Genre | Rock |
---|---|
Date (CEST) | 2019-05-25 05:12:03 |
Group | MARR |
Size | 82 MB |
Files | 9 |
M3U / SFV / NFO |
Bloodrock-Whirlwind_Tongues-WEB-1974-MARR
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-bloodrock-its_gonna_be_love-marr.mp3 | Bloodrock | It's Gonna Be Love | 320 | Unknown |
2 | 02-bloodrock-sunday_song-marr.mp3 | Bloodrock | Sunday Song | 320 | Unknown |
3 | 03-bloodrock-parallax-marr.mp3 | Bloodrock | Parallax | 320 | Unknown |
4 | 04-bloodrock-voices-marr.mp3 | Bloodrock | Voices | 320 | Unknown |
5 | 05-bloodrock-eleanor_rigby-marr.mp3 | Bloodrock | Eleanor Rigby | 320 | Unknown |
6 | 06-bloodrock-stilled_by_whirlwind_tongues-marr.mp3 | Bloodrock | Stilled By Whirlwind Tongues | 320 | Unknown |
7 | 07-bloodrock-guess_what_i_am-marr.mp3 | Bloodrock | Guess What I Am | 320 | Unknown |
8 | 08-bloodrock-lady_of_love-marr.mp3 | Bloodrock | Lady Of Love | 320 | Unknown |
9 | 09-bloodrock-jungle-marr.mp3 | Bloodrock | Jungle | 320 | Unknown |
NFO
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█▒ Artist - Bloodrock ▒█
█▒ Title - Whirlwind Tongues ▒█
█▒ ▒█
█▒ Genre - Rock Year - 1974 ▒█
█▒ Format - Album Time - 35:30 ▒█
█▒ Label - Capitol Records Source - Web Store ▒█
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▌░ ▒▒▒│ tracklist │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐
▌░ └─────────────┘ ░▐
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▌░ 01. It's Gonna Be Love 3:25 ░▐
▌░ 02. Sunday Song 4:22 ░▐
▌░ 03. Parallax 3:42 ░▐
▌░ 04. Voices 3:40 ░▐
▌░ 05. Eleanor Rigby 3:16 ░▐
▌░ 06. Stilled By Whirlwind Tongues 5:39 ░▐
▌░ 07. Guess What I Am 2:59 ░▐
▌░ 08. Lady Of Love 3:58 ░▐
▌░ 09. Jungle 4:29 ░▐
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▌░ ▒▒▒│ rip notes │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐
▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ Whirlwind Tongues is the final studio album by the Texan rock ░▐
▌░ band Bloodrock released by Capitol Records in February 1974. ░▐
▌░ The album continues in the path of its previous release, ░▐
▌░ Passage, by contrasting with the band's earlier hard rock ░▐
▌░ material in favor of a progressive rock sound. Rick Cobb III ░▐
▌░ (drummer) was replaced on this release by Randy Reeder ░▐
▌░ (drummer). ░▐
▌░ ░▐
▌░ When considering Bloodrock's Whirlwind Tongues as not only an ░▐
▌░ LP but a material symptom of the changes and crises ░▐
▌░ surrounding it, one hardly knows where to begin. By this ░▐
▌░ point, Bloodrock were nearing a total creative demise, ░▐
▌░ falling far down the tubes of experimentation as could only ░▐
▌░ the most foolhardy bands of the time. To be perfectly blunt, ░▐
▌░ the band's only hit thus far had been the nihilistic "D.O.A." ░▐
▌░ off their second LP from 1970, which had done fairly well in ░▐
▌░ establishing a place for the Texans amongst the southern ░▐
▌░ heavy metal crowd. By 1973, however, Bloodrock's future was ░▐
▌░ looking comparatively grim. A year prior, the band had ░▐
▌░ undergone major personnel changes and consequently a totally ░▐
▌░ new sound and ideology were being presented by born-again ░▐
▌░ Christian and flute-blowing frontman replacement Warren Ham ░▐
▌░ Completely gone were the CCR-infused, riff driven rockers of ░▐
▌░ old - replaced by something resembling a highly confused ░▐
▌░ Jethro Tull outfit. Needless to say, the suits at Capitol ░▐
▌░ Records were less than thrilled. ░▐
▌░ ░▐
▌░ While it can be safely assumed that Ham's creative vision may ░▐
▌░ have been fully satiated by releasing an album like Whirlwind ░▐
▌░ Tongues, the fans only grew more alienated with what was fast ░▐
▌░ becoming a total fiasco. Listening to Whirlwind Tongues from ░▐
▌░ front to back, one can't help but feel overwhelmed by the ░▐
▌░ sheer volume of genres effectively being thrown into a ░▐
▌░ blender. The album as a whole exudes a myriad of styles and ░▐
▌░ time signatures throughout - whether the listener is steeped ░▐
▌░ in the white boy blues antics of "Sunday Song", being ░▐
▌░ not-quite-lulled by the saccharine sweet crooning of "Guess ░▐
▌░ What I Am", or reconsidering his LP purchase altogether after ░▐
▌░ getting an earful of the man-made 'animal noises' found in ░▐
▌░ the album's closer "Jungle". Conversely, the only cuts that ░▐
▌░ come anywhere close to establishing some kind of link with ░▐
▌░ the band's not-so-distant past would have to be "Parallax", ░▐
▌░ "Voices" and possibly the spastic opener "It's Gonna Be ░▐
▌░ Love". Additionally, the boys do take a pretty impressive ░▐
▌░ shot at "Eleanor Rigby" for posterity. The rest of the album, ░▐
▌░ however, is largely remembered as one great big creative ░▐
▌░ spill that unfortunately cost the band their future. ░▐
▌░ ░▐
▌░ ░▐
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▌░ chamber . noise . c-86 . college . goth . post . kraut ░▐
▌░ darkwave . alternative . lo-fi . country . americana ░▐
▌░ folk . folk/rock . psychedelic . progressive . metal ░▐
▌░ heavy . hair . math . grunge . classic . southern . aor ░▐
▌░ west coast . punk . garage . avantgarde . classical ░▐
▌░ electronic . ambient ░▐
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https://play.google.com/store/music/album?id=Be3sezoxb7p64pcwgk6cadago6u