Beastie_Boys-Check_Your_Head-1992-EOS

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-beastie_boys-jimmy_james-eos.mp3 Beastie Boys Jimmy James 186 Unknown
2 02-beastie_boys-funky_boss-eos.mp3 Beastie Boys Funky Boss 193 Unknown
3 03-beastie_boys-pass_the_mic-eos.mp3 Beastie Boys Pass The Mic 182 Unknown
4 04-beastie_boys-gratitude-eos.mp3 Beastie Boys Gratitude 188 Unknown
5 05-beastie_boys-lighten_up-eos.mp3 Beastie Boys Lighten Up 187 Unknown
6 06-beastie_boys-finger_lickin_good-eos.mp3 Beastie Boys Finger Lickin' Good 153 Unknown
7 07-beastie_boys-so_whatcha_want-eos.mp3 Beastie Boys So What'cha Want 187 Unknown
8 08-beastie_boys-the_biz_vs_the_nuge-eos.mp3 Beastie Boys The Biz Vs The Nuge 171 Unknown
9 09-beastie_boys-time_for_livin-eos.mp3 Beastie Boys Time For Livin' 213 Unknown
10 10-beastie_boys-somethings_got_to_give-eos.mp3 Beastie Boys Something's Got To Give 157 Unknown
11 11-beastie_boys-the_blue_nun-eos.mp3 Beastie Boys The Blue Nun 183 Unknown
12 12-beastie_boys-stand_together-eos.mp3 Beastie Boys Stand Together 179 Unknown
13 13-beastie_boys-pow-eos.mp3 Beastie Boys Pow 170 Unknown
14 14-beastie_boys-the_maestro-eos.mp3 Beastie Boys The Maestro 154 Unknown
15 15-beastie_boys-groove_holmes-eos.mp3 Beastie Boys Groove Holmes 200 Unknown
16 16-beastie_boys-live_at_pjs-eos.mp3 Beastie Boys Live At P.J.'s 187 Unknown
17 17-beastie_boys-mark_on_the_bus-eos.mp3 Beastie Boys Mark On The Bus 190 Unknown
18 18-beastie_boys-professor_booty-eos.mp3 Beastie Boys Professor Booty 161 Unknown
19 19-beastie_boys-in_3s-eos.mp3 Beastie Boys In 3's 195 Unknown
20 20-beastie_boys-namaste-eos.mp3 Beastie Boys Namasté 165 Unknown
NFO
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This audience, perhaps somewhat unsurprisingly, was a collegiate Gen-X audience raised on Licensed to Ill and ready for the Beastie Boys to guide them through college. As it happened, the Beasties had repositioned themselves as a lo-fi, alt-rock groove band. They had not abandoned rap, but it was no longer the foundation of their music, it was simply the most prominent in a thick pop-culture gumbo where old school rap sat comfortably with soul-jazz, hardcore punk, white-trash metal, arena rock, Bob Dylan, bossa nova, spacy pop, and hard, dirty funk. What they did abandon was the psychedelic samples of Paul's Boutique, turning toward primitive grooves they played themselves, augmented by keyboardist Money Mark and co-producer Mario Caldato Jr.. This all means that music was the message and the rhymes, which had been pushed toward the forefront on both Licensed to Ill and Paul's Boutique, have been considerably de-emphasized (only four songs ù "Jimmy James," "Pass the Mic," "Finger Lickin' Good," and "So What'cha Want" ù could hold their own lyrically among their previous work). This is not a detriment, because the focus is not on the words, it's on the music, mood, and even the newfound neo-hippie political consciousness. And Check Your Head is certainly a record that's greater than the sum of its parts ù individually, nearly all the tracks are good (the instrumentals sound good on their subsequent soul-jazz collection, The in Sound From Way Out), but it's the context and variety of styles that give Check Your Head its identity. It's how the old school raps give way to fuzz-toned rockers, furious punk, and cheerfully gritty, jazzy jams. As much as Paul's Boutique, this is a whirlwind tour through the Beasties' pop-culture obsessions, but instead of spinning into Technicolor fantasies, it's earth-bound D.I.Y. that makes it all seem equally accessible ù which is a big reason why it turned out to be an alt-rock touchstone of the '90s, something that both set trends and predicted them. ─ Contact ───────────────────────────────────────────── ─── ─ ─ Contact us @ : #eos (efnet) █▀▀ ▀ ▀ ▀▀█ ▀█▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▓▀█▀ ▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀

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