Genre | Soul |
---|---|
Date (CEST) | 2019-06-25 01:39:40 |
Group | UVU_INT |
Size | 105 MB |
Files | 10 |
M3U / SFV / NFO |
Bobby_Womack-The_Last_Soul_Man-WEB-1987-UVU_INT
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-bobby_womack-living_in_a_box_(radio_version)-uvu.mp3 | Bobby Womack | Living In A Box (Radio Version) | 320 | Unknown |
2 | 02-bobby_womack-when_the_weekend_comes_(duet_version)_(feat._sly_stone)-uvu.mp3 | Bobby Womack | When The Weekend Comes (Duet Version) (Feat. Sly Stone) | 320 | Unknown |
3 | 03-bobby_womack-i_still_love_you-uvu.mp3 | Bobby Womack | I Still Love You | 320 | Unknown |
4 | 04-bobby_womack-gina-uvu.mp3 | Bobby Womack | Gina | 320 | Unknown |
5 | 05-bobby_womack-a_world_where_no_one_cries-uvu.mp3 | Bobby Womack | A World Where No One Cries | 320 | Unknown |
6 | 06-bobby_womack-a_woman_likes_to_hear_that-uvu.mp3 | Bobby Womack | A Woman Likes To Hear That | 320 | Unknown |
7 | 07-bobby_womack-real_love_please_stand_up-uvu.mp3 | Bobby Womack | Real Love Please Stand Up | 320 | Unknown |
8 | 08-bobby_womack-the_things_we_do_(when_were_lonely)_(extended_version)-uvu.mp3 | Bobby Womack | The Things We Do (When We're Lonely) (Extended Version) | 320 | Unknown |
9 | 09-bobby_womack-falling_in_love_again-uvu.mp3 | Bobby Womack | Falling In Love Again | 320 | Unknown |
10 | 10-bobby_womack-outside_myself_(extended_version)-uvu.mp3 | Bobby Womack | Outside Myself (Extended Version) | 320 | Unknown |
NFO
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░█████▓█████▓██ ▌Artist__│ Bobby Womack ██▓█████▓█████░
░████▓▓██▒██▓██ ▌Title___│ The Last Soul Man ██▓█████▓▓████░
░████▓███▒██▓██ ▌Label___│ MCA Records ██▓██▒███▓████░
░████▓███▒██▓██ ▌Genre___│ Soul ██▓██▒███▓████░
░████▓███▒██▓██ ▌Format__│ Album ██▓██▒███▓████░
░████▓███▒██▓██ ▌Year____│ 1987 ██▓██▒███▓████░
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░░████▓█████▓██ ▌Time____│ 45:16 ██▓█████▓████░░
░░░████▓████▓██ ▌Size____│ 109.72 MB ██▓████▓████░░░
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░░░░░███▓▓▓█▓██ ▌Source__│ Web Store ██▓█▓▓▓███░░░░░
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░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░ 01. Living In A Box (Radio Version) 4:45
░░ 02. When The Weekend Comes (Duet Version) (Feat. Sly Stone) 4:46
░░ 03. I Still Love You 4:40
░░ 04. Gina 5:04
░░ 05. A World Where No One Cries 4:40
░░ 06. A Woman Likes To Hear That 4:26
░░ 07. Real Love Please Stand Up 3:49
░░ 08. The Things We Do (When We're Lonely) (Extended Version) 4:25
░░ 09. Falling In Love Again 4:21
░░ 10. Outside Myself (Extended Version) 4:20
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░░ ╔═══════════════╗
░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░
░░ The Last Soul Man is the eighteenth studio album by American
░░ singer-songwriter Bobby Womack. The album was released in 1987, by MCA
░░ Records.
░░
░░ A veteran who paid his dues for over a decade before getting his shot at
░░ solo stardom, Bobby Womack persevered through tragedy and addiction to
░░ emerge as one of soul music's great survivors. Able to shine in the
░░ spotlight as a singer or behind the scenes as an instrumentalist and
░░ songwriter, Womack never got his due from pop audiences, but during the
░░ late '60s and much of the '70s, he was a consistent hitmaker on the R&B
░░ charts, with a high standard of quality control. His records were
░░ quintessential soul, with a bag of tricks learned from the likes of Sam
░░ Cooke, Wilson Pickett, and Sly Stone, all of whom Womack worked closely
░░ with at one time or another. Yet often, they also bore the stamp of
░░ Womack's own idiosyncratic personality, whether through a lengthy spoken
░░ philosophical monologue or a radical reinterpretation of a pop standard.
░░ An underrated guitarist, Womack helped pioneer a lean, minimalist
░░ approach similar to that of Curtis Mayfield, and was an early influence
░░ on the young Jimi Hendrix. Additionally, his songs have been recorded by
░░ numerous artists in the realms of both R&B and rock, and the best of them
░░ rank as all-time classics.
