Genre | Electronic |
---|---|
Date (CEST) | 2021-07-07 13:53:43 |
Group | D2H |
Size | 147 MB |
Files | 9 |
M3U / SFV / NFO |
Awenson-Within-CD-2019-D2H
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-awenson-beyond_the_flash.mp3 | Awenson | Beyond the Flash | 287 | Unknown |
2 | 02-awenson-sentimental_journey.mp3 | Awenson | Sentimental Journey | 267 | Unknown |
3 | 03-awenson-monolith.mp3 | Awenson | Monolith | 255 | Unknown |
4 | 04-awenson-a_saucerful_of_mysteries.mp3 | Awenson | A Saucerful of Mysteries | 245 | Unknown |
5 | 05-awenson-spheric_passage.mp3 | Awenson | Spheric Passage | 265 | Unknown |
6 | 06-awenson-one_of_these_nights.mp3 | Awenson | One of These Nights | 262 | Unknown |
7 | 07-awenson-suspended_flood.mp3 | Awenson | Suspended Flood | 272 | Unknown |
8 | 08-awenson-lovewind.mp3 | Awenson | Lovewind | 262 | Unknown |
9 | 09-awenson-nymphea.mp3 | Awenson | Nymphea | 254 | Unknown |
NFO
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██ ▒ Artist : Awenson ░ █░ ▓███
██ ░ Album : Within ░ ▓▒ ▓███
██▄▄ Genre : Electronic ░ ▓ ▓███
███▓ Source : CD ░ ▒ ▓███
███▓ Label : Groove Unlimited ░ ▓███
███▓ Cat. Number : GR-278 ▓███
███▓ Street Date : 2019-00-00 ▓███
███▓ Rip Date : 2020-01-09 ▓███
███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███
███▓ Quality : 263kbps / 44.1KHz / Joint Stereo ▓███
███▓ Tracks : 9 ▓███
███▓ Playtime : 01:17:13 (153.MB) ▓███
███▓ URL : http://www.groove.nl/cd/g/gr-278.html ▓███
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███▓ 01 Beyond the Flash 10:39 ▓███
███▓ 02 Sentimental Journey 5:31 ▓███
███▓ 03 Monolith 2:27 ▓███
███▓ 04 A Saucerful of Mysteries 5:03 ▓███
███▓ 05 Spheric Passage 10:39 ▓███
███▓ 06 One of These Nights 10:51 ▓███
███▓ 07 Suspended Flood 9:21 ▓███
███▓ 08 Lovewind 9:33 ▓███
███▓ 09 Nymphea 13:09 ▓███
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███▓ 77:13 min ▓███
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███▓ On the previous album ôHopeö, Joδl Bernard already showed his style ▓███
███▓ is unusual and sometimes a bit peculiar. At first glance, ôWithinö ▓███
███▓ features some progressive elements along the introduction of ▓███
███▓ distorted e-guitar (similar to Edgar Froese or Frank Dorittke) and ▓███
███▓ bass guitar on two tracks û most notably on the energetic opener ▓███
███▓ ôBeyond the Flashö. However, JoδlÆs music still carries influences ▓███
███▓ of classic Berlin School music such as the cosmic ôSentimental ▓███
███▓ Journeyö and the short take ôMonolithö. ▓███
███▓ After that captivating sequencing and atmospheric pads move in, ▓███
███▓ sonically bringing to mind vintage Schulze (ôLovewindö), Patrick ▓███
███▓ Kosmos, and other notable cosmic couriers from the past. ôSpheric ▓███
███▓ Passageö and ôOne of these Nightsö kick off a gentle soaring cruise ▓███
███▓ into the galactic expanse, a pleasant mood prologued on the ▓███
███▓ remaining tracks. During this calm journey some shadowy corners ▓███
███▓ are visited on the second half of ôSuspended Floodö. Starting out ▓███
███▓ as classic Gandalf, the final piece ôNympheaö travels smoothly into ▓███
███▓ dreamy ethereal realms while spreading a warm textural perfume ▓███
███▓ during its 13-minute ride. ▓███
███▓ Repeated and focused listens to the very well-accomplished ôWithinö ▓███
███▓ will reveal the underlying beauty in AwensonÆs cosmic poetry. ▓███
███▓ ▓███
███▓ --- ▓███
███▓ ▓███
███▓ It's from one ear to the other, well wrapped in a good set of ▓███
███▓ headphones, that the hopping rhythm of Beyond the Flash begins this ▓███
███▓ second visit of my friend Joδl in my musical sphere of 2019. This ▓███
███▓ waddling increases strength and velocity to enter a passage where ▓███
███▓ the layers of mist and winds of ether replace those where the ▓███
███▓ voices seemed so indistinct. The sound imprint is obvious! We are ▓███
███▓ in the Berlin School in what is more retro! An imbalance in the ▓███
███▓ order of the sequencer makes sure that the beat gets sustained and ▓███
███▓ above all to make it catchier. Beyond the Flash becomes a cosmic ▓███
███▓ rock in its lunar scenery and the psychotronic effects of synths, ▓███
