Bob_Dylan-Tell_Tale_Signs_The_Bootleg_Series_Vol._8-2CD-2008-ERP_INT

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
101 101-bob_dylan-mississippi_(unreleased_time_out_of_mind)-erp.mp3 Bob Dylan Mississippi (Unreleased, Time Out Of Mind) 249 Unknown
102 102-bob_dylan-most_of_the_time_(alternate_version_oh_mercy)-erp.mp3 Bob Dylan Most Of The Time (Alternate Version, Oh Mercy) 241 Unknown
103 103-bob_dylan-dignity_(piano_demo_oh_mercy)-erp.mp3 Bob Dylan Dignity (Piano Demo, Oh Mercy) 238 Unknown
104 104-bob_dylan-someday_baby_(alternate_version_modern_times)-erp.mp3 Bob Dylan Someday Baby (Alternate Version, Modern Times) 247 Unknown
105 105-bob_dylan-red_river_shore_(unreleased_time_out_of_mind)-erp.mp3 Bob Dylan Red River Shore (Unreleased, Time Out Of Mind) 258 Unknown
106 106-bob_dylan-tell_ol_bill_(alternate_version_north_country_soundtrack)-erp.mp3 Bob Dylan Tell Ol' Bill (Alternate Version, North Country Soundtrack) 230 Unknown
107 107-bob_dylan-born_in_time_(unreleased_oh_mercy)-erp.mp3 Bob Dylan Born In Time (Unreleased, Oh Mercy) 252 Unknown
108 108-bob_dylan-cant_wait_(alternate_version_time_out_of_mind)-erp.mp3 Bob Dylan Can't Wait (Alternate Version, Time Out Of Mind) 245 Unknown
109 109-bob_dylan-everything_is_broken_(alternate_version_oh_mercy)-erp.mp3 Bob Dylan Everything Is Broken (Alternate Version, Oh Mercy) 266 Unknown
110 110-bob_dylan-dreamin_of_you_(unreleased_time_out_of_mind)-erp.mp3 Bob Dylan Dreamin' Of You (Unreleased, Time Out Of Mind) 259 Unknown
111 111-bob_dylan-hucks_tune_(from_lucky_you_soundtrack)-erp.mp3 Bob Dylan Huck's Tune (From Lucky You Soundtrack) 264 Unknown
112 112-bob_dylan-marchin_to_the_city_(unreleased_time_out_of_mind)-erp.mp3 Bob Dylan Marchin' To The City (Unreleased, Time Out Of Mind) 260 Unknown
113 113-bob_dylan-high_water_(for_charley_patton)_(live_2003)-erp.mp3 Bob Dylan High Water (For Charley Patton) (Live, 2003) 260 Unknown
201 201-bob_dylan-mississippi_(unreleased_version_2_time_out_of_mind)-erp.mp3 Bob Dylan Mississippi (Unreleased Version #2, Time Out Of Mind) 254 Unknown
202 202-bob_dylan-blues_(unreleased_world_gone_wrong)-erp.mp3 Bob Dylan Blues (Unreleased, World Gone Wrong) 239 Unknown
203 203-bob_dylan-series_of_dreams_(unreleased_oh_mercy)-erp.mp3 Bob Dylan Series Of Dreams (Unreleased, Oh Mercy) 280 Unknown
204 204-bob_dylan-god_knows_(unreleased_oh_mercy)-erp.mp3 Bob Dylan God Knows (Unreleased, Oh Mercy) 245 Unknown
205 205-bob_dylan-cant_escape_from_you_(unreleased_december_2005)-erp.mp3 Bob Dylan Can't Escape From You (Unreleased, December 2005) 261 Unknown
206 206-bob_dylan-dignity_(unreleased_oh_mercy)-erp.mp3 Bob Dylan Dignity (Unreleased, Oh Mercy) 271 Unknown
207 207-bob_dylan-ring_them_bells_(live_at_the_supper_club_1993)-erp.mp3 Bob Dylan Ring Them Bells (Live At The Supper Club, 1993) 256 Unknown
208 208-bob_dylan-cocaine_blues_(live_1997)-erp.mp3 Bob Dylan Cocaine Blues (Live, 1997) 218 Unknown
209 209-bob_dylan-aint_talkin_(alternate_version_modern_times)-erp.mp3 Bob Dylan Ain't Talkin' (Alternate Version, Modern Times) 265 Unknown
210 210-bob_dylan-the_girl_on_the_greenbriar_shore_(live_1992)-erp.mp3 Bob Dylan The Girl On The Greenbriar Shore (Live, 1992) 286 Unknown
211 211-bob_dylan-lonesome_day_blues_(live_2002)-erp.mp3 Bob Dylan Lonesome Day Blues (Live, 2002) 279 Unknown
212 212-bob_dylan-miss_the_mississippi_(unreleased_1992)-erp.mp3 Bob Dylan Miss The Mississippi (Unreleased, 1992) 265 Unknown
213 213-bob_dylan-the_lonesome_river_(with_ralph_stanley)-erp.mp3 Bob Dylan The Lonesome River (With Ralph Stanley) 266 Unknown
214 214-bob_dylan-cross_the_green_mountain_(from_gods_and_generals_soundtrack)-erp.mp3 Bob Dylan 'cross The Green Mountain (From Gods And Generals Soundtrack) 264 Unknown
NFO
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█▒▒█████▒▒ ░▒ ██████ ██████ ░ ░▒█ ░ ▒ ▒ ▒▒▒███░ ░ ██████ ██████ ░▒ ░████████▒▒▒ ░ ▒████▓███░░▓░ ▒ ▒▒█████ ██████░░▓ ▒▒▒██████████ ░ ▓▒ ██████████████ ░ ▒ ▒▒▒▒██░ ▒ ██████ ███████ ▒ ▒ ▓ ▓░▒ ░░ ▓░░█▒███▓░ ▒██████ ████████▓ ░ ▒▒ ░ ▒ ▒██████ ██████████▓███▓██░░█████████████████████████████████████████████████████░▒██████ ████████████████████████████████████████████████████████████████████████████████ ┌────────┐ ────┤ Info ├────────────────────────────────────────────────────────────────── └────────┘ Artist | Bob Dylan Title | Tell Tale Signs: The Bootleg Series Vol. 8 Genre | Rock Format | Album Source | CDDA Time | 137:06 Label | Columbia Records Store | 2008 Catalog | 88697 35795 2 Rip | 2021 Bitrate | 256 kbps Size | 265.55 MB Freq | 44.1 kHz Encoder | Lame 3.100 ┌────────┐ ────┤ Tracks ├────────────────────────────────────────────────────────────────── └────────┘ CD 1/2 01. Mississippi (Unreleased, Time Out Of Mind) 6:03 02. Most Of The Time (Alternate Version, Oh Mercy) 3:35 03. Dignity (Piano Demo, Oh Mercy) 2:12 04. Someday Baby (Alternate Version, Modern Times) 5:57 05. Red River Shore (Unreleased, Time Out Of Mind) 7:34 06. Tell Ol' Bill (Alternate Version, North Country 5:29 Soundtrack) 07. Born In Time (Unreleased, Oh Mercy) 4:13 08. Can't Wait (Alternate Version, Time Out Of Mind) 5:43 09. Everything Is Broken (Alternate Version, Oh Mercy) 3:11 10. Dreamin' Of You (Unreleased, Time Out Of Mind) 5:49 11. Huck's Tune (From Lucky You Soundtrack) 4:04 12. Marchin' To The City (Unreleased, Time Out Of Mind) 6:32 13. High Water (For Charley Patton) (Live, 2003) 6:46 CD 2/2 01. Mississippi (Unreleased Version #2, Time Out Of Mind) 6:21 02. Blues (Unreleased, World Gone Wrong) 3:05 03. Series Of Dreams (Unreleased, Oh Mercy) 6:26 04. God Knows (Unreleased, Oh Mercy) 3:07 05. Can't Escape From You (Unreleased, December 2005) 5:12 06. Dignity (Unreleased, Oh Mercy) 5:23 07. Ring Them Bells (Live At The Supper Club, 1993) 4:58 08. Cocaine Blues (Live, 1997) 4:40 09. Ain't Talkin' (Alternate Version, Modern Times) 6:08 10. The Girl On The Greenbriar Shore (Live, 1992) 2:24 11. Lonesome Day Blues (Live, 2002) 7:35 12. Miss The Mississippi (Unreleased, 1992) 3:21 13. The Lonesome River (With Ralph Stanley) 3:04 14. 'cross The Green Mountain (From Gods And Generals 8:14 Soundtrack) ┌────────┐ ────┤ Notes ├────────────────────────────────────────────────────────────────── └────────┘ Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives. As a vocalist, he broke down the notion that a singer must have a conventionally good voice in order to perform, thereby redefining the vocalist's role in popular music. As a musician, he sparked several genres of pop music, including electrified folk-rock and country-rock. And that's just the tip of his achievements. "Tell Tale Signs" is perhaps the most appropriately titled of all the volumes in Bob Dylan's official Bootleg Series thus far. Containing 27 tracks, the material here dates from the albums Oh Mercy through to 2006's Modern Times. It presents a carefully prepared sonic treat of a genuine enigma's musical world-view. Dylan may be an icon, but if it wasn't