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░░ ░ ░ ░ ░ ░ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄▄▄ ▄█▀ ▄▀ ▀▄ ▀█▄ █▓▀▀ RELEASE INFORMATION for: ▀▀▓█ ▓▒ Can-Live_Rockpalast_1970-WEB-2019-ENTiTLED ▒▓ ▒░ ░▒ ░ artist........ | Can ░ title......... | Live Rockpalast 1970 label......... | OBD genre......... | Rock rip date...... | 2020-03-05 retail date... | 2019-12-12 runtime....... | 1:19:23 tracks........ | 8 size.......... | 183.79MB quality....... | 320kbps 44.1kHz ░ codec......... | MP3 (MPEG-2 Audio Layer III) ░ ▒░ encoder....... | LAME ░▒ ▓▒ ▒▓ █▓▄ ▄▓█ ▀█▄█ █▄█▀ ▀▀▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀▀▀▀ ░▓▄ ▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀ ▄▓░ ██ ██ ▄▀▀▀ ------------------------------------------- ▀▀▀▄ ▀▀█ · ·< t r a c k . l i s t >· · █▀▀ █▀▓ ------------------------------------------- ▓▀█ █▀ ▀█ ▀▄ ▄▀ █▀ ▀█ █ █ ▀ ▀ ▒ ▒ █ █ ▀ ▀ █ 01 > Sense All Of Mine (Live: Soest, Germany Nov 1970) < 04:27 █ █ 02 > Oh Yeah (Live: Soest, Germany Nov 1970) < 18:25 █ █ 03 > I Feel Alright (Live: Soest, Germany Nov 1970) < 12:52 █ █ 04 > Mother Sky (Live: Soest, Germany Nov 1970) < 06:24 █ █ 05 > Deadlock (Live: Soest, Germany Nov 1970) < 05:07 █ █ 06 > Bring Me Coffee Or Tea (Live: Soest, Germany Nov 1970) < 16:10 █ █ 07 > Don't Turn The Light On, Leave Me Alone (Live: Soest, Ger < 04:46 █ █ 08 > Paperhouse (Live: Soest, Germany Nov 1970) < 11:12 █ ▄ ▄ █ █ ▒ ▒ ▄ ▄ █ █ █▄ ▄█ ▄▀ ▀▄ █▄ ▄█ █▄▓ ▓▄█ ▄▄█ █▄▄ ▀▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▀ ██ ▄▄▀▀▀▀ ▄▄▄▄▄▄▄▄▄ ▀▀▀▀▄▄ ██ ░▓▀ ▄▄▄█▄█▄█▄▄▄▄▀▀▀ ▀▀▀▄▄▄▄█▄█▄█▄▄ ▄ ▀▓░ ▄▄▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀▀ ▀ ▀ ▀ ▀ ▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄▄▄ ▄█▀█ █▀█▄ █▓▀ · ·< RELEASE NOTES >· · ▀▓█ ▓▒ ▒▓ ▒░ ░▒ ░ ░ Can was a German experimental rock band formed in Cologne in 1968 by the core quartet of Holger Czukay, Irmin Schmidt, Michael Karoli, and Jaki Liebezeit. The group cycled through several vocalists, most prominently the American-born Malcolm Mooney and the Japanese-born Damo Suzuki, as well as various temporary members.Coming from backgrounds in the avant-garde and jazz, the members of Can blended elements of psychedelic rock, funk, and noise on influential albums such as Tago Mago, Ege Bamyasi and Future Days. Can also had occasional commercial success, with singles such as "Spoon" and "I Want More" reaching national singles charts. They have been widely hailed as pioneers of the German krautrock scene, and a considerable influence on subsequent rock, post-punk, ambient, and electronic music. ░ ░ ▒░ ░▒ ▓▒ https://play.google.com/store/music/album?id=Bbw2crlw5ux663qybxwnpcxkmii ▒▓ █▓▄ ▄▓█ ▀█▄█ █▄█▀ ▄ ▀▀▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀▀▀▀ ▄ ██▓▀ ▀▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀▀▀ ▀▓██ █▄▀ ▀▄█ █ · ·< GREETINGS >· · █ ▄% %▄ █▀ ▀█ ▄% %▄ █▀ Shout out to all of those who keep the dream of the scene alive. ▀█ ▄% %▄ █▀ Special thanks to those who have paved the way and parted. ▀█ ▄% %▄ █▀ We miss you! ▀█ ▄% %▄ █▀ ▀█ ▄% %▄ █▀ ▀█ ▄% %▄ █▀ ▄ ▀█ ▄% █ %▄ █▀ ▀▀▀█▀▀▀ ▀█ █% ▄▄▄▄▄▄▄▄▄▄▄ ▄%█ █▀▄▀▄ ▄▄▀▀▀▀ ▄▄▄▄▄▄▄▄▄ ▀▀▀▀▄▄ ▄▀▄▀█ ██▓▄ █▄▄▄▀▀▀▄▄▀ ▀ ▄▄█▄█▄█▄▄▄▄▀▀▀ ▄ ▀▀▀▄▄▄▄█▄█▄█▄▄▄ ▀ ▀▄▄▀▀▀▄▄▄█ ▄▓██ ▀ ▄▄▄▄▄▄▄▄▄▄▀▀▀▀▀▓▀ ▀▀█▀█▀█▀▀▀▀▄▄▄ ▀▀█▀▀ ▄▄▄▀▀▀▀█▀█▀█ ▀▀▓▀▀▀▀▀▄▄▄▄▄▄▄▄▄▄ ▀ ▄█▀█▄▄▄ ▀▀█▄█▀▀ █▄▄▄▄ ▀▀█ █ █▀▀ ▄▄▄▄██ ▀▀█▄█▀▀ ▄▄▄█▀█▄ █▓▀ ▀▀▀▄██▄ ▀ ▄▄██▀▀ ▀▀▀▀ █ ▀▀▀▀ ▀▀██▄▄ ▀ ▄██▄▀▀▀ ▀▓█ ▓▒ ▀▀██▄▄▄█▀▀▀ ░ ░ ▀█▀ ░ ░ ▀▀▀█▄▄▄██▀▀ ▒▓ ▒░ ▀▀ ▄▄ + ▒ ▒ ▄ ▒ ▒ + ▄▄ ▀▀ ░▒ ░ ▀▀▓██▀▀▀▀▄▄▄▓▀▓ o ▓▀▓▄▄▄▀▀▀▀██▓▀▀ ░ ▄▄▄▄▄▄▄▄ ████████▄▄▄ ▀▀▀▀▄▄▄▀▀▀▀▄▄▄▄▄▀▀▀▀▄▄▄▄▀▀▀▀ ▄▄▄████████ ▄▄▄▄▄▄▄▄ ▄▀▀▓██████ █████████████████▄░ ▀▀▀▄▄▄▄▄▄▄▀▀▀ ░▄▄█████████████████ ██████▓▀▀▄ ▄██████▓▓░ ░▒▄▄▄▄█▄ ▄█▄▄▄▄▒░ ░▓▓██████▄ ▀ ▀▀▀▀ ▀▀▀▀