▄██████▄ ▓████▄██████████████████▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀███████████████▄ ▓████████████▄ ██▀▀▀▀███ █████▓███████████▀▀▀▀ ▄▄░░▒▓▒▒▒▒░░▀ ████████████████▄ ▀██████▀▀▀▀██ █ ▓▓▓▓ ███████████████▀▀▀ ▄░▒ ░ ▄▄▄▄ ░ ░ ▓░ ██████████████████░██████ ▓▓▓▓ █ █ ▓▓▓▓ ███████████▀▀ ▄▄▒░░░ ▄▒████████████▒ ███████████████████▒██████ ▓▓▓▓ █ ██▄▄▄▄██████████▀ ▄░░░ ▄█░██████▓▓▓█▓█▒██▒ █████████████████████▓███████▄▄▄▄██ ██████████████▀ ░ ▓▓█████▓█▓█▓█▒█▓▒▓▓██ ███████████████████████████████████▓ ▄▀██████████▀ ▄▀ ░██▓███▓▓█████▓▓ ▒█░██ ████████████░█████████████████████▀▓ █ ▄███████▀ ░░ ▄███▓▓██▓██▓▒ ▒▓▓███░███ ███████████▓████████████████████▀ ▄▒ ██▓█████▀ ░░ ░███▒█▓▓██▒█░▒███████▓███▓ ██████████▒██████████████████▀▀ ▀▓██ ███████ ▄░ ░█▒███▓█▓▓█▓ ░█████████▓███ █████████████████████████████ ███▄ ▀██ █████▀ █▓▒ ██████▓███▒▓███████████▓███ ████████████████████████████▓██████ ▓█ ████ ░█ ▒██▓▓▓▓█▓█ ▒████████████▒▒███ ███████████████████████████████████ █ ███ ▄ ▓█▓█▓█▓█▓▒▒█████████████████▓███ ████████████▀▀ ▄ █████████████████ ██ ▒▓▒ ░██▓▓█▓▓█▓██████████████████░▓███▒ ███████▀▀ ▄░▓ ██████████████████ █▀ █▒▓▓███████▓▓████████████████████▒████ ████▀ ▄░███▒ ███████████████████ █ ██ ▓██▓███▒░██████████████████████▓░███░ ▀ ▄▒█████▓ ████████████████████ ▀▓░ █▓██▓███▒█████████████████████████▒▓███▄▄████████▒ ███████████████████▀ ▓▒ ▒░▒█▓▓███▓███████████████████████▓████▒████▓▒█████░ ▄██████████████████████ ▒ ░░ ██▓███▒░████████████████████▓█████████░▓▓██ ▓██ ███████████ ████████████ ░▒█▒ ███▓█▓▓▓███████████████████▒▓████████▓▒▓▒▓░██░█ ████████████▓░███████████ ▓░ ▒█▓▓▓▓██████████▒█▓ ███████▓█████▒██▓▒█████▒▒██▄ ▀█████████████▒▓██████████ █▓▓ ████████████████████▒▒█▓▓███████▓▓▒▓▓█▓▒▓▒▓▒█████▄ ▀██████████▓░██████▀▀ ▄ ░▓ ███▓░▀▀ ▄▄ ▀▀▒██████▒▓█████████▓▒▓██▒██▓███▓▓████▄▄ ▀████████████▀ ▄▄░▓ ░ █▒ ▄████████▄ ▀░█████▒▓████▓▒▓▒██▒▓██████████▓█████▒▄ ▀▀██▀▀▀▀ ▄▓███░▒░ █▓░▀ ▄███████████████▄ ▀██████▓▓░▒▓▒█▒▓░▒██████████░▒███████▄▄ ▄░░▒███████ ▒░ ▀ ▄████████████████████▄ ▀██▓▓▓▓██▒█▓████████████████ ░▓████████████▓████▓ ▓░ ██████████████████████▀ ░██▓▓▓▓██▓▒████████████████▓███▓▒█░▒▓▒█▒█░▒▓░▒█░█ ▒▒░ █████████▓▒██████████▀ ▄███▓█▓▓█▒▓▓████████████████▓██████████████▓░▓█▓▓██ ░ ▄ ██████████▒░███████▀ ▄██▒██▒▓▒▓███████████████████████████████████░▓█▒▓███ ▒ █ ▀████████████████ ▄██████▒▓████▓▒███▒█████████░▓▓███████████████▓███▓███▒░░ █ █ ▓█████████████▀ ███▓▓▓▓▓░█▓██▀ ▀███▓▒██████▓██▒▒▒▓▓█▓▓▓▓▓██▒██░██████▓ ▓░ █ ██▓████████████▀ ░█████▒▒▓████▀ ▄██ ████░███▓▓███▓███▓▓███▓█▓██▓ ▓▓▓▓██░░░ ▄█ ██████████████▀ ▓▓█░█▓█████░ ▄█████ ████░ ░█████▓███▒██▓████▒ ▓██████░░░ ███ ████████████▀ ▄▓██▓▓█████░ ▄███████ ░██████▓▓▓▒█▓█▓█▓█░▒██░▒▒█▓█▓███▒ ░▒ ████ ▀▀▀██████▀ ▄░██████▓▓█░ ██████████ ▓██▓█▒████▓█▓█▓████▓▓███▒██▓▒█▓ █ ▄████ ▄██████▀ ▄▓██████▓▀ ▄▄███████████ █▓███▓█████▓▓███▓▒▓███▓██▓█▓▓░▓ ▄██████ ▓█████▀ ▄░▓███████▀ ▄████████████████ ████▓▒███▓███▓▒▓████▓██▓▓█▓▓▓ ▄███████ ████▀ ▄▓▓███████▀ ▄██████████████████ ███▒▒▒▒▓██▒▒░█▓██▓▓▓█▓█▓▓▓▓░▒ ████████ █▀ ▄▓▓██▓▓▓██▀ ▄██████████▒█████████ ██▓▓█▒▓▓▓▓█████▓▓▓▓█▓█▓▓▓ ▓ ▄██████▓▀ ▄▓▓▓███▓███▓ ▄███████████▓█████████ █▓▓░▓████▓▓█▓█▓▓▓▓▓▓█░▓ ░ ███████▓ ▓▓▓██▓▓▓██▓▀ ██████████████████████ ███▒█▓██▓▓▓▓█▓▓▓█░▓░▓░ ▒ ▄▓█████▀▄██▓▄ ▓███▓███▓▀ ▄██████████████████████ ██▓█▓██▓▓▓▓▓█▓▓▓░▓▓▓▓█▒ ▄███████████████ █▓▓▓██▓░ ▄██████████████████████▀ ██▓▓▓▓█▓░▓▒▓▒▓▓░▓▒▓▒▓▀ ▄██████████████████ ▓███▓░ ▄██▀▀ ▀▀███████▀ ▄▓█▒▓▓░▓▓▓▓▓▓▓░▓█▓██░▓▀▓▓ ███████████████████ █▓▓▀ ▀ ▄▄▄▄████████▄▄▄ ▀▀█ ▀▓▓▓▓▓▓▓▀▓▓▓▓▓▓▓▓▓▒▀▓▓▓▓▓▓░ ▄█▀▀ ▀ ▄ ▓▀ ▄░█████████████████████▒ ▀ ▓▒░ ▄▓███▓▓██░ ▓▀█▀▀▓▀ ▄▒██████████▓▄▒█ ▄████████▓▒▒▓███████████████ ▓ ▄░█████████▓████░▓▓ ░ ░█▒▄█░██▒▒▓██████████ ▄██░▀▀ ░ ▒ ██▓█ ▒ ░▀████▓ ▄███░ █ ▒████████▓ ░▓ ▀▓███▀ ▄▄▄ ░ ░ ██▀ ▄ ██ ░█▓ ▒████░ ▒█▀█▓█ █████ █████ █ ▓ ░ ██████ █ █▓ ██████▄ ▀▀ ▒ ░ ▀▀ ▀▓ ▒ ██ ██████ ▓ █▓█▓█▓█████▒██████ ░ ░███▀ ▓█ ▓██▓ ▒██████▄ ▓██████████ █ ▓ ░██ ▒█████ ░██▓▒█▒█ █████▒████████░ ██▀ ▄████ ░ ▒█▒ ███████ █ █▓█████░ ░░█ ▒ █ ░█████░█▒ ▒ ▒ █████▓ ██████████████▓ █░████▓░ ▒▒█▓ ████▓ █ ▓░ █████ █▄▄▄ ▒ ▒▓██▓ █ ▓ ▒ ▓░ █████▓ ▓█████████▀ ▄ ▀▀████ ░ ▓ █ ███░ █ █░ █████ ▀▀ ▄▄▄▓▒▓▒ █ ▓ ▓ ▒▒ ▄█████▓░ ▒ █ ▒█▀▓ █ ▒█ ▀▀ ▄▄▄▄ ██▓██ ▓ ▓ █ █████ ░███████████▒▄ ▓ █████▒ ░ ▓░ ▒█▒ ▄ ▀ ▄▓█ ▒████████░██▄█ ▒ ▓ ▒ █████ ██ ░ ██████████████▓░ ▄▄█████ ▄ ▓ ▄█▒▀ ▄▄▓▓▒▒▓▓▓█▓████████████▄ ▄█ ░█████ ███▄▄ ▀▀▓████████████▓███ █▀ ▄███▓███████▒▓████░ ▀▀▀░████████████ ░████▓ ░▀█████▓▒ ░░ ▀░▒████████░ ▓ ▀▀ ▓█████████████▓███▒ ███▓█░░░ ▀▒███████ █ ░████▒ ░ █░ ▒▒▒█ █ ▓ ░ ▓ ▀▓█▀▀ ░░ ░████▓█████▓█▓██████ █ ▓ ██▒ ░ ▒█ ▄▄▄█ ████▒ █▄ █░ ▓░░█ █ ░ ░░▓▓ ▒ ░▒ ░▓▀ ██ █▒█ ▄ ░ ░░▒ █ ██▓ █ ▀███ ▄███▀ █ ██ █░ █ ▒ █░ ▒▓ ▓ █ ▒░ █ ░█ ▓ ▀ ▓ █ ▓▓ ▒ ▒██ █ ▓ ▄▄▒██▒ ███ ██ ▓▒ █ ░░ █▒ ▓▒ ▓░ ▓ ░▒ ░█ █ ▒▓ ░ ░ ▓░ ░ ▒█ █ ░█▓█▓█▀ ████ ██ ░░ █ ░░ ▒▒ ▓ ▀ ▒▒ ▓ ▓ ▒ ▓ ░ ▓░ ▓ ░ █ █░▓ ▓███ ██ ▒ █ ░ ▓ █ ▒ █ █░ ░ ░░ █ ▒ ▓███ ██ ▒ ░ ▓ ░ █ ▓███ ██ ▒ ░ █ ░ █░ ▓███ ██ ▒ Artist : Betzler & Brⁿckner ░ █░ ▓███ ██ ░ Album : Triplet ░ ▓▒ ▓███ ██▄▄ Genre : Electronic ░ ▓ ▓███ ███▓ Source : CD ░ ▒ ▓███ ███▓ Label : Groove Unlimited ░ ▓███ ███▓ Cat. Number : GR-232 ▓███ ███▓ Street Date : 2016-00-00 ▓███ ███▓ Rip Date : 2017-07-04 ▓███ ███▓ Encoder : LAME 64bits version 3.98.4 (http://www.mp3dev.org/) ▓███ ███▓ Quality : 249kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 4 ▓███ ███▓ Playtime : 01:16:26 (142.MB) ▓███ ███▓ URL : http://www.groove.nl/cd/g/gr-232.html ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 The Trip 18:04 ▓███ ███▓ 02 Trilogy 16:29 ▓███ ███▓ 03 Doublette 22:38 ▓███ ███▓ 04 (Three) to the Flame of Life 19:15 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 76:26 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ The 1st thing which strikes the ear is the very smothered ▓███ ███▓ atmosphere which surrounds ôTripletö! A little as if the band of ▓███ ███▓ Michael Bruckner and Tommy Betzler was in the next room! For the ▓███ ███▓ rest, this last sound madness of Bruckner & Betzler brings us to ▓███ ███▓ the same hallucinogenic borders as Two, realized some 12 months ▓███ ███▓ earlier. ItÆs within the framework of the show offered at the ▓███ ███▓ E-Live festival of Oirschot, in the Netherlands in October 2016, ▓███ ███▓ that the roots of ôTripletö began to evolve. Or a few weeks before ▓███ ███▓ while the duet, which becomes finally a group of 4 musicians with ▓███ ███▓ the addition of Sammy David, which is clearly more present here, ▓███ ███▓ and of Fryderyk Jona, superb on the Moog Voyager, has developed the ▓███ ███▓ long sound textures on the basis of the improvisation for this ▓███ ███▓ concert. ▓███ ███▓ The first seconds of "The Trip" are flooded by an avalanche of ▓███ ███▓ synth lines which flit around such as long trails of buzzing ▓███ ███▓ bubbles. A dramatic effect falls. It is follo wed by a piano, at ▓███ ███▓ the same time incisive and pensive as well as rollings of ▓███ ███▓ percussions smartly scattered among some well-structured gap ▓███ ███▓ between the rollings. With this introduction of atmospheres and ▓███ ███▓ very colorful tones, "The Trip" brings us to these sweet periods of ▓███ ███▓ madness where the LSD used to flow inside the veins in the nice ▓███ ███▓ time of the 70Æs. And this floating journey gets some more of ▓███ ███▓ self-assurance with layers of voices, Mellotron flutes and riffs of ▓███ ███▓ guitars lost in this hallucinogenic decoration. Little by little, ▓███ ███▓ "The Trip" takes shape with sound perfumes which tickle our ▓███ ███▓ souvenirs. Souvenirs of Tangerine Dream of the Pink years and then ▓███ ███▓ the Blackouts and Correlations years of Ashra, when the title goes ▓███ ███▓ out of its cocoon of atmospheres at around the 8:30 minutes with a ▓███ ███▓ movement of the sequencer which frees loops of fluid rhythms. Loops ▓███ ███▓ which roll in loop and establish a steady pace where burst out ▓███ ███▓ percussions and guitar solos which make court to those of Fryderyk ▓███ ███▓ Jona's Moog. From ambient to heavily sequenced, "The Trip" engages ▓███ ███▓ in 3rd speed in a furious electronic progressive rock where the ▓███ ███▓ cacophony will never have been so delicious. After an introduction ▓███ ███▓ shaped on the same theme, "Trilogy" stays in the same plate with a ▓███ ███▓ good progressive and cosmic electronic rock which highlights the ▓███ ███▓ very aggressive guitar of Sammy David. His solos are energetic and ▓███ ███▓ his fingers seem as agile as a thick cloud of moths on a structure ▓███ ███▓ which flirts with a solid rock, the percussions are very good, and ▓███ ███▓ with short phases of ambiences, the effects of synth and this ▓███ ███▓ amalgam of pads and riffs which always spin in the background of ▓███ ███▓ the decoration are just in the times. Scorching, intense and very ▓███ ███▓ good, the walls are rippling and the ears bleed, itÆs the kind of ▓███ ███▓ title that makes open wide the ears so much the sonic envelope is ▓███ ███▓ rich and multicolored! ▓███ ███▓ "Doublette" is the only title to be performed by the duet of ▓███ ███▓ Bruckner & Betzler. The pair explores the boundaries of EM with a ▓███ ███▓ first phase of ambiences where the synth layers are spinning with ▓███ ███▓ an effect of staccato between the meshes of the void, while a synth ▓███ ███▓ makes its laments go off the rails which reach the turbulences of a ▓███ ███▓ sequencer of which the oscillating chords are dancing with the ▓███ ███▓ crystal clear acrobatic touches of the electronic percussions. ▓███ ███▓ Little by little, the rhythmic bazaar settles down in the convent ▓███ ███▓ of "Doublette". Tommy Betzler's drum is ordering at a sustained ▓███ ███▓ pace to support the evasive movements of the sequencer and the ▓███ ███▓ synth solos that Michael Bruckner throws with a surprising fluidity ▓███ ███▓ in the colors and the twists. The improvisation gets clearly more ▓███ ███▓ felt as the seconds run to the meter with a fight between ▓███ ███▓ percussions and effects of synthesizers which push "Doublette" in a ▓███ ███▓ kind of Jazz without borders. Well sat on these 23 minutes, ▓███ ███▓ Bruckner & Betzler maintains a good pace. Even in the more ambient ▓███ ███▓ or the quieter phases which give them the necessary breath to make ▓███ ███▓ raise the very acid rhythms of "Doublette"."