Genre | AlternRock |
---|---|
Date (CEST) | 2019-06-30 00:22:07 |
Group | FREGON |
Size | 103 MB |
Files | 16 |
M3U / SFV / NFO |
Burning_Alms-In_Sequence-WEB-2014-FREGON
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-burning_alms-(_)-fregon.mp3 | Burning Alms | ( ) | 320 | Unknown |
2 | 02-burning_alms-the_aperture_colonised-fregon.mp3 | Burning Alms | The Aperture Colonised | 320 | Unknown |
3 | 03-burning_alms-so_unreal-fregon.mp3 | Burning Alms | So Unreal | 320 | Unknown |
4 | 04-burning_alms-ressler-fregon.mp3 | Burning Alms | Ressler | 320 | Unknown |
5 | 05-burning_alms-midstorm_still_ending-fregon.mp3 | Burning Alms | Midstorm Still Ending | 320 | Unknown |
6 | 06-burning_alms-night_climates-fregon.mp3 | Burning Alms | Night Climates | 320 | Unknown |
7 | 07-burning_alms-the_pastoral-fregon.mp3 | Burning Alms | The Pastoral | 320 | Unknown |
8 | 08-burning_alms-forest_clearing-fregon.mp3 | Burning Alms | Forest Clearing | 320 | Unknown |
9 | 09-burning_alms-black_on_the_outcrop-fregon.mp3 | Burning Alms | Black On The Outcrop | 320 | Unknown |
10 | 10-burning_alms-river_sea_originates-fregon.mp3 | Burning Alms | River Sea Originates | 320 | Unknown |
11 | 11-burning_alms-matadors-fregon.mp3 | Burning Alms | Matadors | 320 | Unknown |
12 | 12-burning_alms-in_sequence-fregon.mp3 | Burning Alms | In Sequence | 320 | Unknown |
13 | 13-burning_alms-the_periphery-fregon.mp3 | Burning Alms | The Periphery | 320 | Unknown |
14 | 14-burning_alms-lapse_in_white-fregon.mp3 | Burning Alms | Lapse In White | 320 | Unknown |
15 | 15-burning_alms-certain_collapse-fregon.mp3 | Burning Alms | Certain Collapse | 320 | Unknown |
16 | 16-burning_alms-(birds)_in_sequence-fregon.mp3 | Burning Alms | (Birds) In Sequence | 320 | Unknown |
NFO
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Burning_Alms-In_Sequence-WEB-2014-FREGON
_______________________________________________________________________________
Artist .........: Burning Alms
Title ..........: In Sequence
Genre ..........: AlternRock
Style ..........: Rock
Label ..........: Burning Alms
Language .......: English
Year ...........: 2014
Street Date ....: 08.04.2014
Release Date ...: 06.29.2019
Source .........: WEB
Encoder ........: LAME
Codec ..........: MP3 (MPEG-2 Audio Layer III)
Quality ........: 320 kbps / 44100 Hz / Joint Stereo
Size ...........: 102.64 MB
Tracks .........: 16
Source .........: https://play.google.com/store/music/album?id=Bfvv6qwwhhwbpoaia53jbbiblxi
Url: http://burningalms.com/
T R A C K L I S T ::::::::::::::::::::::::::::::::::::::::::::
- -- ------------------------------------------------------------------------ -
01.( ) 00:29
02.The Aperture Colonised 02:42
03.So Unreal 02:33
04.Ressler 00:39
05.Midstorm Still Ending 03:13
06.Night Climates 07:50
07.The Pastoral 01:43
08.Forest Clearing 01:46
09.Black On The Outcrop 02:19
10.River Sea Originates 02:42
11.Matadors 03:06
12.In Sequence 04:47
13.The Periphery 04:22
14.Lapse In White 01:41
15.Certain Collapse 03:23
16.(Birds) In Sequence 01:27
-----
44:42
- -- ------------------------------------------------------------------------ -
R E L E A S E N O T E S ::::::::::::::::::::::::::::::::::::::::::::
The search to find where the latest Smalltown America signings,
Burning Alms hail from wasnÆt that easy. ItÆs not really an
important detail that they come from Birmingham, but their sound
suggests that they might be from the U.S. The press shots of
guitarist/vocalist John Biggs and drummer Tom Whitfield also provide
a distinct American appearance.
