Genre | Crossover |
---|---|
Date (CEST) | 2004-04-29 23:28:07 |
Group | LiT_iNT |
Size | None MB |
Files | 16 |
M3U / SFV / NFO |
Body_Count-Violent_Demise_the_Last_Days-1997-LiT_iNT
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-body_count-interview-lit.mp3 | Body Count | Interview | 141 | Unknown |
2 | 02-body_count-my_way_featuring_raw_breed-lit.mp3 | Body Count | My Way Featuring Raw Breed | 233 | Unknown |
3 | 03-body_count-strippers_intro-lit.mp3 | Body Count | Strippers Intro | 148 | Unknown |
4 | 04-body_count-strippers-lit.mp3 | Body Count | Strippers | 218 | Unknown |
5 | 05-body_count-truth_or_death-lit.mp3 | Body Count | Truth or Death | 222 | Unknown |
6 | 06-body_count-violent_demise-lit.mp3 | Body Count | Violent Demise | 220 | Unknown |
7 | 07-body_count-bring_it_to_pain-lit.mp3 | Body Count | Bring it to Pain | 221 | Unknown |
8 | 08-body_count-music_business-lit.mp3 | Body Count | Music Business | 146 | Unknown |
9 | 09-body_count-i_used_to_love_her-lit.mp3 | Body Count | I Used to Love Her | 230 | Unknown |
10 | 10-body_count-root_of_all_evil-lit.mp3 | Body Count | Root of All Evil | 223 | Unknown |
11 | 11-body_count-dead_man_walking-lit.mp3 | Body Count | Dead Man Walking | 228 | Unknown |
12 | 12-body_count-interview_end-lit.mp3 | Body Count | Interview End | 143 | Unknown |
13 | 13-body_count-youre_fkin_with_bc-lit.mp3 | Body Count | You're F**kin' with BC | 230 | Unknown |
14 | 14-body_count-ernies_intro-lit.mp3 | Body Count | Ernie's Intro | 158 | Unknown |
15 | 15-body_count-dr._k-lit.mp3 | Body Count | Dr. K | 205 | Unknown |
16 | 16-body_count-last_days-lit.mp3 | Body Count | Last Days | 222 | Unknown |
NFO
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░███▓▓▓ T E A M L I G H T Y E A R ▓▓▓███░
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▓█████████████████████▓▓▓▌ PROUDLY PRESENTS ▓▓▓█████████████████████▓▌
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▒▓▓█▓███ Body Count - Violent Demise: the Last Days ████▓█▓▒
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███▀ ████
█▒ Release Date :::09-03-2004 Size::::72,9 MB ▒█
Street Date :00-00-1997 Bitrate:VBR/44,1kHz
Genre ::Crossover Encoder:LAME 3.90.3
Type ::::Album Label:::Virgin
n/a
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▄██████▀█████████▀▓ R e l e a s e N o t e s ▓▀██████████▀█████▄
▓██▀▀▀███▄▓▓▓▓▓▓▒▄██▄▄▄▄▄▄ ▄▄▄▄▄▄▄███▄▒▓▓▓▓▓▓▄██▀▀▀██▓
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▄██▌ ▐██▄
▄███ ███▄
▐██▓ Ice-T (born Tracy Morrow) has proven to be one of ▓██
▓██ hip-hop's most articulate and intelligent stars, as ██▓
▓██ well as one of its most frustrating. At his best, the ██▓
▓██ rapper has written some of the best portraits of ghetto ██▓
▓██ life and gangsters, as well as some of the best social ██▓
▓██ commentary hip-hop has produced. Just as often, he can ██▓
▓██ slip into sexism and gratuitous violence, and even then ██▓
▓██ his rhymes are clever and biting. Ice-T's best ██▓
▓██ recordings have always been made in conjunction with ██▓
▓██ strong collaborators, whether it's the Bomb Squad or ██▓
▓██ Jello Biafra. With his music, Ice-T has made a ██▓
▓██ conscious effort to win the vast audience of white male ██▓
▓██ adolescents, as his frequent excursions with his heavy ██▓
▓██ metal band Body Count show. All the while, he has ██▓
▓██ withstood a constant barrage of criticism and ██▓
▓██ controversy to become a respected figure not only in ██▓
▓██ the music press, but the mainstream media as well. ██▓
▓██ Although he was one of the leading figures of ██▓
▓██ Californian hip-hop in the '80s, Ice-T was born in ██▓
▓██ Newark, NJ. When he was a child, he moved from his ██▓
▓██ native Newark to California after his parents died in ██▓
▓██ an auto accident. While he was in high school, he ██▓
▓██ became obsessed with rap while he went to Crenshaw High ██▓
▓██ School in South Central Los Angeles. Ice-T took his ██▓
▓██ name from Iceberg Slim, a pimp who wrote novels and ██▓
▓██ poetry. Ice-T used to memorize lines of Iceberg Slim's ██▓
▓██ poetry, reciting them for friends and classmates. After ██▓
▓██ he left high school, he recorded several ██▓
▓██ undistinguished 12" singles in the early '80s. He also ██▓
▓██ appeared in the low-budget hip-hop films Rappin', ██▓
▓██ Breakin', and Breakin' II: Electric Boogaloo as he was ██▓
