: ' .. .:.... . ' ' ______________ : ________ : ' \ / .. .:. .. \ / : : \ /_________ \ / . .. ... .. . : .\ / /___ /\ \ / ______________ ___ _. : \ / / \ / \ \/ / \ \ \ \ \ . ...:..\ / _______/ \/ \ ___/__ / / / / / : /\ / / \ \/ \ / / / . sH! ' / \/ / / / \ / / . ... .:.... .. . :/ _______/ / / / _______/__ ___ __ .\ / / / / / / / / / / / \ / / / / / / / / / / / . . \ /\______/ / / / / \___ / / : \/ ____ \ / / / / / : \ / \ /\____/\ / / : : ________\/ \ / \ / / : ' \ / \/ \ /\ / : . ..:.. . \ / \/ \ / \ / \ / . ' : \/ F A N G \ / : ' ____ \ / . . .. .. .:.. . \ / presents \ / . . \/ \/ : : . ..:.. , : Artist......: Brandi Disterheft Trio with George Coleman : Album.......: Surfboard : : Label.......: Justin Time Records .. .:.. . Genre.......: Jazz : Catnr.......: JTR8626-2 . ' Source......: CD , ; Rip.date....: 2020-11-22 Str.date....: 2020-10-30 Quality.....: 253kbps/44.1kHz/Joint Stereo . :.. .:. Url.........: http://www.brandidisterheft.com ' ' , ________ ________ \ / \ / \ / \ / \ / # title time \ / \/ \/ 1. Surfboard 4:03 2. Prelude To Coup De Foudre 2:57 3. Coup De Foudre 3:51 4. My Foolish Heart 6:50 5. Nanπ 4:31 6. Manhattan Moon 3:51 7. Pendulum At Falcon's Lair 3:36 8. On Broadway 4:42 9. Speak Low 5:20 10. One Dream 5:24 11. Portrait For Porto 5:05 12. Where Or When 3:41 13. Del Sasser 5:43 14. Reveries 4:37 ______ \ / ________ Runtime 64:11 ,\ /... . . .... .... \ / ' Size 122.12______ :\/ ', \ / , \ / ' '... ..\ /.. .. .....:. .. .... .. . ..\ /. : Release Notes: \/ , \/ , ' ' ,: Jazz bassist Brandi Disterheft relocated to NYC to begin an :, : apprenticeship under Miles Davis' bassist Ron Carter. ItÆs not : :' only her fiery bass playing that make audiences stand-up and ': ,: holler, but also her innovative live shows showcasing her :, : uptempo, swinging originals and ambient voice. Her mother, a : :' Chicago-born jazz B3 organist who opened for acts such as the ': ,: Supremes and Carlos Jobim in the 1960's, trained Brandi's ears :, : from the tender age of 5 when she began classical piano studies; : :' yet, her Aunt Angie Jaree a GRAMMY WINNING session singer in LA ': ,: (Claire Fischer, Sergio Mendez) encouraged Brandi to sing. :, : : :' ': ,: Winning a JUNO (Canadian Grammy) for her ôDebutö album, Brandi :, : had the honor to be the bassist for the legendary Hank Jones on : :' the album ôPleased to Meet Youö and has since captivated ': ,: international audiences at jazz festivals in Japan, Haiti, :, : Canada, Europe, USA and at prestigious venues including Carnegie : :' Hall, and the Vienna Opera House. Recordings and performances ': ,: include collaborations with top drawer musicians such as Anita :, : O'day, Benny Green, Cyrus Chestnut, Vincent Herring and Renee : :' Rosnes to name a few. ': ,: :, : ôShe is quite the bass player, and I appreciate her expertise : :' and talent. It was a great pleasure making an album together.ö ': ,: -George Coleman :, : : :' Brandi DisterheftÆs fifth album, Surfboard is her most ': ,: accomplished yet. Joined by two iconic octogenarian masters ù :, : virtuoso tenor saxophonist George Coleman and the definitive : :' Brazilian drummer Portinho ù and world-class pianist Klaus ': ,: Mueller, Disterheft authoritatively and organically guides the :, : flow on a varied program that reflects her capacious interests. : :' Her kinetic, harmonically erudite basslines anchor ensemble ': ,: interpretations of choice tunes culled from the blues, mainstem :, : jazz, and the