 Awenson Spheric Passage 265 Unknown
6 06-awenson-one_of_these_nights.mp3 Awenson One of These Nights 262 Unknown
7 07-awenson-suspended_flood.mp3 Awenson Suspended Flood 272 Unknown
8 08-awenson-lovewind.mp3 Awenson Lovewind 262 Unknown
9 09-awenson-nymphea.mp3 Awenson Nymphea 254 Unknown
NFO
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Number : GR-278 ▓███ ███▓ Street Date : 2019-00-00 ▓███ ███▓ Rip Date : 2020-01-09 ▓███ ███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███ ███▓ Quality : 263kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 9 ▓███ ███▓ Playtime : 01:17:13 (153.MB) ▓███ ███▓ URL : http://www.groove.nl/cd/g/gr-278.html ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Beyond the Flash 10:39 ▓███ ███▓ 02 Sentimental Journey 5:31 ▓███ ███▓ 03 Monolith 2:27 ▓███ ███▓ 04 A Saucerful of Mysteries 5:03 ▓███ ███▓ 05 Spheric Passage 10:39 ▓███ ███▓ 06 One of These Nights 10:51 ▓███ ███▓ 07 Suspended Flood 9:21 ▓███ ███▓ 08 Lovewind 9:33 ▓███ ███▓ 09 Nymphea 13:09 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 77:13 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ On the previous album ôHopeö, Joδl Bernard already showed his style ▓███ ███▓ is unusual and sometimes a bit peculiar. At first glance, ôWithinö ▓███ ███▓ features some progressive elements along the introduction of ▓███ ███▓ distorted e-guitar (similar to Edgar Froese or Frank Dorittke) and ▓███ ███▓ bass guitar on two tracks û most notably on the energetic opener ▓███ ███▓ ôBeyond the Flashö. However, JoδlÆs music still carries influences ▓███ ███▓ of classic Berlin School music such as the cosmic ôSentimental ▓███ ███▓ Journeyö and the short take ôMonolithö. ▓███ ███▓ After that captivating sequencing and atmospheric pads move in, ▓███ ███▓ sonically bringing to mind vintage Schulze (ôLovewindö), Patrick ▓███ ███▓ Kosmos, and other notable cosmic couriers from the past. ôSpheric ▓███ ███▓ Passageö and ôOne of these Nightsö kick off a gentle soaring cruise ▓███ ███▓ into the galactic expanse, a pleasant mood prologued on the ▓███ ███▓ remaining tracks. During this calm journey some shadowy corners ▓███ ███▓ are visited on the second half of ôSuspended Floodö. Starting out ▓███ ███▓ as classic Gandalf, the final piece ôNympheaö travels smoothly into ▓███ ███▓ dreamy ethereal realms while spreading a warm textural perfume ▓███ ███▓ during its 13-minute ride. ▓███ ███▓ Repeated and focused listens to the very well-accomplished ôWithinö ▓███ ███▓ will reveal the underlying beauty in AwensonÆs cosmic poetry. ▓███ ███▓ ▓███ ███▓ --- ▓███ ███▓ ▓███ ███▓ It's from one ear to the other, well wrapped in a good set of ▓███ ███▓ headphones, that the hopping rhythm of Beyond the Flash begins this ▓███ ███▓ second visit of my friend Joδl in my musical sphere of 2019. This ▓███ ███▓ waddling increases strength and velocity to enter a passage where ▓███ ███▓ the layers of mist and winds of ether replace those where the ▓███ ███▓ voices seemed so indistinct. The sound imprint is obvious! We are ▓███ ███▓ in the Berlin School in what is more retro! An imbalance in the ▓███ ███▓ order of the sequencer makes sure that the beat gets sustained and ▓███ ███▓ above all to make it catchier. Beyond the Flash becomes a cosmic ▓███ ███▓ rock in its lunar scenery and the psychotronic effects of synths, ▓███ ███▓ while Joel Bernard's guitar takes the leads with a rock-like ▓███ ███▓ approach that is divided between its distorted lines of riffs and ▓███ ███▓ its cold harmonies lying in form of solos. Beyond the Flash sets ▓███ ███▓ the tone for another energetic Awenson album that this time targets ▓███ ███▓ the psychedelic cosmic rock of the 70's and more ambient structures ▓███ ███▓ laden with chloroform clouds as a second album in 2019. And ▓███ ███▓ Sentimental Journey confirms it with its astral tom-toms and its ▓███ ███▓ Klaus Schulze fragrances of the Totem years. The synth throws very ▓███ ███▓ sharp solos that make spirals and elegiac flights in an atmosphere ▓███ ███▓ of the vintage years very well portrayed by Awenson. After the ▓███ ███▓ short and dark Monolith, we are in Dark Ambient territory here, A ▓███ ███▓ Saucerful of Mysteries offers another facet of ambient rhythm with ▓███ ███▓ a bass, played by Joδl Bernard, which reveals its weariness in ▓███ ███▓ mysterious mist banks thrown on the pavement by a Farfisa. Spheric ▓███ ███▓ Passage respects the origins of its title with a spheroidal ▓███ ███▓ movement of the sequencer and its cadence that goes up and down ▓███ ███▓ with some nuances, thus defeating a possible effect of a distracted ▓███ ███▓ listening. The step is heavy, with prism radiances, and serves as ▓███ ███▓ anchor to very good synth solos. ▓███ ███▓ One of These Nights offers an ambient structure that is not for ▓███ ███▓ relaxation. The movement is initiated by a series of two chords of ▓███ ███▓ a bass line where clouds of ether float with a tone vaguely ▓███ ███▓ reminiscent of a bagpipe. The beat of the bass sequences is ▓███ ███▓ amplified by the addition of what seems to be a percussive mass, of ▓███ ███▓ which the flow may be reminiscent of the furious march of a ▓███ ███▓ stubborn person who wants to brave the sound elements whose torsade ▓███ ███▓ effects envelop One of These Nights of a mystical fog. A ▓███ ███▓ psychedelic approach with voice effects disturbs the middle of this ▓███ ███▓ march of our obstinate character that is infiltrated by nice ▓███ ███▓ paradisiacal solos. The more you listen, the more you fall under ▓███ ███▓ the charms of this fascinating structure embalmed by perfumes of ▓███ ███▓ the early 70's of the Farfisa. Solos are more audible in the more ▓███ ███▓ musical and artistic procession of Suspended Flood. Lovewind is ▓███ ███▓ very close to Body Love's territories, but without rhythm. An ▓███ ███▓ astral poem scrolls in a decoration charged by an exodus of wooshh ▓███ ███▓ and waashh. The language is coded and revolves around interstellar ▓███ ███▓ beeps that are still rather melodious. In the background, a synth ▓███ ███▓ blows these dreamy solos that Klaus Schulze lost in his illusions ▓███ ███▓ of Astral Mass, while thin implosions of a bass line, charmed by ▓███ ███▓ this lunar scenery, releases these muted impulses that give a whole ▓███ ███▓ relief to this superb Lovewind. Nymphea ends WITHIN between its ▓███ ███▓ desire to bite into an ambient rhythm α la Sentimental Journey and ▓███ ███▓ the ambient elements lay down by Awenson. Electronic tweets and ▓███ ███▓ skeletal chants are like clouds of suspended dust and drift under ▓███ ███▓ the influence of a heavy gyratory line and its threatening timbre. ▓███ ███▓ A timbre that, alas, relays in the background all this delicacy ▓███ ███▓ that is the beauty of this title. ▓███ ███▓ Year 2019 is quite a comeback one for Joδl Bernard! WITHIN could ▓███ ███▓ have been Hope's second album ... if Hope had been a double album, ▓███ ███▓ so much the artistic vision of both albums is meeting on a ▓███ ███▓ horizontal line. This is the kind of album that earns its points as ▓███ ███▓ we listen and find something that we had missed in previous plays. ▓███ ███▓ Sign of an album rich of its design. Hat to you Joδl and keeps ▓███ ███▓ Awenson's guides still tight! ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀

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