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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Christine Ott - Time to Die ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Christine Ott ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Time to Die ▓▓▓▓█ ████ GENRE...[ Ambient CAT#....[ GZH102LP ████ ████ LABEL...[ Gizeh Records ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 46:28 REL.DATE[ 04.13.2021 ████ ████ TRACKS..[ 08 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 106,48 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Time to Die 08:29 ████ ████ 02 Brumes 06:53 ████ ████ 03 Landscape 03:44 ████ ████ 04 Chasing Harp 04:09 ████ ████ 05 Horizons Fauves 07:08 ████ ████ 06 Comma Opening 07:06 ████ ████ 07 Miroirs 03:28 ████ ████ 08 Pluie 05:31 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 46:28 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://gizehrecords.bandcamp.com/album/time- ████ ████ to-die ████ ████ ████ ████ French composer and multi-instrumentalist ████ ████ Christine Ott returns to Gizeh Records for her ████ ████ fourth album æTime To DieÆ, the sequel to the ████ ████ highly regarded æOnly Silence RemainsÆ (2016). ████ ████ ████ ████ æTime To DieÆ is a musical fresco in eight ████ ████ chapters, a sensory journey between the world ████ ████ of the living and the dead, for which the ████ ████ musician weaves a unique dramaturgy between ████ ████ contemporary classical and electro-acoustic ████ ████ music. ████ ████ ████ ████ The title track picks up the story where æOnly ████ ████ Silence RemainsÆ left off ... Like itÆs ████ ████ centrepiece; æDisasterÆ, the beloved cinematic ████ ████ text here is read by Casey Brown. Ott seeks to ████ ████ offer strong sensations, without artifice, ████ ████ whether by the power of her compositions on the ████ ████ piano (æBrumesÆ, æHorizons FauvesÆ), or by ████ ████ intuitive arrangements mixing her unique ████ ████ practice of Ondes Martenot with a maelstrom of ████ ████ Jupiter8, Monotrons, Timpani and Tubular Bells ████ ████ as on the first track. In addition, Ott ████ ████ captivates us with her harp playing on æChasing ████ ████ HarpÆ, by her aerial singing on æLandscapeÆ, or ████ ████ even on the airwaves on æComma OpeningÆ, which ████ ████ ends a triptych of songs after the versions ████ ████ published on æChimeres (pour Ondes Martenot)Æ ████ ████ (NAHAL 2020) and on æVolutesÆ from her side- ████ ████ project Snowdrops (Injazero 2020). These two ████ ████ previous records have been praised by critics, ████ ████ especially in the best records of the year ████ ████ according to The Guardian. ████ ████ ████ ████ This expressive and spontaneous impetus, ████ ████ leitmotif in her musical production, takes a ████ ████ new form within æTime to DieÆ. Through the ████ ████ notes disseminated in an endlessly reinvented ████ ████ minimalist heritage, the interpretation is the ████ ████ ultimate musical glue allowing the pieces to ████ ████ come to life, thereby making this repertoire ████ ████ and its composer-performer unique. A universe ████ ████ where music - despite the album's title - never ████ ████ dies. ████ ████ ████ ████ We finally share these few words from the ████ ████ talented American musician and videographer ████ ████ Fredo Viola, with whom Christine has forged ████ ████ long-distance correspondence since the first ████ ████ lockdown. Listening to the record, he wrote her ████ ████ these few words, which he allows us to share ████ ████ here: ████ ████ ████ ████ "Stunning, terrifying, magnetic, delicate, ████ ████ painful and uncanny... ItÆs like discovering a ████ ████ bizarre object hanging very low in the sky, ████ ████ something beautiful but unfathomable, just out ████ ████ of reach. The way I see the album is as a ████ ████ series of quite cinematic meditations on the ████ ████ theme of death and dying, changing ████ ████ prismatically, up to that incredibly delicate ████ ████ and beautiful conclusion.ö Fredo Viola ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .