Genre | Rock |
---|---|
Date (CEST) | 2021-10-16 20:10:45 |
Group | ERP_INT |
Size | 253 MB |
Files | 27 |
M3U / SFV / NFO |
Bob_Dylan-Tell_Tale_Signs_The_Bootleg_Series_Vol._8-2CD-2008-ERP_INT
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
101 | 101-bob_dylan-mississippi_(unreleased_time_out_of_mind)-erp.mp3 | Bob Dylan | Mississippi (Unreleased, Time Out Of Mind) | 249 | Unknown |
102 | 102-bob_dylan-most_of_the_time_(alternate_version_oh_mercy)-erp.mp3 | Bob Dylan | Most Of The Time (Alternate Version, Oh Mercy) | 241 | Unknown |
103 | 103-bob_dylan-dignity_(piano_demo_oh_mercy)-erp.mp3 | Bob Dylan | Dignity (Piano Demo, Oh Mercy) | 238 | Unknown |
104 | 104-bob_dylan-someday_baby_(alternate_version_modern_times)-erp.mp3 | Bob Dylan | Someday Baby (Alternate Version, Modern Times) | 247 | Unknown |
105 | 105-bob_dylan-red_river_shore_(unreleased_time_out_of_mind)-erp.mp3 | Bob Dylan | Red River Shore (Unreleased, Time Out Of Mind) | 258 | Unknown |
106 | 106-bob_dylan-tell_ol_bill_(alternate_version_north_country_soundtrack)-erp.mp3 | Bob Dylan | Tell Ol' Bill (Alternate Version, North Country Soundtrack) | 230 | Unknown |
107 | 107-bob_dylan-born_in_time_(unreleased_oh_mercy)-erp.mp3 | Bob Dylan | Born In Time (Unreleased, Oh Mercy) | 252 | Unknown |
108 | 108-bob_dylan-cant_wait_(alternate_version_time_out_of_mind)-erp.mp3 | Bob Dylan | Can't Wait (Alternate Version, Time Out Of Mind) | 245 | Unknown |
109 | 109-bob_dylan-everything_is_broken_(alternate_version_oh_mercy)-erp.mp3 | Bob Dylan | Everything Is Broken (Alternate Version, Oh Mercy) | 266 | Unknown |
110 | 110-bob_dylan-dreamin_of_you_(unreleased_time_out_of_mind)-erp.mp3 | Bob Dylan | Dreamin' Of You (Unreleased, Time Out Of Mind) | 259 | Unknown |
111 | 111-bob_dylan-hucks_tune_(from_lucky_you_soundtrack)-erp.mp3 | Bob Dylan | Huck's Tune (From Lucky You Soundtrack) | 264 | Unknown |
112 | 112-bob_dylan-marchin_to_the_city_(unreleased_time_out_of_mind)-erp.mp3 | Bob Dylan | Marchin' To The City (Unreleased, Time Out Of Mind) | 260 | Unknown |
113 | 113-bob_dylan-high_water_(for_charley_patton)_(live_2003)-erp.mp3 | Bob Dylan | High Water (For Charley Patton) (Live, 2003) | 260 | Unknown |
201 | 201-bob_dylan-mississippi_(unreleased_version_2_time_out_of_mind)-erp.mp3 | Bob Dylan | Mississippi (Unreleased Version #2, Time Out Of Mind) | 254 | Unknown |
202 | 202-bob_dylan-blues_(unreleased_world_gone_wrong)-erp.mp3 | Bob Dylan | Blues (Unreleased, World Gone Wrong) | 239 | Unknown |
203 | 203-bob_dylan-series_of_dreams_(unreleased_oh_mercy)-erp.mp3 | Bob Dylan | Series Of Dreams (Unreleased, Oh Mercy) | 280 | Unknown |
204 | 204-bob_dylan-god_knows_(unreleased_oh_mercy)-erp.mp3 | Bob Dylan | God Knows (Unreleased, Oh Mercy) | 245 | Unknown |
205 | 205-bob_dylan-cant_escape_from_you_(unreleased_december_2005)-erp.mp3 | Bob Dylan | Can't Escape From You (Unreleased, December 2005) | 261 | Unknown |
206 | 206-bob_dylan-dignity_(unreleased_oh_mercy)-erp.mp3 | Bob Dylan | Dignity (Unreleased, Oh Mercy) | 271 | Unknown |
207 | 207-bob_dylan-ring_them_bells_(live_at_the_supper_club_1993)-erp.mp3 | Bob Dylan | Ring Them Bells (Live At The Supper Club, 1993) | 256 | Unknown |
208 | 208-bob_dylan-cocaine_blues_(live_1997)-erp.mp3 | Bob Dylan | Cocaine Blues (Live, 1997) | 218 | Unknown |
209 | 209-bob_dylan-aint_talkin_(alternate_version_modern_times)-erp.mp3 | Bob Dylan | Ain't Talkin' (Alternate Version, Modern Times) | 265 | Unknown |
210 | 210-bob_dylan-the_girl_on_the_greenbriar_shore_(live_1992)-erp.mp3 | Bob Dylan | The Girl On The Greenbriar Shore (Live, 1992) | 286 | Unknown |
211 | 211-bob_dylan-lonesome_day_blues_(live_2002)-erp.mp3 | Bob Dylan | Lonesome Day Blues (Live, 2002) | 279 | Unknown |
212 | 212-bob_dylan-miss_the_mississippi_(unreleased_1992)-erp.mp3 | Bob Dylan | Miss The Mississippi (Unreleased, 1992) | 265 | Unknown |
213 | 213-bob_dylan-the_lonesome_river_(with_ralph_stanley)-erp.mp3 | Bob Dylan | The Lonesome River (With Ralph Stanley) | 266 | Unknown |
214 | 214-bob_dylan-cross_the_green_mountain_(from_gods_and_generals_soundtrack)-erp.mp3 | Bob Dylan | 'cross The Green Mountain (From Gods And Generals Soundtrack) | 264 | Unknown |
NFO
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┌────────┐
────┤ Info ├──────────────────────────────────────────────────────────────────
└────────┘
Artist | Bob Dylan
Title | Tell Tale Signs: The Bootleg Series Vol. 8
Genre | Rock Format | Album
Source | CDDA Time | 137:06
Label | Columbia Records Store | 2008
Catalog | 88697 35795 2 Rip | 2021
Bitrate | 256 kbps Size | 265.55 MB
Freq | 44.1 kHz Encoder | Lame 3.100
┌────────┐
────┤ Tracks ├──────────────────────────────────────────────────────────────────
└────────┘
CD 1/2
01. Mississippi (Unreleased, Time Out Of Mind) 6:03
02. Most Of The Time (Alternate Version, Oh Mercy) 3:35
03. Dignity (Piano Demo, Oh Mercy) 2:12
04. Someday Baby (Alternate Version, Modern Times) 5:57
05. Red River Shore (Unreleased, Time Out Of Mind) 7:34
06. Tell Ol' Bill (Alternate Version, North Country 5:29
Soundtrack)
07. Born In Time (Unreleased, Oh Mercy) 4:13
08. Can't Wait (Alternate Version, Time Out Of Mind) 5:43
09. Everything Is Broken (Alternate Version, Oh Mercy) 3:11
10. Dreamin' Of You (Unreleased, Time Out Of Mind) 5:49
11. Huck's Tune (From Lucky You Soundtrack) 4:04
12. Marchin' To The City (Unreleased, Time Out Of Mind) 6:32
13. High Water (For Charley Patton) (Live, 2003) 6:46
CD 2/2
01. Mississippi (Unreleased Version #2, Time Out Of Mind) 6:21
02. Blues (Unreleased, World Gone Wrong) 3:05
03. Series Of Dreams (Unreleased, Oh Mercy) 6:26
04. God Knows (Unreleased, Oh Mercy) 3:07
05. Can't Escape From You (Unreleased, December 2005) 5:12
06. Dignity (Unreleased, Oh Mercy) 5:23
07. Ring Them Bells (Live At The Supper Club, 1993) 4:58
08. Cocaine Blues (Live, 1997) 4:40
09. Ain't Talkin' (Alternate Version, Modern Times) 6:08
10. The Girl On The Greenbriar Shore (Live, 1992) 2:24
11. Lonesome Day Blues (Live, 2002) 7:35
12. Miss The Mississippi (Unreleased, 1992) 3:21
13. The Lonesome River (With Ralph Stanley) 3:04
14. 'cross The Green Mountain (From Gods And Generals 8:14
Soundtrack)
┌────────┐
────┤ Notes ├──────────────────────────────────────────────────────────────────
└────────┘
Bob Dylan's influence on popular music is incalculable. As a songwriter, he
pioneered several different schools of pop songwriting, from confessional
singer/songwriter to winding, hallucinatory, stream-of-consciousness
narratives. As a vocalist, he broke down the notion that a singer must have
a conventionally good voice in order to perform, thereby redefining the
vocalist's role in popular music. As a musician, he sparked several genres
of pop music, including electrified folk-rock and country-rock. And that's
just the tip of his achievements.