On debut album In Sequence the influences are wide ranging and the
styles variant; all in a very good way indeed. Lo-fi indie rock
mixes with tender acoustic ballads and out there passages of drone;
the most obvious reference point for me is the incredibly good and
ridiculously overlooked Sebadoh. This album has the same spirit and
ethic as their classic Harmacy album, the feelings I got while
listening to In Sequence brought back some happy memories. Before
indie guitar music became so shit, there was a time when brilliant
bands I loved, like AC Acoustics, Sebadoh, Pavement and (early) àAnd
You Will Know Us By The Trail Of Dead roamed rockÆs landscape.
Burning Alms remind me so much of a bygone era and all of these
bands, so youÆll know where this review is heading.
After an unnamed and brief intro, æThe ApertureÆ gets things rolling
with a blend of thrashing drums and manic guitars, the passages of
brief melodic vocals recalling Trail of Dead. The drums get another
hectic hammering over taut guitars in æSo UnrealÆ, vocals spat out
on the verge of all-out punk, the glorious powering chorus recalling
Sebadoh in their prime pop/punk mode. A great introductory double
header.
ThereÆs a brilliance to how Burning Alms make the vocals almost
incidental to whatÆs happening around them, cramming the melodies in
and just making them fit. This is showcased to great effect on æMid
Storm Still EndingÆ. The dynamics of the album shift dramatically
with æNight ClimatesÆ, eight minutes of droning guitars and
feedback, with a relaxing and random strumming/plucking up and down
the strings. ItÆs infantile in execution but expertly done in
controlling the flow of the track. Instrumental, the mid-section
speeds up and provides some muscle before weÆre ushered back into
the drone theatre.
Another shift in dynamic comes with æThe PastoralÆ, which recalls
the curious mix of quiet/fury that Sebadoh used to do, Elliott Smith
comes to mind as well with the sweet acoustic tone of the track.
ThereÆs a superb balance of punk and pop with the short sharp blast
of Trail of Dead fury that is æForest ClearingÆ. Another Sebadoh
trait was the use of guitars that verge on being out of tune forcing
the melody to adjust accordingly, making for wonderfully skewered
tunes, æBlack on the OutcropÆ is one such tune. The lo-fi production
is a joy to hear in this modern era of studio sheen.
æRiver Sea OriginatesÆ shows that Burning Alms can do punk
acoustically too. The vocals are layered to give a sweetness without
being overtly saccharine. Then album highlight æMatadorsÆ roars into
your ear space, the most Trail of Dead song on the album, their
trademark tom tom hammering and intense humming guitars matched with
a vocal turn that could actually be a guest spot by Conrad Keely.
ItÆs odd to hear æIn SequenceÆ, the title track, is four minutes of
drone and samples with what sounds like a guitar being tuned, just
shows that Burning Alms do their own thing and are comfortable with
that. The experimentation continues with æLapse in WhiteÆ, which
sounds like one of those Jeff Buckley unfinished demos that surface
every now and then. The same shimmering guitar sound he used on
æHallelujahÆ is employed here, giving a beautiful radiance to what
is basically an experimental oddity. æCertain CollapseÆ combines the
punk ethic with acoustic guitars, the backing vocals of the chorus
provide a highlight and then final track æ(Birds) In SequenceÆ
revisits the sample attack of the title track.
So, a lot of references to note there, but the list of bands are so
damn brilliant and are intended as compliments to Burning Alms and
their vision. Well done to Smalltown America for unearthing another
gem for us, one of the last remaining labels on the planet to
actually care. Burning Alms are making really great music and are
deserved of a wider audience, which probably wonÆt happen, but for
those of us who knowà
Enjoy =>
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