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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ CFCF - memoryland ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ CFCF ▓▓▓▓█ █▓▓▓▓ TiTLE...[ memoryland ▓▓▓▓█ ████ GENRE...[ Electronic CAT#....[ BGM003 ████ ████ LABEL...[ BGM Solutions ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 75:05 REL.DATE[ 04.09.2021 ████ ████ TRACKS..[ 16 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 172,07 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 welcome.WAV 00:50 ████ ████ 02 Life is Perfecto 07:29 ████ ████ 03 Nostalgic Body 06:02 ████ ████ 04 Model Castings feat. NO JOY 04:36 ████ ████ 05 suburbilude 02:12 ████ ████ 06 Punksong 01:45 ████ ████ 07 Night-Day-Work-Home 08:37 ████ ████ 08 Gravure Idol 04:54 ████ ████ 09 i regret the jet-set 01:46 ████ ████ 10 Self Service 1999 07:27 ████ ████ 11 Slippery Plastic Euphoric 06:02 ████ ████ 12 After the After 06:42 ████ ████ 13 dirty 01:18 ████ ████ 14 End ù Curve of Forgetting 06:31 ████ ████ 15 Heaven feat. Sarah Bonito 05:44 ████ ████ 16 The Ultraviolet Room 03:10 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 75:05 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://cfcf.bandcamp.com/album/memoryland ████ ████ ████ ████ MontrealÆs eclectic producer CFCF (aka Mike ████ ████ Silver) follows 2019Æs effusive corporate ████ ████ jungle opus Liquid Colours with a kaleidoscopic ████ ████ capital-E Electronica album that takes a range ████ ████ of styles from his earliest formative listening ████ ████ years (1997-2000) and throws them in a blender. ████ ████ Elements of jungle, house, UK garage, trance, ████ ████ pop and post-grunge are blended to form a ████ ████ glossy picture of restless youth in an ████ ████ identity crisis: memoryland. ████ ████ ████ ████ Inspired as much by Sonic Youth and Smashing ████ ████ Pumpkins as the Chemical Brothers and Basement ████ ████ Jaxx; as much by films like Millennium Mambo, ████ ████ Demonlover, Morvern Callar, Safe and Perfect ████ ████ Blue as late 90Æs Prada ù CFCF jumps across ████ ████ genres as a means of portraying a breadth of ████ ████ overlapping milieus and identities in this ████ ████ hyperactive Y2K period-piece that both explores ████ ████ and criticizes our own nostalgic impulses. From ████ ████ the opening introÆs announcement of arrival to ████ ████ the final credits, itÆs an album as film as ████ ████ RPG, with the listener as its protagonist. ████ ████ ████ ████ Opener ôwelcome.WAVö functions as a start-up ████ ████ sound file for the journey ahead: from ôLife is ████ ████ Perfectoö, a propulsive breakbeat-dreampop ████ ████ hybrid, to a grotesquely-remixed ultra-French- ████ ████ house version of previously released single ████ ████ ôSelf Serviceö, and the recursive, metaphysical ████ ████ garage of ôAfter the Afterö. Two guest ████ ████ vocalists lend their talents: Montreal neo- ████ ████ shoegaze icons No Joy, fresh off their own ████ ████ genre-defying Y2K exploration Motherhood, ████ ████ laconically lists off advice for aspiring ████ ████ fashion ingenues with bite in the alt-rock-IDM ████ ████ ôModel Castingsö, while Kero Kero BonitoÆs ████ ████ Sarah Bonito sweetly delivers the penultimate ████ ████ ôHeavenö, grunge-pop paean to the myth of ████ ████ Icarus. ████ ████ ████ ████ In CFCFÆs words: ████ ████ ôI was feeling fatigued by an overabundance of ████ ████ æcalmingÆ, productivity-oriented music, and ████ ████ wanted to explore something angsty, messy, and ████ ████ dark, while also applying a pop sheen. I see a ████ ████ loose narrative across the album: your early ████ ████ 20Æs, a new city, new people, new temptations ████ ████ and new traps. Losing your sense of self to the ████ ████ whims of your surroundings and trends in music ████ ████ and fashion; the wrong people, and trying to ████ ████ dig yourself out of that hole. ThereÆs a hope ████ ████ of moving forward that glimmers in the last ████ ████ quarter of the album, but itÆs out of reach and ████ ████ seems to come at a price. And then the looking ████ ████ back on it later with perspective; or the ████ ████ looking forward to it before with anticipation. ████ ████ As a kid I couldnÆt wait to be in my 20Æs; in ████ ████ my 30Æs itÆs bittersweet to look back. ThatÆs ████ ████ the core of memoryland: the gulf between the ████ ████ fantasy, the reality, and the memory, and how ████ ████ we live inside each of those at different ████ ████ points.ö ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .