Genre | Indie |
---|---|
Date (CEST) | 2018-12-15 19:49:24 |
Group | ERP |
Size | None MB |
Files | 11 |
M3U / SFV / NFO |
Cat_Power-Wanderer-2018-ERP
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-cat_power-wanderer-erp.mp3 | Cat Power | Wanderer | 196 | Unknown |
2 | 02-cat_power-in_your_face-erp.mp3 | Cat Power | In Your Face | 202 | Unknown |
3 | 03-cat_power-you_get-erp.mp3 | Cat Power | You Get | 209 | Unknown |
4 | 04-cat_power-woman-erp.mp3 | Cat Power | Woman | 226 | Unknown |
5 | 05-cat_power-horizon-erp.mp3 | Cat Power | Horizon | 221 | Unknown |
6 | 06-cat_power-stay-erp.mp3 | Cat Power | Stay | 204 | Unknown |
7 | 07-cat_power-black-erp.mp3 | Cat Power | Black | 203 | Unknown |
8 | 08-cat_power-robbin_hood-erp.mp3 | Cat Power | Robbin Hood | 206 | Unknown |
9 | 09-cat_power-nothing_really_matters-erp.mp3 | Cat Power | Nothing Really Matters | 168 | Unknown |
10 | 10-cat_power-me_voy-erp.mp3 | Cat Power | Me Voy | 188 | Unknown |
11 | 11-cat_power-wanderer_exit-erp.mp3 | Cat Power | Wanderer / Exit | 199 | Unknown |
NFO
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┌────────┐
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Cat Power
Title | Wanderer
Genre | Indie Format | Album
Source | CDDA Time | 37:58
Label | Domino Store | 2018
Catalog | WIGCD435 Rip | 2018
Bitrate | 202 kbps Size | 58.30 MB
Freq | 44.1 kHz Encoder | Lame 3.98.4
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Wanderer 1:14
02. In Your Face 4:12
03. You Get 3:43
04. Woman 4:50
05. Horizon 4:24
06. Stay 3:58
07. Black 3:56
08. Robbin Hood 2:10
09. Nothing Really Matters 3:12
10. Me Voy 4:00
11. Wanderer / Exit 2:19
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
A one-of-a-kind artist unafraid to reveal her inner self and follow her
muse in different directions, Cat Power's Chan Marshall pens literate and
emotionally revealing songs and performs them with strength and fragility.
Her earliest albums, such as 1996's "What Would The Community Think",
reflected the influence of New York's experimental rock scene. As time went
on, however, the folk, blues, and soul music she was raised on made
themselves known on 1998's "Moon Pix" and 2006's "The Greatest", which
featured performances by Memphis soul legends. As Marshall continued to
experiment, adding electronics on 2012's "Sun" and releasing one of her
starkest albums yet with 2018's "Wanderer", she established herself as one
of the 21st century's most acclaimed singer/songwriters and paved the way
for like-minded artists such as Mitski, Snail Mail, and Angel Olsen.
For "Wanderer", Marshall focuses her production and arrangements on her
voice, which has become the instrument her songs have always needed. A
little raspier than before and as remarkably emotive as always, it's so
full of living that no flashy accompaniment is needed on songs such as the
title track. One of the album's briefest and most beautiful moments,
"Wanderer" heart-melting harmonies grace a song that could be an eternal
lament handed down for generations. Throughout the album, Marshall feels
completely in command of the folk, blues, and soul that have lurked around
the margins of her music since the beginning and made up the heart of "The
Greatest".
Even as she says goodbye on almost every track, from "Me Voy" sultry regret
to the serenely devastating "Horizon", Wanderer returns to sounds that are
in her blood. She subtly modernizes these traditions while tapping into
their timeless power: "Black" is another in her series of songs about
friends who have died, and the way Marshall contrasts folk- and blues-based
mythologizing with a very modern streak of survivor's guilt makes it one of
her most spellbinding. "Robbin Hood", with its vicious cycle of literal and
spiritual theft, could have been written in the shadow of The Great
Depression or the Great Recession.
Conversely, Marshall also incorporates 2010's touches in ways that sound
classic and, above all, genuine. On "Woman", she and Lana Del Rey bid a
liberating goodbye to others' expectations, their voices combining in an
evocation of the spirit of womanhood (although Marshall's confession 'The
doctor said I was not my past/He said I was finally free' is utterly,
poignantly personal). Similarly, she hones Rihanna's "Stay" - already an
unusually naked and free-flowing pop ballad - to its most soul-baring
parts, and its spine-tingling beauty is another testament to the strength
it takes to be so vulnerable.
As tender as it is uncompromising, "Wanderer" is exactly the album Marshall
needed to make at this point in her career and life. It's some of her most
essential music, in both senses of the word.
┌────────┐
────┤ Salute ├─────────────────────────────────────────────────────────────────
└────────┘
BERC r35 GCP FWYH NuHS GRAVEWISH JCE KLV