already obvious, he seems to perceive the modern world as a strange place that he no longer understands, nor wishes to. The music here is startling in its depth and presentation. It begins with one of the two versions of "Mississippi" included. The song first appeared on Love and Theft, but was written for the Time Out of Mind sessions five years earlier. This one, with only Daniel Lanois' electric guitar as backing, shows Dylan in full voice, and performing it as a midtempo blues. It's jauntier in tempo, but harder, leaner, and wearier than the released version. Even more shocking is "Most of the Time," which has become a signature of Lanois' production style with its warm, thickly padded guitars and muffled drums. This one features Dylan solo with harmonica and guitar. It comes off as a statement of actuality about strengths and weaknesses rather than as a treatise of denial in the aftermath of lost love. It feels like a back-porch country song here, with different lyrics that underscore the singer's steely determination. There are some truly amazing stops along the way. The unreleased "Red River Shore" would have shifted some of the darkness on Time Out of Mind to some declaration of empathy and even tenderness had it been released. Likewise, "Marchin' to the City," one of the best slow blues Dylan has ever written, offers a respite from the desolation on that album. Soundtracks get represented, too: the alternate take of "Tell Ol' Bill," from North Country, is a semi-rag tune with rambling honky tonk piano, and "Huck's Tune," from Lucky You, creates a more complex look at the male lead in the film with a Celtic undertow in the melody. Disc one closes with a burning live reading of "High Water (For Charley Patton)," with overdriven electric guitars replacing the banjo. A real surprise on disc two is a dynamite reading of Robert Johnson's "32-20 Blues" that was originally recorded for the covers-only World Gone Wrong, but left in the can. A completely unreleased tune, "Can't Escape from You" portrays Dylan the folksinger as a lover of early rock & roll ballads. In his own wrecked way, he pays homage (in waltz time) to the Platters, Doc Pomus, Leiber & Stoller, and Cisco Houston with a lonely B-3 and trebly guitars. There are two takes of "Dignity" here as well (one on each disc), the first a prophetic gospel solo piano version and the second a full-band roots rock rave-up. The version of "Ring Them Bells" recorded live at New York's Supper Club is so utterly moving that it raises goosebumps and leaves the studio version in the dust. The disc closes with the greatest moment on the whole set: "'Cross the Green Mountain," from the Gods and Generals soundtrack. Veteran Dylanologist Larry Sloman claims in his truly brilliant and incisive liner notes that this "might be his finest hour as a songwriter." The amazing thing? It's not just hyperbole. In all, even in some of its familiarities, Tell Tale Signs feels like a new Bob Dylan record, not only for the astonishing freshness of the material, but also for the incredible sound quality and organic feeling of everything here. It's a carefully presented set, but it's full of life and crackling energy and offers yet more proof - as if any were needed - that Dylan remains as cagey, unpredictable, and yes, profound and relevant as he ever was. ────────────────────────────────────────────────────────────────────────────────

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