███▓ while Joel Bernard's guitar takes the leads with a rock-like ▓███
███▓ approach that is divided between its distorted lines of riffs and ▓███
███▓ its cold harmonies lying in form of solos. Beyond the Flash sets ▓███
███▓ the tone for another energetic Awenson album that this time targets ▓███
███▓ the psychedelic cosmic rock of the 70's and more ambient structures ▓███
███▓ laden with chloroform clouds as a second album in 2019. And ▓███
███▓ Sentimental Journey confirms it with its astral tom-toms and its ▓███
███▓ Klaus Schulze fragrances of the Totem years. The synth throws very ▓███
███▓ sharp solos that make spirals and elegiac flights in an atmosphere ▓███
███▓ of the vintage years very well portrayed by Awenson. After the ▓███
███▓ short and dark Monolith, we are in Dark Ambient territory here, A ▓███
███▓ Saucerful of Mysteries offers another facet of ambient rhythm with ▓███
███▓ a bass, played by Joδl Bernard, which reveals its weariness in ▓███
███▓ mysterious mist banks thrown on the pavement by a Farfisa. Spheric ▓███
███▓ Passage respects the origins of its title with a spheroidal ▓███
███▓ movement of the sequencer and its cadence that goes up and down ▓███
███▓ with some nuances, thus defeating a possible effect of a distracted ▓███
███▓ listening. The step is heavy, with prism radiances, and serves as ▓███
███▓ anchor to very good synth solos. ▓███
███▓ One of These Nights offers an ambient structure that is not for ▓███
███▓ relaxation. The movement is initiated by a series of two chords of ▓███
███▓ a bass line where clouds of ether float with a tone vaguely ▓███
███▓ reminiscent of a bagpipe. The beat of the bass sequences is ▓███
███▓ amplified by the addition of what seems to be a percussive mass, of ▓███
███▓ which the flow may be reminiscent of the furious march of a ▓███
███▓ stubborn person who wants to brave the sound elements whose torsade ▓███
███▓ effects envelop One of These Nights of a mystical fog. A ▓███
███▓ psychedelic approach with voice effects disturbs the middle of this ▓███
███▓ march of our obstinate character that is infiltrated by nice ▓███
███▓ paradisiacal solos. The more you listen, the more you fall under ▓███
███▓ the charms of this fascinating structure embalmed by perfumes of ▓███
███▓ the early 70's of the Farfisa. Solos are more audible in the more ▓███
███▓ musical and artistic procession of Suspended Flood. Lovewind is ▓███
███▓ very close to Body Love's territories, but without rhythm. An ▓███
███▓ astral poem scrolls in a decoration charged by an exodus of wooshh ▓███
███▓ and waashh. The language is coded and revolves around interstellar ▓███
███▓ beeps that are still rather melodious. In the background, a synth ▓███
███▓ blows these dreamy solos that Klaus Schulze lost in his illusions ▓███
███▓ of Astral Mass, while thin implosions of a bass line, charmed by ▓███
███▓ this lunar scenery, releases these muted impulses that give a whole ▓███
███▓ relief to this superb Lovewind. Nymphea ends WITHIN between its ▓███
███▓ desire to bite into an ambient rhythm α la Sentimental Journey and ▓███
███▓ the ambient elements lay down by Awenson. Electronic tweets and ▓███
███▓ skeletal chants are like clouds of suspended dust and drift under ▓███
███▓ the influence of a heavy gyratory line and its threatening timbre. ▓███
███▓ A timbre that, alas, relays in the background all this delicacy ▓███
███▓ that is the beauty of this title. ▓███
███▓ Year 2019 is quite a comeback one for Joδl Bernard! WITHIN could ▓███
███▓ have been Hope's second album ... if Hope had been a double album, ▓███
███▓ so much the artistic vision of both albums is meeting on a ▓███
███▓ horizontal line. This is the kind of album that earns its points as ▓███
███▓ we listen and find something that we had missed in previous plays. ▓███
███▓ Sign of an album rich of its design. Hat to you Joδl and keeps ▓███
███▓ Awenson's guides still tight! ▓███
███▓ ▓███
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███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███
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