▓██ trying to establish a career. ██▓
▓██ ██▓
▓██ Ice-T finally landed a major-label record deal with ██▓
▓██ Sire Records in 1987, releasing his debut album, Rhyme ██▓
▓██ Pays. On the record, he is supported by DJ Aladdin and ██▓
▓██ producer Afrika Islam, who helped create the rolling, ██▓
▓██ spare beats and samples that provided a backdrop for ██▓
▓██ the rapper's charismatic rhymes, which were mainly ██▓
▓██ party-oriented; the record wound up going gold. That ██▓
▓██ same year, he recorded the theme song for Dennis ██▓
▓██ Hopper's Colors, a film about inner-city life in Los ██▓
▓██ Angeles. The song ù also called "Colors" ù was ██▓
▓██ stronger, both lyrically and musically, with more ██▓
▓██ incisive lyrics, than anything he had previously ██▓
▓██ released. Ice-T formed his own record label, Rhyme ██▓
▓██ Syndicate (which was distributed through Sire/Warner) ██▓
▓██ in 1988, and released Power. Power was a more assured ██▓
▓██ and impressive record, earning him strong reviews and ██▓
▓██ his second gold record. Released in 1989, The ██▓
▓██ Iceberg/Freedom of Speech...Just Watch What You Say ██▓
▓██ established him as a true hip-hop superstar by matching ██▓
▓██ excellent abrasive music with fierce, intelligent ██▓
▓██ narratives, and political commentaries, especially ██▓
▓██ about hip-hop censorship. ██▓
▓██ ██▓
▓██ Two years later, Ice-T began an acting career, starring ██▓
▓██ in the updated blaxploitation film New Jack City; he ██▓
▓██ also recorded "New Jack Hustler" for the film. "New ██▓
▓██ Jack Hustler" became one of the centerpieces of 1991's ██▓
▓██ O.G.: Original Gangster, which became his most ██▓
▓██ successful album to date. O.G. also featured a metal ██▓
▓██ track called "Body Count" recorded with Ice-T's band of ██▓
▓██ the same name. Ice-T took the band out on tour that ██▓
▓██ summer, as he performed on the first Lollapalooza tour. ██▓
▓██ The tour set-up increased his appeal with both ██▓
▓██ alternative music fans and middle-class teenagers. The ██▓
▓██ following year, the rapper decided to released an ██▓
▓██ entire album with the band, also called Body Count. ██▓
▓██ ██▓
▓██ Body Count proved to be a major turning point in ██▓
▓██ Ice-T's career. On the basis of the track "Cop Killer" ██▓
▓██ ù where he sang from the point-of-view of a police ██▓
▓██ murderer ù the record ignited a national controversy; ██▓
▓██ it was protested by the NRA and police activist groups. ██▓
▓██ Time Warner Records initially supported Ice-T, yet they ██▓
▓██ refused to release his new rap album, Home Invasion, on ██▓
▓██ the basis of the record cover. Ice-T and the label ██▓
▓██ parted ways by the end of the year. Home Invasion was ██▓
▓██ released on Priority Records in the spring of 1993 to ██▓
▓██ lukewarm reviews and sales. Somewhere along the way, ██▓
▓██ Ice-T had begun to lose most of his original hip-hop ██▓
▓██ audience; now he appealed primarily to suburban white ██▓
▓██ teens. In 1994, he wrote a book and released the second ██▓
▓██ Body Count album, Born Dead, which failed to stir up ██▓
▓██ the same controversy as the first record ù indeed, it ██▓
▓██ failed to gain much attention of any sort. ██▓
▓██ Nevertheless, Body Count was successful in clubs and ██▓
▓██ Ice-T continued to tour with the band. ██▓
▓██ ██▓
▓██ In the summer of 1996, Ice-T released his first rap ██▓
▓██ album since 1993, Return of the Real. The album was ██▓
▓██ greeted by mixed reviews and it failed to live up to ██▓
▓██ commercial expectations. 7th Deadly Sin followed in ██▓
▓██ 1999. Ice-T then returned to acting, taking a role on ██▓
▓██ NBC's Law & Order : Special Victims Unit playing, ██▓
▓██ ironically, a police officer. ██▓
▓██ ██▓
▓██ ---------------------------------------------------- ██▓
▓██ A significant improvement over the stilted Born Dead, ██▓
▓██ Violent Demise: Last Days is, in many ways, the best ██▓
▓██ record Body Count has made to date. Where the band's ██▓
▓██ speed-metal has seemed dated in the past, the group ██▓
▓██ sounds fiery throughout Violent Demise, giving the ██▓
▓██ music a visceral punch it had clearly been lacking in ██▓
▓██ the past. Ice-T's lyrics fall halfway between outrage ██▓
▓██ and outrageous, especially on the anti-O.J. Simpson "I ██▓
▓██ Used to Love Her," "Dead Man Walking" and "You're ██▓
▓██ F**kin' with BC," which pushes their