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" | | . n t ...:::::::::::.. ...:::::::::::::.... ..::::::::::::::::::::.. s .::::::::::::::::::::::::. .::::''' ""```:::. :::::''' ``: .. ::'' `:: : :::' : .::: : : ... ::' ::'" : : :'''::: . . : ' Artist...: Carry - Dais Queue Album....: Split Genre....: Noise Label....: Oxtail Recordings Source...: Web Url......: https://oxtailrecordings.bandcamp.com/album/split-8 Size.....: 154.33 MB Playtime.: 67:24 Type.....: Album ` Release..: 2018.05.11 Encoder..: Lame 3.99.5 ` Quality..: 320k/ 48.0kHz / Joint Stereo . . .--- . `-..__________ .----. -''"" | ! .' |----. `. .: .----. :. . :: | | . :: . :| | ! ` |: .: :| | . . ` _ |: _.:' i . || |.__.|\ || . i | x || ! | \ ' || x | | x |`.__. . | `._ .' .__.'| x | _ _____|___|_ | /| | ""'''"" | _|___|_____ _ | | | / `._ .' | | | | `.___. _. i.___.' .___.' | _|_________|_ _|_________|_ : | _. / | : . . | |___.'_ | . . x x x x x x x x x x | t r a c | \ l i s t . | x x x x x x x x x x ` . ` | ' \_ | ' . ' _:_________|_ _|_________:_ | | | | _ _____|___|_ _|___|_____ _ | | | | | . | | . | | : | | : | | l | | l | | X | | X | | X | 01. Carry░-░Bethel 20:16 | X | | X | 02. Carry░-░The Train Station At La Conver06:56 | X | | X | 03. Carry░-░Keep Moving Forward: The Law, 04:19 | X | | X | 04. Dais Queue░-░I Took The Opportunity To35:53 | X | | X | | X | | X | 67:24 min| X | | X | | X | | X | | X | | X | | X | | X | | X | | X | | X | | X | | X | | X | | X | | X | | X | ! x | | x ! . - : : - . :: . . :: `:::: . . ::::' :: :: `:::: . . ::::' :: :: `:::: . r e l e a s e . n o t e s . ::::' `:As the component parts of the peerless Charlottesville, VA :' `:free music duo Grand Banks, Tyler Magill and Davis :' `:Salisbury have developed a unique shared musical vocabulary:' `:and a nearly telepathic ability to communicate with each :' `:other. This split represents the latest chapter in their :' `:ongoing musical dialogue, a sort of unofficial follow-up to:' `:Grand Banks' 2015 Oxtail release, "QB4: 1877?-?1896." :' `: :' `:Magill's Carry project mines the depths of memory, :' `:presenting an appropriately hazy and disjointed narrative :' `:across three tracks. Tones shift into focus and quickly :' `:fall apart, radio static drops in and out, and field :' `:recordings intermingle with live performance. Our narrator :' `:may be unreliable, but he sure as hell has something to say.' `: :' `:Salisbury takes his Dais Queue project into mellower but no:' `:less powerful territory. Leaving behind the raw prepared :' `:guitar of his previous Oxtail work, "I Took The Opportunity:' `:To Enter The Ice Cave" goes long, building a shimmering, :' `:shifting pool with effects and processing that ebbs and :' `:flows but never loses its presence or intensity. :' . ......... . . ................... . : .....::::::::::' : | `````:::::::' | : | `:::::::' | : | | `..:' | | _|__| ` |__|_ __ _________.' | | `._________ __ _ _____________ _ _______________ S! | . ______ _____ / __ __ _____ /__ __ ____ i . _/ ___/ | ___/ /__| |__| | | ___/ / /__| |__ \__| i__ |________. |__________________.| |______/_______ ___\_____ __/ |__| |_____ _ |__| . |__| __ _________ . c r u e l t y . _________ __ `. | _ ___ ____ ____ | .' "|""| | | | ___| ___| |""|" | | ` | | | | : | ` ._______| | : | ------- | : """""" : ' ''''' ` ` --- ` ` _ "" ` -