░░
░░ Bobby Dwayne Womack was born in Cleveland on March 4, 1944. His
░░ upbringing was strict and religious, but his father Friendly also
░░ encouraged his sons to pursue music as he had (he sang and played guitar
░░ in a gospel group). In the early '50s, while still a child, Bobby joined
░░ his siblings Cecil, Curtis, Harry, and Friendly Jr. to form the gospel
░░ quintet the Womack Brothers. They were chosen to open a local show for
░░ the Soul Stirrers in 1953, where Bobby befriended lead singer Sam Cooke;
░░ following this break, they toured the country as an opening act for
░░ numerous gospel groups. When Cooke formed his own SAR label, he recruited
░░ the Womack Brothers with an eye toward transforming them into a crossover
░░ R&B act. Learning that his sons were moving into secular music, Friendly
░░ Womack threw them out of the house, and Cooke wired them the money to buy
░░ a car and drive out to his Los Angeles offices. The Womack Brothers made
░░ several recordings for SAR over 1960 and 1961, including a few gospel
░░ sides, but Cooke soon convinced them to record R&B and renamed them the
░░ Valentinos. In 1962, they scored a Top Ten hit on the R&B charts with
░░ "Lookin' for a Love," and Cooke sent them on the road behind James Brown
░░ to serve a boot-camp-style musical apprenticeship. Bobby eventually
░░ joined Cooke's backing band as guitarist. The Valentinos' 1964 single
░░ "It's All Over Now," written by Bobby, was quickly covered by the Rolling
░░ Stones with Cooke's blessing; when it became the Stones' first U.K.
░░ number one, Womack suddenly found himself a rich man.
░░
░░ Cooke's tragic death in December 1964 left Womack greatly shaken and the
░░ Valentinos' career in limbo. Just three months later, Womack married
░░ Cooke's widow, Barbara Campbell, which earned him tremendous ill will in
░░ the R&B community; many viewed him as a shady opportunist looking to cash
░░ in on Cooke's legacy, especially since Campbell was significantly older
░░ than Womack. According to Womack, he was initially motivated to look
░░ after Campbell in an unstable time, not to tarnish the memory of a
░░ beloved mentor. Regardless, Womack found himself unable to get his solo
░░ career rolling in the wake of the scandal; singles for Chess ("I Found a
░░ True Love") and Him ("Nothing You Can Do") were avoided like the plague
░░ despite their quality. The Valentinos cut a couple of singles for Chess
░░ in 1966, "What About Me" and "Sweeter Than the Day Before," which also
░░ failed to make much of a splash. To make ends meet, Womack became a
░░ backing guitarist, first landing a job with Ray Charles; he went on to
░░ make a valuable connection in producer Chips Moman, and appeared often at
░░ Moman's American Studio in Memphis, as well as nearby Muscle Shoals,
░░ Alabama. In the process, Womack appeared on classic recordings by the
░░ likes of Joe Tex, King Curtis, and Aretha Franklin (Lady Soul), among
░░ others. He recorded singles for Keymen and Atlantic without success, but
░░ became one of Wilson Pickett's favorite songwriters, contributing the R&B
░░ Top Ten hits "I'm in Love" and "I'm a Midnight Mover" (plus 15 other
░░ tunes) to the singer's repertoire.
░░
░░ Womack had been slated to record a solo album for Minit, but had given
░░ Pickett most of his best material, which actually wound up getting his
░░ name back in the public eye in a positive light. In 1968, he scored the
░░ first charting single of his solo career with "What Is This?" and soon
░░ hit with a string of inventively reimagined pop covers -- "Fly Me to the
░░ Moon," "California Dreamin'," and "I Left My Heart in San Francisco," the
░░ former two of which reached the R&B Top 20. A songwriting partnership
░░ with engineer Darryl Carter resulted in the R&B hits "It's Gonna Rain,"
░░ "How I Miss You Baby," and "More Than I Can Stand" over 1969-1970. A
░░ series of label absorptions bumped Womack up to United Artists in 1971,
░░ which proved to be the home of his greatest solo success; in the
░░ meantime, he contributed the ballad "Trust Me" to Janis Joplin's
░░ masterpiece Pearl, and the J. Geils Band revived "Lookin' for a Love" for
░░ their first hit. He also teamed up with jazz guitarist Gabor Szabo on the
░░ LP High Contrast, which debuted Womack's composition "Breezin'" (which,
░░ of course, became a smash for George Benson six years later). Most
░░ importantly, however, Womack played guitar on Sly & the Family Stone's
░░ There's a Riot Goin' On, a masterpiece of darkly psychedelic funk that
░░ would have an impact on Womack's own sound and sense of style.