Great Brazilian and American Songbooks. She sings : :' those Songbook numbers, and her own evocative lyrics, with an ': ,: instantly recognizable voice that conveys vulnerability and :, : emotional intelligence. And she matches the high bar set by her : :' partners on a series of creative solos. Surfboard will be ': ,: available worldwide on October 30, 2020 via Justin Time. :, : : :' The project gestated in DisterheftÆs decade-long musical ': ,: relationship with Portinho, whom she met through Mueller soon :, : after she moved to New York from Canada in 2010. Their simpatico : :' developed during years as a working band, on numerous Canadian ': ,: concerts led by Disterheft and PortinhoÆs five-sets-a-night :, : weekend sinecure at a Brazilian churrascaria in Manhattan. : :' ': ,: ôI wanted to record us,ö she says. ôPorto has a way of uplifting :, : the beat. ItÆs so funky, with such an infectious groove, and he : :' has so much dynamic range. He has strict rules, but once you ': ,: learn them, he wants you to break away. HeÆs always :, : anticipating, turning around the phrases. ItÆs so much fun.ö : :' ': ,: Coleman plays characteristically compelling solos on the :, : standards ôMy Foolish Heartö and ôSpeak Lowö and the leaderÆs : :' own evocative ôCoup de Foudre.ö Disterheft connected with him ': ,: through his lifelong friend and bandstand partner, the late :, : pianist Harold Mabern, who ù with A-list New York drummer Joe : :' Farnsworth ù partnered with her on the hard-swinging 2016, CD, ': ,: Blue Canvas, and several subsequent tours. Like Portinho, she :, : remarks, Coleman ôloves to keep people on their toes,ö adding, : :' ôHeÆll change harmony at the drop of a hat.ö ': ,: :, : DisterheftÆs harmonic erudition, soulfulness and intense : :' individualism come through when she sings the jazz standard ': ,: ôWhere or Whenö and the 60s pop hit ôOn Broadway.ö ôIt depicts :, : the reality of New York, a hard run for some folks when one thin : :' dime wonÆt even shine your shoes,ö she comments on the latter ': ,: tune. ôI related to æthey say I wonÆt last too long on Broadway; :, : IÆll catch a Greyhound bus back home.Æö : :' ': ,: The Vancouver native has first-hand experience with overnight :, : Greyhound buses, which Disterheft frequently rode to visit New : :' York during a long residence in Toronto, where she attended ': ,: Humber College and gigged with ù among other luminaries ù :, : pianist David Virelles. ôIt puts the gutbucket in your playing,ö : :' Disterheft says. You hear her blend down-home grit and highbrow ': ,: finesse on personalized interpretations of canonic pieces by :, : bass heroes Oscar Pettiford (ôThe Pendulum at FalconÆs Lairö) : :' and Sam Jones (ôDel Sasserö), and in her propulsive beat ': ,: articulation on two ôobscure, wonderful Brazilian tunesö that :, : Portinho brought to her attention ù Moacir SantosÆ ôNanπö and : :' the polyrhythmic ôSurfboard,ö a less-traveled Jobim number that ': ,: titles this superb, engaging album. :, : : :' ôIt sounds like youÆre trying to balance life on a surfboard,ö ': ,: Disterheft says of the latter. ôThe audience lights up as soon :, : as you play it.ö : :' ': : ' '.. ..' .. . :........... . . . . ............: . . ______________ ______________ \ / \ / \ / Shout out to all our homies from: \ / \ / \ / \ / iPC BOSS HiT2000 1way UKi i8 RNS \ / \ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ / \ / \ / \/ ____ ____ \/ \ / F A N G \ / \/ 2 0 2 0 \/