"Tell Tale Signs" is perhaps the most appropriately titled of all the
volumes in Bob Dylan's official Bootleg Series thus far. Containing 27
tracks, the material here dates from the albums Oh Mercy through to 2006's
Modern Times. It presents a carefully prepared sonic treat of a genuine
enigma's musical world-view. Dylan may be an icon, but if it wasn't already
obvious, he seems to perceive the modern world as a strange place that he
no longer understands, nor wishes to. The music here is startling in its
depth and presentation. It begins with one of the two versions of
"Mississippi" included.
The song first appeared on Love and Theft, but was written for the Time Out
of Mind sessions five years earlier. This one, with only Daniel Lanois'
electric guitar as backing, shows Dylan in full voice, and performing it as
a midtempo blues. It's jauntier in tempo, but harder, leaner, and wearier
than the released version. Even more shocking is "Most of the Time," which
has become a signature of Lanois' production style with its warm, thickly
padded guitars and muffled drums. This one features Dylan solo with
harmonica and guitar.
It comes off as a statement of actuality about strengths and weaknesses
rather than as a treatise of denial in the aftermath of lost love. It feels
like a back-porch country song here, with different lyrics that underscore
the singer's steely determination. There are some truly amazing stops along
the way. The unreleased "Red River Shore" would have shifted some of the
darkness on Time Out of Mind to some declaration of empathy and even
tenderness had it been released. Likewise, "Marchin' to the City," one of
the best slow blues Dylan has ever written, offers a respite from the
desolation on that album.
Soundtracks get represented, too: the alternate take of "Tell Ol' Bill,"
from North Country, is a semi-rag tune with rambling honky tonk piano, and
"Huck's Tune," from Lucky You, creates a more complex look at the male lead
in the film with a Celtic undertow in the melody. Disc one closes with a
burning live reading of "High Water (For Charley Patton)," with overdriven
electric guitars replacing the banjo.
A real surprise on disc two is a dynamite reading of Robert Johnson's
"32-20 Blues" that was originally recorded for the covers-only World Gone
Wrong, but left in the can. A completely unreleased tune, "Can't Escape
from You" portrays Dylan the folksinger as a lover of early rock & roll
ballads. In his own wrecked way, he pays homage (in waltz time) to the
Platters, Doc Pomus, Leiber & Stoller, and Cisco Houston with a lonely B-3
and trebly guitars. There are two takes of "Dignity" here as well (one on
each disc), the first a prophetic gospel solo piano version and the second
a full-band roots rock rave-up.
The version of "Ring Them Bells" recorded live at New York's Supper Club is
so utterly moving that it raises goosebumps and leaves the studio version
in the dust. The disc closes with the greatest moment on the whole set:
"'Cross the Green Mountain," from the Gods and Generals soundtrack. Veteran
Dylanologist Larry Sloman claims in his truly brilliant and incisive liner
notes that this "might be his finest hour as a songwriter." The amazing
thing? It's not just hyperbole. In all, even in some of its familiarities,
Tell Tale Signs feels like a new Bob Dylan record, not only for the
astonishing freshness of the material, but also for the incredible sound
quality and organic feeling of everything here.
It's a carefully presented set, but it's full of life and crackling energy
and offers yet more proof - as if any were needed - that Dylan remains as
cagey, unpredictable, and yes, profound and relevant as he ever was.
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