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Number : SYNK 30 ▓███ ███▓ Street Date : 2012-00-00 ▓███ ███▓ Rip Date : 2020-01-27 ▓███ ███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███ ███▓ Quality : 246kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 5 ▓███ ███▓ Playtime : 01:10:22 (130.MB) ▓███ ███▓ URL : http://www.starsend.org/chuckvanzyl.html ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Angelos 21:31 ▓███ ███▓ 02 Sentinel 14:39 ▓███ ███▓ 03 Visitation 4:48 ▓███ ███▓ 04 Charon 13:05 ▓███ ███▓ 05 Forever Distant 16:19 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 70:22 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ Over the course of his musical existence Chuck van Zyl has ▓███ ███▓ developed a signature exploratory style. By blending the primitive ▓███ ███▓ machine beauty of classics like Ricochet with the highly formed ▓███ ███▓ values of more recent groups such as Redshift and Arc, his solo ▓███ ███▓ studio works are the result of a persistent creativity. With ▓███ ███▓ Cenotaph (70'22") Chuck van Zyl has melded the intimate with the ▓███ ███▓ epic. Fans will find the results of this release riveting. Its tone ▓███ ███▓ veers from synthesized and atmospheric, to the reckless energized ▓███ ███▓ pulse of tumbling sequencer patterns, on down to a somber ▓███ ███▓ interiority - moving between the three in an impressive aural ▓███ ███▓ narrative. With plenty of cool modulated effects, ethereal ▓███ ███▓ Mellotron begot harmonies and melodies, and interlinked shifting ▓███ ███▓ arpeggios Cenotaph seems timeless in its purity. ▓███ ███▓ Along with an arsenal of electronic instruments, key in producing ▓███ ███▓ the hallmark sounds of classic cosmic music, is van Zyl's sense of ▓███ ███▓ pacing, arrangement and contour. His lead lines hover wistfully ▓███ ███▓ above the throbbing pulse of interlocking, multi-layered sequencer ▓███ ███▓ patterns which race ahead then diminish into swirling ether. The ▓███ ███▓ compositions are restrained, rendered without any sharp edges, and ▓███ ███▓ posses a Berlin School authenticity of both tone and spirit - right ▓███ ███▓ down to the yearning of a generation seeking to find its place in ▓███ ███▓ the cosmos. ▓███ ███▓ With his solid melodic invention, atmospheric modulations and ▓███ ███▓ heroic shifts in tonality, van Zyl masterfully realizes the ▓███ ███▓ fascinating patterns, riffs and pulses that dominate the tracks on ▓███ ███▓ Cenotaph. As the five pieces form, climb and sustain, listeners are ▓███ ███▓ pulled into a highly distinctive mindscape. Tone patterns weave and ▓███ ███▓ collide as go-for-broke keyboard lead lines dance above - while ▓███ ███▓ synthetic strings draw long lines across a cool digital plane. ▓███ ███▓ Chuck van Zyl is at home in this endlessly inventive genre, ▓███ ███▓ offering ample muscle for the adventurous, archaic modulations for ▓███ ███▓ the experimentalist and dreamy floating space for the cloudwalker. ▓███ ███▓ Layers of mechanistic patterns grow, synchronize then switch ▓███ ███▓ direction and color in breathtaking dexterity - mixing, shifting ▓███ ███▓ and dividing in a twisting double helix of echoing electronic ▓███ ███▓ tones. Progressing through their brawny phase these performances ▓███ ███▓ then gently turn ethereal and otherworldly. Moving into the quiet ▓███ ███▓ drama and dark imaginings of the misty reality between sleep and ▓███ ███▓ wakefulness the delicate blending of sounds and re-circulating ▓███ ███▓ structures pulls us into deeper levels of our own mind. ▓███ ███▓ Exercising his capabilities for symbolism, imagination and ▓███ ███▓ creativity van Zyl summons a mysterious cosmic energy - emanating ▓███ ███▓ from the nexus of technology and thought. Spacemusic fans know of a ▓███ ███▓ new way of listening, as the construct of music has dematerialized ▓███ ███▓ into a heightened inexpressible experience. But the greatest music ▓███ ███▓ reaches past the initiated. ▓███ ███▓ Chuck van Zyl hits on all the major aspects of this genre, his ▓███ ███▓ melodies are human, rhythms machine-like, harmonies ethereal and ▓███ ███▓ the range of timbres he creates to voice his music are original and ▓███ ███▓ extraordinary. This music is a sincere exploration of the mood and ▓███ ███▓ mystery of the Spacemusic genre. With a strong core idea and strong ▓███ ███▓ execution Cenotaph offers vast sonic riches. Here we find an ▓███ ███▓ intelligence extending beyond the cold logic of machines - as well ▓███ ███▓ as a significant contribution to a most intriguing musical ▓███ ███▓ universe. The man who made this music is in this music - attending ▓███ ███▓ to his own inner theater. Chuck van Zyl makes us believe that we ▓███ ███▓ have not just listened to his work, but lived it. ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