Bohren_and_der_Club_of_Gore-Patchouli_Blue-CD-2020-D2H

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-bohren_and_der_club_of_gore-total_falsch.mp3 Bohren & Der Club of Gore Total Falsch 248 Unknown
2 02-bohren_and_der_club_of_gore-verwirrung_am_strand.mp3 Bohren & Der Club of Gore Verwirrung am Strand 235 Unknown
3 03-bohren_and_der_club_of_gore-glaub_mir_kein_wort.mp3 Bohren & Der Club of Gore Glaub Mir Kein Wort 245 Unknown
4 04-bohren_and_der_club_of_gore-patchouli_blue.mp3 Bohren & Der Club of Gore Patchouli Blue 238 Unknown
5 05-bohren_and_der_club_of_gore-deine_kusine.mp3 Bohren & Der Club of Gore Deine Kusine 243 Unknown
6 06-bohren_and_der_club_of_gore-vergessen_and_vorbei.mp3 Bohren & Der Club of Gore Vergessen & Vorbei 255 Unknown
7 07-bohren_and_der_club_of_gore-sollen_es_doch_alle_wissen.mp3 Bohren & Der Club of Gore Sollen es Doch Alle Wissen 246 Unknown
8 08-bohren_and_der_club_of_gore-tief_gesunken.mp3 Bohren & Der Club of Gore Tief Gesunken 248 Unknown
9 09-bohren_and_der_club_of_gore-zwei_herzen_aus_gold.mp3 Bohren & Der Club of Gore Zwei Herzen aus Gold 252 Unknown
10 10-bohren_and_der_club_of_gore-sag_mir_wie_lang.mp3 Bohren & Der Club of Gore Sag Mir, Wie Lang 248 Unknown
11 11-bohren_and_der_club_of_gore-meine_welt_ist_schoen.mp3 Bohren & Der Club of Gore Meine Welt ist Schön 262 Unknown
NFO
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Number : PIASD5045CD ▓███ ███▓ Street Date : 2020-00-00 ▓███ ███▓ Rip Date : 2020-04-12 ▓███ ███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███ ███▓ Quality : 247kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 11 ▓███ ███▓ Playtime : 00:59:29 (110.MB) ▓███ ███▓ URL : http://www.bohrenundderclubofgore.de ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Total Falsch 7:19 ▓███ ███▓ 02 Verwirrung am Strand 5:16 ▓███ ███▓ 03 Glaub Mir Kein Wort 5:11 ▓███ ███▓ 04 Patchouli Blue 9:07 ▓███ ███▓ 05 Deine Kusine 3:15 ▓███ ███▓ 06 Vergessen & Vorbei 5:22 ▓███ ███▓ 07 Sollen es Doch Alle Wissen 3:35 ▓███ ███▓ 08 Tief Gesunken 4:16 ▓███ ███▓ 09 Zwei Herzen aus Gold 3:15 ▓███ ███▓ 10 Sag Mir, Wie Lang 7:39 ▓███ ███▓ 11 Meine Welt ist Sch÷n 5:14 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 59:29 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ The fog is turning to rain as I push through the doors into the old ▓███ ███▓ Club of Gore. The place has been closed up for a few years but ▓███ ███▓ nothing much has changed, itÆs still comfortably frayed around the ▓███ ███▓ edges. Organ drone swells up from the background, cuts out. They ▓███ ███▓ kept the worn fittings and the gloom, smells like death rock. After ▓███ ███▓ a couple of minutes the saxophone sighs softly, like a friendly ▓███ ███▓ hand on your shoulder. Patchouli Blue just fell into my lap, new ▓███ ███▓ information at short notice. The hardcore had the jump on me all ▓███ ███▓ along. By the time this review makes it out theyÆll be soaked in ▓███ ███▓ it, hip to details I havenÆt had time for yet. ▓███ ███▓ Bohren & der Club of Gore play a superbly unhurried type of slow ▓███ ███▓ core doom jazz. The sort of stuff to make long shot film noir ▓███ ███▓ images spool across the mindÆs eye and your internal monologue turn ▓███ ███▓ all hard-boiled detective without warning. New faces at their ▓███ ███▓ notional dive bar turn on their heel pretty sharp or settle right ▓███ ███▓ on in because it feels like home. Companionship in solitude, nobody ▓███ ███▓ pulling on yer sleeve and making noisy chit chat, itÆs all ▓███ ███▓ existential brooding on lifeÆs mystery in here. If youÆre coming to ▓███ ███▓ it cold then what Patchouli Blue most sounds like is Angelo ▓███ ███▓ BadalamentiÆs dark jazz mood music for Twin Peaks. Only slowed down ▓███ ███▓ and left to wander the woods. ItÆs whatÆs playing on the jukebox in ▓███ ███▓ Audrey HorneÆs coma. ▓███ ███▓ Still, as much as I love BadalamentiÆs music and as helpful as the ▓███ ███▓ comparison is I canÆt help feeling it does the band something of a ▓███ ███▓ disservice. Twin PeaksÆ strong visual and sonic identity has been ▓███ ███▓ widely influential and there are plenty of bands who model their ▓███ ███▓ look and sound on elements of that or more widely on the idea of ▓███ ███▓ noir soundtracks and æcrime jazzÆ. That stuff is fine as far as it ▓███ ███▓ goes but what they often end up with is kitsch. A grab bag of ▓███ ███▓ musical short hand and manipulative tricks used to emphasise on ▓███ ███▓ screen action. An empty shell, all style with no heart. ▓███ ███▓ Bohren & der Club of Gore donÆt do any of that. The instrumentation ▓███ ███▓ may be the same but their purpose is more open. While it might be ▓███ ███▓ fair to call it mood music the overall mood is contemplative, it ▓███ ███▓ never manhandles you roughly towards emotional cues. BohrenÆs music ▓███ ███▓ is flowing and mellifluous but rarely if ever settles on the kind ▓███ ███▓ of short, repeating, melodic phrases you might catch yourself ▓███ ███▓ absent mindedly humming. They donÆt do riffs and they donÆt do wild ▓███ ███▓ improvisational flights either, creating a steadily drifting sound ▓███ ███▓ field for you to float in. ItÆs in this patient enveloping of the ▓███ ███▓ listener that their improbable roots in doom metal are revealed. ▓███ ███▓ Equal parts comfort and dread are wound about one another and ▓███ ███▓ across your shoulders like a heavy blanket. ▓███ ███▓ I couldnÆt tell you which track was playing because they are merely ▓███ ███▓ parts of a whole. The titles are all in German except for the ▓███ ███▓ actual title track, the first time theyÆve ever indulged such a ▓███ ███▓ thing I believe. It perhaps explains the kaleidoscope of skulls and ▓███ ███▓ flowers floating before a church window on the cover. It looks like ▓███ ███▓ an album by a hopelessly derivative young bunch of goths. Is there ▓███ ███▓ Goth Jazz? Should there be? According to the band themselves this ▓███ ███▓ album is four parts æclassic BohrenÆ, three parts æstrangeÆ and ▓███ ███▓ four parts æjazz lurkersÆ. Words donÆt really serve them well, ▓███ ███▓ æambient jazzÆ makes sense as you listen, but just out there by ▓███ ███▓ themselves those two words falter, offering up some unwelcome ▓███ ███▓ associations with smooth aural wallpaper. æJazz lurkersÆ is perfect ▓███ ███▓ though, for the band, for their music, and for the tired solitary ▓███ ███▓ patrons of this imaginary bar. Lost in their thoughts, and their ▓███ ███▓ whiskey, and that soft breathy saxophone. ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀

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