Calypso_Dark-(SR078)-WEB-2020-ENSLAVE

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-req-towards_nightfall-3484e1b4.mp3 REQ Towards Nightfall 320 Unknown
2 02-req-calypso_dark-5a70435c.mp3 REQ Calypso Dark 320 Unknown
3 03-req-aubergine-27ff06a7.mp3 REQ Aubergine 320 Unknown
4 04-req-smudges_coffee-eb514464.mp3 REQ Smudge's Coffee 320 Unknown
5 05-req-go-f4b91313.mp3 REQ GO! 320 Unknown
6 06-req-sand-e4984671.mp3 REQ Sand 320 Unknown
7 07-req-clouds_like_sun-e046d11f.mp3 REQ Clouds Like Sun 320 Unknown
NFO
enslave: (verb) make (someone) a slave. ARTIST.....: REQ TITLE......: Calypso Dark LABEL......: Seagrave Records CATNUM.....: SR078 GENRE......: Electronic RIP DATE...: 2020-01-16 RETAIL DATE: 2020-01-17 RUNTIME....: 29:09 TRACKS.....: 7 SIZE.......: 67.26MB QUALITY....: 320kbps 44.1kHz CODEC......: MP3 (MPEG-2 Audio Layer III) ENCODER....: LAME URL........: https://play.google.com/store/music/album?id=Bkrqcblbfkhp3kcwlli57364k6e Tracklist: ---------- 01. Towards Nightfall 03:50 02. Calypso Dark 04:24 03. Aubergine 03:07 04. Smudge's Coffee 03:34 05. GO! 03:38 06. Sand 03:59 07. Clouds Like Sun 06:37 Notes: ------ Ian Cassar is an English disc jockey, electronic music producer and graffiti artist who works under the pseudonyms REQ and req-1.In the words of AllMusic's Sean Cooper, REQ began in his native Brighton as "one of the U.K.'s most respected graffiti artists." He began his graffiti work in 1984 "after the Beat Street tour hyped his sense to the basic tenets of hip hop. Although he was a disc jockey for many years without musical training, REQ only began producing music of his own in the mid-1990s when he signed to Skint Records, who issues his earliest releases. As a graffiti artist, he had previously been a member of the largely musical collective Beats International.His debut album, One, was critically acclaimed by such publications as The Wire and production duo Coldcut. In 2015, Fact Magazine ranked the album at number 14 in their list of "The 50 Best Trip- Hop Albums of All Time" and noted "his compositions didn't pander to the popularity of the growing trip-hop scene, instead dwelling in a noisy, near-ambient back room." His follow-up album, Frequency Jams, was made an "Album Pick" on AllMusic.

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