Genre | Rock |
---|---|
Date (CEST) | 2019-06-27 12:44:44 |
Group | ENTiTLED |
Size | 76 MB |
Files | 10 |
M3U / SFV / NFO |
Chris_Staples-Holy_Moly-WEB-2019-ENTiTLED
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-chris_staples-world_on_fire-321cc187.mp3 | Chris Staples | World on Fire | 320 | Unknown |
2 | 02-chris_staples-holy_moly-b7f1673a.mp3 | Chris Staples | Holy Moly | 320 | Unknown |
3 | 03-chris_staples-old_friend-49734f57.mp3 | Chris Staples | Old Friend | 320 | Unknown |
4 | 04-chris_staples-sliver_moon-d5523733.mp3 | Chris Staples | Sliver Moon | 320 | Unknown |
5 | 05-chris_staples-spinning_wheel-cdcb4fcf.mp3 | Chris Staples | Spinning Wheel | 320 | Unknown |
6 | 06-chris_staples-horse_and_saddle-669c7ca9.mp3 | Chris Staples | Horse and Saddle | 320 | Unknown |
7 | 07-chris_staples-everybody_said-5ee66fc0.mp3 | Chris Staples | Everybody Said | 320 | Unknown |
8 | 08-chris_staples-halfway_over-152085f2.mp3 | Chris Staples | Halfway Over | 320 | Unknown |
9 | 09-chris_staples-river_in_reverse-b0cc4b41.mp3 | Chris Staples | River in Reverse | 320 | Unknown |
10 | 10-chris_staples-running_out_of_time-c0847f96.mp3 | Chris Staples | Running out of Time | 320 | Unknown |
NFO
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▓▒ Chris_Staples-Holy_Moly-WEB-2019-ENTiTLED ▒▓
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░ artist........ | Chris Staples ░
title......... | Holy Moly
label......... | Barsuk Records
genre......... | Rock
rip date...... | 2019-06-27
retail date... | 2019-06-28
runtime....... | 32:38
tracks........ | 10
size.......... | 75.98MB
quality....... | 320kbps 44.1kHz
░ codec......... | MP3 (MPEG-2 Audio Layer III) ░
▒░ encoder....... | LAME ░▒
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▀▀█ · ·< t r a c k . l i s t >· · █▀▀
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01 > World on Fire < 03:39
02 > Holy Moly < 02:35
03 > Old Friend < 03:15
04 > Sliver Moon < 03:14
05 > Spinning Wheel < 03:05
06 > Horse and Saddle < 04:02
07 > Everybody Said < 02:18
08 > Halfway Over < 03:13
09 > River in Reverse < 03:18
10 > Running out of Time < 03:59
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█▓▀ · ·< RELEASE NOTES >· · ▀▓█
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There are no casual Chris Staples fans. The man inspires devotion. The
turnaround fromcasual listener to evangelist is nearly instantaneous.
Play his music during a road trip withfriends and inevitably someone
will ask, "Who is this?" And a lifelong fan is born. Suchis the
unaffected power of these songs, of this voice. Chris Staples fandom
is rewardingand lasting (despite his understated approach to promoting
his own work, which - as itshould be with all artists - seems
secondary to the effort he puts into the making of it).We follow where
he leads, and our numbers are growing.A phenomenally dexterous
guitarist, Staples has spent much of his career so far as abacking
musician for other artists. Over the years he's played with J.
Tillman, laterknown as Father John Misty, and toured the world as a
member of Telekinesis. Nevercontent for long, Staples also travels on
his own, never settling, never staid. A seasonedcarpenter, he sustains
his journeyman lifestyle by working construction jobs wherever hefinds
himself living. In the spring of 2014, having recently decamped to the
Northwest,Chris Staples happened to do some work on the home of Josh
Rosenfeld, co-founder andhead of Seattle's renowned Barsuk Records.One
night, Rosenfeld sat down to dinner with Matthew Caws and Michael
BenjaminLerner, members of Nada Surf and Telekinesis respectively.
Rosenfeld recalls, "I knewChris from his days in Telekinesis and told
Michael that he was installing a screen door atmy house. He and
Matthew both told me that I had to hear Chris's new record,
which,thankfully, I did." The two songwriters raved about the album,
and insisted that Barsukhad to release it. Rosenfeld - and the entire
staff of the label - agreed heartily, andAmerican Soft became Staples'
debut Barsuk release. Continues Rosenfeld, "The hooksare great -
subtle and elegant - and his voice has a soft raspy ease to it that I
could listento all day."American Soft is a bicoastal record, written
partly in Washington State, the hardworkingtimberland home to grizzled
locals and Midwestern expatriates, and also in Florida, thewild and
weird American outland known as much for strange crime and cutting-
edgenightclubs as for family theme parks and extravagant retirement
communities. Stapleswrote portions of American Soft while squatting in
his abandoned childhood home, aPensacola bungalow empty save for an
old piano. "I slept on a Coleman cot for twomonths. The yard was
overgrown up to my waist," Staples remembers. "The neighborlady across
the street used to babysit me. I ran into her one day and she didn't
evenrecognize me. I hadn't seen her in 15 years."American Soft's
musical ideas are at once diverse and cohesive, the lyrics both direct
andlushly impressionistic. The sunny "Black Tornado," built around a
spritely ukulelestrummed to a looped handclap-and-kickdrum beat,
stands as the record's poppiest trackeven as the foreboding cyclone
shows up in the chorus. Upon first listen, the soft andsublime "Dark
Side of the Moon" plays as a simple and strong declaration of a desire
tolove. On that level it works beautifully and completely satisfies.
However, the titlesuggests something more, some deeper connection to
the classic album with which it's shared. Indeed, Staples' gorgeous
"Dark Side of the Moon" is more than the sweet, gentlelove song it
seems on first listen; it is a dream of a dream of a dream."The Pink
Floyd album of the same name is pretty vague in its meaning,"
Staplesexplains. "It's the second-best selling album of all time.
There are message boardsdedicated to interpretations of Dark Side of
the Moon. I've read hundreds ofinterpretations of what this album
means exactly. My song is based on someone's idea ofwhat that album is
about. It's really a song about people who obsess about hiddenmessages
or meanings. Maybe the album meant nothing and that's why it resonated
withso many people. It was vague enough for people to construct these
visions within thealbum Pink Floyd made."Staples' songs are, in the
tradition of the best songwriters, fantastically economical. Nomoment
is wasted, no idea indulged beyond necessity. Instrumental breaks
occur butdon't linger, serving their purpose and slipping quickly back
into verses. American Softfeatures only a single traditional bridge,
on the straight-ahead almost-rocker "NeedlePark," which finishes with
a short dual-guitar explosion, an explosion which endssuddenly, as
suddenly as it began, a fleeting moment leaves us wanting more,
alwaysmore, in the best way. Chris Staples has devoted the whole of
his life to fostering thatillusive magic, to passing it on, to giving
and giving 'til it's all gone. Fortunately for us,he's only just
begun.Barsuk Records will release Chris Staples' American Soft on
August 12th, 2014.
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█ · ·< GREETINGS >· · █
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█▀ Shout out to all of those who keep the dream of the scene alive. ▀█
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█▀ Special thanks to those who have paved the way and parted. ▀█
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█▀ We miss you! ▀█
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