(Three) To the Flame of ▓███ ███▓ Life" explodes between our ears, following the finale rather silent ▓███ ███▓ of "Doublette", with clatter. Waves of cymbals are rolling over ▓███ ███▓ some wonderful solos from Fryderyk Jona and on the hoarse breathes ▓███ ███▓ of Michael Bruckner's synth. A bass line chews its breath while are ▓███ ███▓ always singing these masterful solos which bring us to the essence ▓███ ███▓ of EM. Intense and poignant in its sound shroud which floats like ▓███ ███▓ the strange flavors of the 70Æs, "(Three) To the Flame of Life" ▓███ ███▓ borrows a more livened up path just before the door of the 4 ▓███ ███▓ minutes with a good movement of the sequencer which structures its ▓███ ███▓ keys in a nice zigzag and among which the wide loops which it forms ▓███ ███▓ in an eight are crossed by another movement of sequences. We are in ▓███ ███▓ the most electronic phase of ôTripletö with sequences which are the ▓███ ███▓ cradle of a hopping cosmic rhythm coated of oneiric effects of ▓███ ███▓ cosmos and of songs of synth which coo like those whales in the bed ▓███ ███▓ of the oceans. The rhythm is steady and a synth gets loose from ▓███ ███▓ this oceano-cosmic environment in order to throw effects of ▓███ ███▓ robotics chirping. And itÆs a few seconds farther that Tommy ▓███ ███▓ Betzler knocks out the rhythm with a sustained fury. Sammy David ▓███ ███▓ will follow later with some very good solos guided by agile fingers ▓███ ███▓ which like to draw wide loops filled of shrill colors. The title ▓███ ███▓ gains some rest in the astral tranquility such as imaged with ▓███ ███▓ images of Fryderyk Jona before bouncing in another heavy and ▓███ ███▓ swirling rhythmic surge decorated with other treasures in the forms ▓███ ███▓ of solos always so rich and fluid. Solos which are at the heart of ▓███ ███▓ the charms of this 2nd rendezvous with the music of Bruckner & ▓███ ███▓ Betzler. ▓███ ███▓ Now, ôTripletö comes with a little cadeau for the first 100 copies. ▓███ ███▓ A DVD-R in limited edition which presents some interviews, in ▓███ ███▓ English and in German, of Michael Bruckner, Tommy Betzler and Sammy ▓███ ███▓ David within the framework of the Oirschot concert. We can also ▓███ ███▓ view here the rehearsals of this concert with the visual concept ▓███ ███▓ which is signed by Edward Rink and Jeroen Bouma as well as to ▓███ ███▓ listen to MP3 files. In brief a little gift which is pleasant to ▓███ ███▓ look on a laptop because the navigation on a DVD player can turn ▓███ ███▓ out complicated with the proposed formats. ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