: ' .. .:.... . ' ' ______________ : ________ : ' \ / .. .:. .. \ / : : \ /_________ \ / . .. ... .. . : .\ / /___ /\ \ / ______________ ___ _. : \ / / \ / \ \/ / \ \ \ \ \ . ...:..\ / _______/ \/ \ ___/__ / / / / / : /\ / / \ \/ \ / / / . sH! ' / \/ / / / \ / / . ... .:.... .. . :/ _______/ / / / _______/__ ___ __ .\ / / / / / / / / / / / \ / / / / / / / / / / / . . \ /\______/ / / / / \___ / / : \/ ____ \ / / / / / : \ / \ /\____/\ / / : : ________\/ \ / \ / / : ' \ / \/ \ /\ / : . ..:.. . \ / \/ \ / \ / \ / . ' : \/ F A N G \ / : ' ____ \ / . . .. .. .:.. . \ / presents \ / . . \/ \/ : : . ..:.. , : Artist......: Azymuth, Adrian Younge and Ali Shaheed Muhammad : Album.......: Jazz is Dead 4 : : Label.......: Jazz Is Dead .. .:.. . Genre.......: Jazz : Catnr.......: JID004 . ' Source......: CD , ; Rip.date....: 2020-11-22 Str.date....: 2020-10-23 Quality.....: 269kbps/44.1kHz/Joint Stereo . :.. .:. Url.........: http://jazzisdead.co ' ' , ________ ________ \ / \ / \ / \ / \ / # title time \ / \/ \/ 1. A Redor Do Samba 4:30 2. SumarΘ 5:36 3. Cat Jump 4:03 4. Fall Afternoon 4:17 5. Friendship Samba 5:20 6. Apocolyptφco 9:29 7. Pulando Corda 3:48 8. Quiet Storm 4:22 ______ \ / ________ Runtime 41:25 ,\ /... . . .... .... \ / ' Size 83.93 ______ :\/ ', \ / , \ / ' '... ..\ /.. .. .....:. .. .... .. . ..\ /. : Release Notes: \/ , \/ , ' ' ,: The instrumental trio Azymuth modernized the sound and style of :, : Brazilian jazz with their electronic instruments, angular : :' arrangements and ingenious synthesis of jazz, funk, rock and ': ,: samba. After the passing of founding keyboard player JosΘ :, : Roberto Bertrami in 2012, Alex Malheiros (bass) and Ivan ôMamπoö : :' Conti (drums) recruited synthesizer samurai Kiko Continentinho ': ,: to the trio as it continued to build on their sound, now in :, : their fifth decade of pushing the boundaries of their beloved : :' samba. ': ,: :, : Between 1969 and 1973, these musicians all born the same year in : :' 1946, started playing together as in-demand session players, ': ,: sometimes just two of them and often all three of them on larger :, : sessions. They quickly found that their musical chemistry : :' produced a sound that was greater than the sum of their ': ,: respective parts. At the root of their collaboration were their :, : shared influences, namely American jazz and a mutual : :' appreciation for the foundations of Brazilian music. As session ': ,: musicians the trioÆs telepathic tightness, subtle funkines and :, : melodic mastery elevated Erasmo CarlosÆ classic Sonhos E : :' Mem≤rias 1941-1972 (1972) and helped Marcos Valle deliver his ': ,: finest album, Previsπo Do Tempo (1973). :, : : :' After a couple key song placements on popular telenovela ': ,: soundtracks, they recorded their debut self-titled album, :, : Azimⁿth in 1975 followe d by ┴guia Nπo Come Mosca in 1977. That : :' same year they made their debut on the international stage at ': ,: the 11th annual Montreux festival, resulting in the trio getting :, : signed with American record label Milestone for an enviable run : :' of ten LPs and another backing the Brazilophile jazz vocalist ': ,: Mark Murphy. :, : Even while recording as a self-contained trio, they individually : :' and collectively continued to contribute their singular skills ': ,: to recordings of others. They provided the backdrop to an :, : astounding number of classic records during the apex of : :' Brazilian popular music from the early seventies through the ': ,: mid-eighties. Their contributions to the discography of Jorge :, : Ben, Tim Maia, Erasmo Carlos, Rita Lee and Hyldon are just the : :' tip of the iceberg. ': ,: :, : As a trio, Azymuth hit their stride in the eighties pioneering a : :' modern, adventurous fusion of jazz, rock and funk all the while ': ,: never losing the scent of samba. By the mid-nineties, just when :, : it seemed like the band had lost their momentum, they received a : :' much needed boost and acknowledgement from DJs, musicians and ': ,: dancers in London as favorites of the thriving Acid Jazz scene :, : that also helped to resuscitate the careers of fellow Brazilian : :' musicians Marcos Valle and Joyce. Meanwhile, adventurous DJs ': ,: and beatmakers, such as MF Doom, Flying Lotus and Roni Size :, : found inspiration and novel sounds to repurpose from the trioÆs : :' classic recordings. In 2008, Ivan Conti joined forces with L.A. ': ,: underground hip-hop royalty, Madlib for a collaborative album :, : credited to Jackson Conti called Sujinho (Mochilla). : :' ': ,: In 2016, Ivan Conti, Alex Malheiros and Kiko Continentinho :, : released Fenix on the London-based label Far Out, proving : :' without a doubt that the group had lost no steam after losing ': ,: founding member JosΘ Roberto Bertrami. On this unique Jazz Is :, : Dead recording with Adrian Younge and Ali Shaheed Muhammad, the : :' trio once again demonstrates their ability to elevate their ': ,: collaborators while also showcasing their distinctive sound, :, : continuing to redraw the boundaries of Brazilian jazz, : :' futuristic funk and their beloved samba. ': : ' '.. ..' .. . :........... . . . . ............: . . ______________ ______________ \ / \ / \ / Shout out to all our homies from: \ / \ / \ / \ / iPC BOSS HiT2000 1way UKi i8 RNS \ / \ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ / \ / \ / \/ ____ ____ \/ \ / F A N G \ / \/ 2 0 2 0 \/