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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Charles Lloyd & The Marvels - Tone Poem ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Charles Lloyd & The Marvels ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Tone Poem ▓▓▓▓█ ████ GENRE...[ Jazz CAT#....[ ████ ████ LABEL...[ Blue Note ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 70:46 REL.DATE[ 03.12.2021 ████ ████ TRACKS..[ 09 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 162,11 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Peace 03:17 ████ ████ 02 Ramblin' 05:04 ████ ████ 03 Anthem 06:23 ████ ████ 04 Dismal Swamp 06:36 ████ ████ 05 Tone Poem 09:09 ████ ████ 06 Monk's Mood 10:31 ████ ████ 07 Ay Amor 10:10 ████ ████ 08 Lady Gabor 10:55 ████ ████ 09 Prayer 08:41 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 70:46 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://www.amazon.com/dp/B08TQFGTN6/ ████ ████ ████ ████ The incredible Charles Lloyd, 82, has in Tone ████ ████ Poem his third work with The Marvels, a piano- ████ ████ less ensemble composed of Bill Frisell on ████ ████ guitar, Greg Leisz on pedal steel guitar, ████ ████ Rueben Rogers on bass and Eric Harland on ████ ████ drums. On this recording, the sui generis sound ████ ████ and approach of the saxophonist are fully ████ ████ intact and in perfect balance with the bluesy ████ ████ and folk intonations of the band that supports ████ ████ him. The program consists of a mouth-watering ████ ████ selection of originals and covers, which ████ ████ pivoting between contemplation and ecstasy, ████ ████ achieve wonderful results. ████ ████ ████ ████ Lloyd initiates this journey by stamping his ████ ████ personal signature in two notorious ████ ████ compositions by Ornette Coleman - ôPeaceö, ████ ████ which carries an offbeat avant-country vibe ████ ████ while embracing the spiritual side of things, ████ ████ and ôRamblinÆö, a static delight made of ████ ████ hypnotic drumming, chromatic bass moves, and ████ ████ rockÆnÆroll-ish guitar continuum adorned with ████ ████ bluesy chops, over which cascades of lyrically ████ ████ kinetic tenor lines are thrown in abundance. ████ ████ ████ ████ The group airs a folk-pop melancholy while ████ ████ driving Leonard CohenÆs ôAnthemö with a slow ████ ████ yet assured pace, while on the romantic ôAy ████ ████ Amorö, penned by Cuban singer/pianist Bola de ████ ████ Nieve, Lloyd and Frisell have the power to stun ████ ████ and petrify, such is the beauty of their ████ ████ expressions. The final two-chord vamp in this ████ ████ piece feels like a slow motion of ôTone Poemö, ████ ████ a prominent Lloyd piece where the saxophonist ████ ████ careens off modal avenues with astonishing ████ ████ brilliancy. Although less fervent in comparison ████ ████ with that unforgettable 1985 Town Hall ████ ████ interpretation (in a quartet with Petrucciani, ████ ████ McBee and DeJohnette) for the jazz film One ████ ████ Night with Blue Note, this new exposition of ████ ████ the song oozes groove and denotes subtle ████ ████ nuances in the melody in addition to an ████ ████ introductory sax/percussion ramble. ████ ████ ████ ████ Having been included on the previous outing - ████ ████ Vanished Gardens (Blue Note, 2018) - as a duet ████ ████ with Frisell, ôMonkÆs Moodö is revisited here ████ ████ with sculptural layers of guitar and a full ████ ████ rhythm section. Two other previously recorded ████ ████ pieces to appear on the track listing - ôLady ████ ████ Gaborö and ôPrayerö - were tackled by the Chico ████ ████ Hamilton Quintet, of which Lloyd was a member ████ ████ in the 1960Æs. The former number, ecstatically ████ ████ percussive, surfaces with flute articulation ████ ████ and guitar atmospherics with episodic rock ████ ████ washes; the latter emits a warm glow and ████ ████ features a fine arco bass statement. ████ ████ ████ ████ A new Lloyd blues, ôDismal Swampö, works as a ████ ████ dulcet yet stimulating tonic where flute-guitar ████ ████ unisons follow a path through the functional ████ ████ light-funk area defined by the rhythm. ████ ████ ████ ████ With a consummate ability to touch our hearts ████ ████ and speak to all of us through his majestic ████ ████ music, Charles Lloyd has here his best ████ ████ recording with The Marvels and another timeless ████ ████ work to be cherished. ████ ████ ████ ████ https://jazztrail.net/blog/charles-lloyd- ████ ████ marvels-tone-poem-album-review ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .