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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀Chris Forsyth & The Solar Motel Band - Rare Dreams: Solar Live 2.2▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Chris Forsyth & The Solar Motel Band ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Rare Dreams: Solar Live 2.27.18 ▓▓▓▓█ ████ GENRE...[ Rock CAT#....[ AP05 ████ ████ LABEL...[ Algorithm Free ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 42:36 REL.DATE[ 04.26.2021 ████ ████ TRACKS..[ 04 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 97,56 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Dreaming In The Non-Dream (Live @ Cafe OTO) 15:59 ████ ████ 02 Don't Be Denied (Live @ Cafe OTO) 07:49 ████ ████ 03 The First 10 Minutes of Cocksucker Blues 15:05 ████ ████ (Live @ Cafe OTO) ████ ████ 04 Barstool Blues (Live @ Cafe OTO) 03:43 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 42:36 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://chrisforsyth1.bandcamp.com/album/rare- ████ ████ dreams-solar-live-22718-2 ████ ████ ████ ████ On February 27, 2018, Chris Forsyth & The Solar ████ ████ Motel Band (comprised, in this iteration, of ████ ████ long-time SMB bassist Peter Kerlin and KerlinÆs ████ ████ Sunwatchers battery mate Jason Robira on drums) ████ ████ were close to wrapping up an 18-date tour of ████ ████ the EU and UK with a two-set, one hour and 45 ████ ████ minute show at Cafe OTO, LondonÆs premier venue ████ ████ for adventurous music. Highlights of that show ████ ████ are included in this live release, RARE DREAMS: ████ ████ SOLAR LIVE 2.27.18, recorded before a packed ████ ████ house seated mere feet from the bandÆs ████ ████ amplifiers. These recordings reveal a band that ████ ████ is clearly in high spirits and high gear, ████ ████ operating with an expansive, improvisatory ████ ████ fleetness that allows them to stretch the ████ ████ material to almost ludicrous extremes and then ████ ████ let it to snap back to some semblance of form ████ ████ while somehow seemingly never wasting a note, a ████ ████ beat, a gesture. The four tracks included here ████ ████ comprise material culled from (at the time) the ████ ████ two most recent Solar Motel Band records ████ ████ DREAMING IN THE NON-DREAM (No Quarter, 2017) ████ ████ and THE RARITY OF EXPERIENCE (No Quarter, 2016) ████ ████ plus covers of two Neil Young songs - the ████ ████ autobiographical plaint ôDonÆt Be Denied,ö ████ ████ lyrically relocated by Forsyth from Young's ████ ████ Canada and Hollywood to the more personally ████ ████ relevant geography of New Jersey and ████ ████ Philadelphia, and encore ôBarstool Bluesö ████ ████ (theyÆd run out of material to play, so another ████ ████ Neil Young tune it was). While the covers ████ ████ establish ForsythÆs basis, serving as an homage ████ ████ to Young and the quest for self-realization, ████ ████ the long tracksÆ jams showcase the trance- ████ ████ inducing power of the Solar Motel Band as a ████ ████ performing entity. KerlinÆs gymnastically ████ ████ propulsive bass playing locks in with RobiraÆs ████ ████ relentless thud, each serving as counterpoint ████ ████ to some of the most blistering guitar work of ████ ████ ForsythÆs career. The telepathically dynamic ████ ████ interplay of the trio explodes with whiplash ████ ████ intensity across the 15-plus minute takes of ████ ████ ôDreaming In The Non-Dreamö and ôThe First 10 ████ ████ Minutes of Cocksucker Blues,ö each songÆs ████ ████ structure serving as a framework for extended ████ ████ lava flows of energy. At one point late in the ████ ████ ôDreamingö jam, Forsyth unplugs the jack from ████ ████ his guitar, dragging it across the strings and ████ ████ lashing the body of his single-pickup ôparts" ████ ████ Esquire, producing a desiccated barrage of ████ ████ percussive static. This is music beyond the ████ ████ notes; it is an expression of pure electric ████ ████ ecstasy, a simultaneous negation and ████ ████ celebration of rock musicÆs (indeed all ████ ████ musicsÆ) essential energy. In contrast to the ████ ████ expansive but meticulously detailed guitar ████ ████ arrangements of his recordings, here ForsythÆs ████ ████ unhinged live guitar sound positively roars ████ ████ with a barely restrained vocal intensity, from ████ ████ liquid melodic lines to gnarled blasts of free ████ ████ jazz scree, to pulsating lead/rhythm vamping. ████ ████ IÆve had the pleasure of witnessing this band ████ ████ up close for a number of years now and I can ████ ████ authoritatively attest that while every show is ████ ████ different, when the SMB is running down a steep ████ ████ hill at full speed (as on these takes), they ████ ████ become a single leaderless vibrating sonic ████ ████ tornado, possibly beyond the control and logic ████ ████ of the players themselves, picking up listeners ████ ████ along the way and taking them along for the ████ ████ ride straight into a solar furnace of sound. - ████ ████ Jerome Onfront, Philadelphia ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .