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First And Last 4:08 ░▐ ▌░ 02. Ginger Cake 5:33 ░▐ ▌░ 03. Jaywalker 4:13 ░▐ ▌░ 04. B-Major Blast 0:19 ░▐ ▌░ 05. This Time Of Year 4:14 ░▐ ▌░ 06. Toytown 7:16 ░▐ ▌░ 07. Man Bites Dog 2:06 ░▐ ▌░ 08. Long Distance 4:03 ░▐ ▌░ 09. Goodbye Mr. Bobo 2:41 ░▐ ▌░ 10. Dr. Night 4:58 ░▐ ▌░ 11. Bye Bye Bobo 1:28 ░▐ ▌░ ░▐ ▌░ ░▐ ▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐ ▌░ ▒▒▒│ rip notes │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐ ▌░ └─────────────┘ ░▐ ▌░ ░▐ ▌░ Arne Wⁿrgler (bass, cello) played previously in jazz ░▐ ▌░ formations and also, interesting for progressive rock fans, ░▐ ▌░ with PAN who released a wonderful LP on Sonet in 1970, Thor ░▐ ▌░ Backhausen (organ, piano, flute) a multitalented musician, ░▐ ▌░ and the then 18-year-old Niels Vangkilde (guitar) completed ░▐ ▌░ Blast Furnace. This was the 1971 line-up who recorded the ░▐ ▌░ eponymous album in Copenhagen's Rosenberg studios for ░▐ ▌░ Polydor/Denmark. ░▐ ▌░ ░▐ ▌░ Album sales did not match the high musical quality of the ░▐ ▌░ record and the fact that everyone in Copenhagen's small music ░▐ ▌░ scene played and jammed with everyone else meant that the ░▐ ▌░ band's life was short-lived. Bands came and went and the ░▐ ▌░ musicians found themselves in other groups. Tom McEwan and ░▐ ▌░ Niels Vangkilde joined the cult band Culpeper's Orchard and ░▐ ▌░ played on their third LP, 1972's ''Going for a Song" on ░▐ ▌░ Polydor/Denmark; also a good and recommendable album. Arne ░▐ ▌░ Wⁿrgler worked with Benny Hoist and Thor Backhausen carried ░▐ ▌░ on with Delta Blues Band and Culpeper's Orchard. Blast ░▐ ▌░ Furnace's music shines through excellent song writing and ░▐ ▌░ musical competence. ░▐ ▌░ ░▐ ▌░ Balanced instrumental passages with razor edged guitars, ░▐ ▌░ harmonious Hammond organ and flute with a touch of aggressive ░▐ ▌░ singing are the ingredients for an impressive and ░▐ ▌░ pleasureable listening experience. Contrary to their ░▐ ▌░ counterparts, Blast Furnace chose not to indulge in long ░▐ ▌░ instrumental or long drawn out improvisation. The songs are ░▐ ▌░ clearly structured, lively and rounded off with intelligent ░▐ ▌░ and critical lyrics. ░▐ ▌░ ░▐ ▌░ They are a product of their time and still, even with their ░▐ ▌░ clear structuring, definitely to be categorised under the ░▐ ▌░ label "Progressive-Rock''. Dag Erik Asbjornsen praised the LP ░▐ ▌░ as one of the best Danish productions, a classic album in the ░▐ ▌░ tradition of the Beatles, Traffic, and Jethro Tull. ░▐ ▌░ ░▐ ▌░ ░▐ ▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐ ▌░ ▒▒▒│ marr │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐ ▌░ └─────────────┘ ░▐ ▌░ ░▐ ▌░ indie . pop . rock . shoegaze . dream . jangle . twee ░▐ ▌░ chamber . noise . c-86 . college . goth . post . kraut ░▐ ▌░ darkwave . alternative . lo-fi . country . americana ░▐ ▌░ folk . folk/rock . psychedelic . progressive . metal ░▐ ▌░ heavy . hair . math . grunge . classic . southern . aor ░▐ ▌░ west coast . punk . garage . avantgarde . classical ░▐ ▌░ electronic . ambient ░▐ ▌░ ░▐ ▌░ ░▐ ░▌░ ░ █ █ ░ ░▐░ ▌░ ▓▓█ █▓▓ ░▐ ▌░ ░█ █░ ░▐ ▌░ █ ░ ▒ ░ ░ ▒ ░ █ ░▐ ░ ▌░██ ░ ▒█████░ ░█████▒ ░ ██░▐ ░ ▒ ░ ▌░█ ░ ███▓ ▓██ ▒ ▒ ██▓ ▓███ ░ █░▐ ░ ▒ ░██ ▌█▓ ████ █▒ ▒█ ████ ▓░▐ ██░ ░██████░ ███ █ █ ███ ░██████░ ██████ ███ █ █ ███ ██████ ▒███ ███▒ ██ █ █ ██ ▒███ ███▒ ████ ████████ ▒ █ █ ▒ ████████ ████ ████░ ███████░ ░░ █ █ ░░ ░███████ ░████ █████░ ████▒ ▒ ▓█ █▒ ▒█ █▓ ▒ ▒████ ░█████ █████░ ██████████ ███ █ █ ███ ██████████ ░█████ ▒██████ ░ ███████▒ ████▒▒█ █▒▒████ ▒███████ ░ ██████▒ ░ ███░ ███ ░ * █▓▓ ▓▓ ▓▓█ * ░ ███ ░███ ░ █░ ███ █░ *** * * █▒█▒▒██████▒▒█▒█ * * *** ░█ ███ ░█ ████ ██ * ████████ ████████ * ██ ████ ████████ * *** ░ ░██████ ██████░ ░ *** * ████████ █████ ** ░ ████ ▓▓▓▓▓▓▓▓ ████ ░ ** █████ ▒█████████████▒▒ ░░ ░░ ▒▒█████████████▒ ░▓██████████▒ ░░ ░░ ▒██████████▓░ ▒█████ ░░ ░░ █████▒ ███ ███ ██ ██ ▒█ █▒ https://play.google.com/store/music/album?id=B2wk3q5xam4cjdj3avkhiynpow4