Genre | Pop |
---|---|
Date (CEST) | 2021-02-22 08:05:40 |
Group | MTD |
Size | 114 MB |
Files | 17 |
M3U / SFV / NFO |
Brian_Eno-Film_Music_1976-2020-2021-MTD
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-brian_eno-top_boy.mp3 | Brian Eno | Top Boy | 230 | Unknown |
2 | 02-brian_eno-ship_in_a_bottle.mp3 | Brian Eno | Ship In A Bottle | 235 | Unknown |
3 | 03-brian_eno-blood_red.mp3 | Brian Eno | Blood Red | 220 | Unknown |
4 | 04-brian_eno-under.mp3 | Brian Eno | Under | 269 | Unknown |
5 | 05-brian_eno-decline_and_fall.mp3 | Brian Eno | Decline And Fall | 225 | Unknown |
6 | 06-brian_eno-prophecy_theme.mp3 | Brian Eno | Prophecy Theme | 228 | Unknown |
7 | 07-brian_eno-reasonable_question.mp3 | Brian Eno | Reasonable Question | 252 | Unknown |
8 | 08-brian_eno-late_evening_in_jersey.mp3 | Brian Eno | Late Evening In Jersey | 256 | Unknown |
9 | 09-brian_eno-beach_sequence.mp3 | Brian Eno | Beach Sequence | 237 | Unknown |
10 | 10-brian_eno-you_dont_miss_your_water.mp3 | Brian Eno | You Don't Miss Your Water | 244 | Unknown |
11 | 11-brian_eno-deep_blue_day.mp3 | Brian Eno | Deep Blue Day | 231 | Unknown |
12 | 12-brian_eno-the_sombre.mp3 | Brian Eno | The Sombre | 204 | Unknown |
13 | 13-brian_eno-dover_beach.mp3 | Brian Eno | Dover Beach | 251 | Unknown |
14 | 14-brian_eno-design_as_reduction.mp3 | Brian Eno | Design As Reduction | 236 | Unknown |
15 | 15-brian_eno-undersea_steps.mp3 | Brian Eno | Undersea Steps | 260 | Unknown |
16 | 16-brian_eno-final_sunset.mp3 | Brian Eno | Final Sunset | 246 | Unknown |
17 | 17-brian_eno-an_ending_(ascent).mp3 | Brian Eno | An Ending (Ascent) | 240 | Unknown |
NFO
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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Brian Eno
Album : Film Music 1976-2020
Label : Astralwerks / Opal Records
Genre : Pop
Street Date : 2021-01-22
Quality : 239 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.100 -V0
Size : 119.92MB
Time : 66:15 min
Url : http://https://www.allmusic.com/album/release/film-music-1976
-2020-mr0005280280
[Tracks]
1. Top Boy 2:30
2. Ship In A Bottle 2:41
3. Blood Red 3:04
4. Under 5:19
5. Decline And Fall 3:32
6. Prophecy Theme 4:24
7. Reasonable Question 2:44
8. Late Evening In Jersey 4:38
9. Beach Sequence 3:34
10. You Don't Miss Your Water 3:46
11. Deep Blue Day 3:57
12. The Sombre 4:26
13. Dover Beach 4:40
14. Design As Reduction 4:18
15. Undersea Steps 4:07
16. Final Sunset 4:13
17. An Ending (Ascent) 4:22
[Notes]
Aside from his productions for mega-selling stars like David Bowie and
Coldplay, or his Windows start-up jingle, Brian Eno's work has received its
greatest exposure through film and television. While his earlier Music for
Films releases included pieces originally intended as imaginary soundtracks,
many of which ending up being used later, Film Music 1976-2020 is more like
a greatest-hits compilation of his most memorable cinematic appearances.
This includes everything from atmospheric pieces used in early Derek Jarman
films to somber cues for the British crime series Top Boy, as well as
material which found its way into the occasional blockbuster, like Heat or
Trainspotting. There are also a few art-pop songs scattered about, including
the sensuous, slightly over-long "Under" (from 1992's Cool World) and a
placid yet still genuine and affecting cover of William Bell's classic Stax
lament "You Don't Miss Your Water" (from 1988's Married to the Mob). The
only other recognizable voice to appear on the release is that of Bono, who
pops up for exactly one line ("Time shoots on by") during "Beach Sequence,"
a tranquil drifter by U2 and Eno's short-lived Passengers side project.
"Reasonable Question," from 2020's We Are as Gods (a documentary about Whole
Earth Catalog editor Stewart Brand), has a scintillating melody and jittery
IDM beats, and is easily the most exciting, kinetic track here. "Ship in a
Bottle," co-written by Jon Hopkins and Leo Abrahams and featured in 2009's
The Lovely Bones, is a simple but powerful weightless piece with a gorgeous
melody. "Prophecy Theme," from David Lynch's 1984 adaptation of Dune (and
the only piece from its score that wasn't by Toto), is haunting and dramatic
without being bombastic. Two highlights from Apollo: Atmospheres &
Soundtracks are included, with the ambient country daydream "Deep Blue Day"
chosen due to its appearance in Trainspotting, and the sublime "An Ending
(Ascent)" logically closing out the set. Overall, the collection sums up
Eno's gift for creating evocative music which enhances cinematic scenes, yet
works as enjoyable and compelling material on its own.