░░
░░ Womack issued his first UA album, Communication, in 1971, which kicked
░░ off a string of excellent releases that ran through the first half of the
░░ decade. In addition to several of Womack's trademark pop covers, the
░░ album also contained the original ballad "That's the Way I Feel About
░░ 'Cha," which climbed all the way to number two on the R&B chart and
░░ became his long-awaited breakout hit. The 1972 follow-up Understanding
░░ spawned Womack's first chart-topper, "Woman's Gotta Have It," co-written
░░ with Darryl Carter and stepdaughter Linda (Womack divorced Barbara
░░ Campbell in 1970). The follow-up "Harry Hippie," a gently ironic tribute
░░ to Womack's brother, also hit the R&B Top Ten. Later that year, Womack
░░ scored the blaxploitation flick Across 110th Street; the title cut was
░░ later revived in the 1998 Quentin Tarantino film Jackie Brown. Released
░░ in 1973, The Facts of Life had an R&B number two hit in a rearrangement
░░ of the perennial "Nobody Knows You When You're Down and Out," and the
░░ following year's Lookin' for a Love Again found Womack revisiting his
░░ Valentinos hit; the re-recorded "Lookin' for a Love" became his second
░░ number one R&B single and his only Top Ten hit on the pop charts.
░░ Follow-up single "You're Welcome, Stop on By" made the R&B Top Five.
░░
░░ Womack was by this time a seasoned veteran of the rock & roll lifestyle,
░░ having befriended the likes of the Rolling Stones, the late Janis Joplin,
░░ and Sly Stone. After his brother Harry was murdered by a jealous
░░ girlfriend in 1974 (in Bobby's own apartment), the drug usage began to
░░ take a more serious turn. Womack scored further R&B Top Ten hits with
░░ 1975's "Check It Out" and 1976's "Daylight," the latter of which seemed
░░ to indicate a longing for escape from the nonstop partying that often
░░ masked serious depression. Despite Womack's new marriage to Regina Banks,
░░ the song was a sign that things were coming to a head. Womack pushed UA
░░ into letting him do a full album of country music, something he'd always
░░ loved but which the label regarded as commercially inadvisable
░░ (especially under the title Womack reportedly wanted to use: Step Aside,
░░ Charley Pride, Give Another Nigger a Try). They eventually relented, and
░░ when BW Goes C&W met with predictably minimal response, UA palmed the
░░ increasingly difficult Womack off on Columbia. A pair of albums there
░░ failed to recapture his commercial momentum or reinvent him for the disco
░░ age, and he moved to Arista for 1979's Roads of Life, which appeared not
░░ long after the sudden death of his infant son.
░░
░░ At a low point in his life, Womack took a bit of time off from music to
░░ gather himself. He appeared as a guest vocalist on Jazz Crusader Wilton
░░ Felder's 1980 solo album, Inherit the Wind, singing the hit title track,
░░ and subsequently signed with black entrepreneur Otis Smith's independent
░░ Beverly Glen label. His label debut, 1981's The Poet, was a critically
░░ acclaimed left-field hit, rejuvenating his career and producing a number
░░ three R&B hit with "If You Think You're Lonely Now." Unfortunately, money
░░ disputes soured the relationship between Womack and Smith rather quickly.
░░ The Poet II was delayed until 1984, and featured several duets with Patti
░░ LaBelle, including another number three R&B hit, "Love Has Finally Come
░░ at Last." Beverly Glen released a final LP culled from Womack's previous
░░ sessions, Someday We'll All Be Free, in 1985, by which time the singer
░░ had already broken free and signed with MCA. Another hit with Wilton
░░ Felder, "(No Matter How High I Get) I'll Still Be Looking Up to You,"
░░ appeared that year, and his label debut, So Many Rivers, produced a Top
░░ Five R&B hit in "I Wish He Didn't Trust Me So Much." Released in 1986,
░░ Womagic reunited Womack with Chips Moman, and he also backed the Rolling
░░ Stones on their remake of "Harlem Shuffle." By the following year he'd
░░ christened himself The Last Soul Man, which proved to be his final
░░ recording for MCA.
░░
░░ In the following years, Womack made high-profile returns to the music
░░ business only sporadically. Released in 1994, Resurrection was recorded
░░ for Ron Wood's Slide label and featured an array of guest stars including
░░ Wood, Keith Richards, Rod Stewart, and Stevie Wonder. In 1999, he
░░ fulfilled a longstanding promise to his father (who passed away in 1981)
░░ by delivering his first-ever gospel album, Back to My Roots. While he
░░ continued to perform throughout the following decade, his guest
░░ appearance on the 2010 Gorillaz album Plastic Beach seemed like a return.
░░ A couple years later, after being the subject of TV One's Unsung
░░ documentary series, he released The Bravest Man in the Universe, a
░░ collaboration with the XL label's Richard Russell and Gorillaz's Damon
░░ Albarn. However, Womack had experienced a number of health challenges in
░░ his latter years, and he died in June 2014 at the age of 70.
░░
░░ https://play.google.com/store/music/album?id=Bagcn4mxxzprz4fklkrrsxjfyna
░░
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░░░██ ███ ░| shouts 2 all the groups |░
░░░░██ ████ ░| putting out |░
░░░░░██ █████ ░| quality music |░
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