Genre | Rock |
---|---|
Date (CEST) | 2019-08-22 12:55:44 |
Group | ENTiTLED |
Size | 81 MB |
Files | 10 |
M3U / SFV / NFO |
City_Calm_Down-Television-WEB-2019-ENTiTLED
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-city_calm_down-television-0fbb61c7.mp3 | City Calm Down | Television | 320 | Unknown |
2 | 02-city_calm_down-visions_of_graceland-eef46dc5.mp3 | City Calm Down | Visions of Graceland | 320 | Unknown |
3 | 03-city_calm_down-mother-bc359355.mp3 | City Calm Down | Mother | 320 | Unknown |
4 | 04-city_calm_down-stuck_(on_the_eastern)-c9e9cc57.mp3 | City Calm Down | Stuck (On The Eastern) | 320 | Unknown |
5 | 05-city_calm_down-lucy_bradley-5f9e0405.mp3 | City Calm Down | Lucy Bradley | 320 | Unknown |
6 | 06-city_calm_down-flight-59e6f330.mp3 | City Calm Down | Flight | 320 | Unknown |
7 | 07-city_calm_down-weatherman-1a21da61.mp3 | City Calm Down | Weatherman | 320 | Unknown |
8 | 08-city_calm_down-a_seat_in_the_trees-87e732eb.mp3 | City Calm Down | A Seat In The Trees | 320 | Unknown |
9 | 09-city_calm_down-new_years_eve-54e7c7df.mp3 | City Calm Down | New Year's Eve | 320 | Unknown |
10 | 10-city_calm_down-cut_the_wires-24bba0e0.mp3 | City Calm Down | Cut The Wires | 320 | Unknown |
NFO
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█▓▀▀ RELEASE INFORMATION for: ▀▀▓█
▓▒ City_Calm_Down-Television-WEB-2019-ENTiTLED ▒▓
▒░ ░▒
░ artist........ | City Calm Down ░
title......... | Television
label......... | I OH YOU
genre......... | Rock
rip date...... | 2019-08-22
retail date... | 2019-08-23
runtime....... | 34:20
tracks........ | 10
size.......... | 80.86MB
quality....... | 320kbps 44.1kHz
░ codec......... | MP3 (MPEG-2 Audio Layer III) ░
▒░ encoder....... | LAME ░▒
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▀▀█ · ·< t r a c k . l i s t >· · █▀▀
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█ 01 > Television < 03:10 █
█ 02 > Visions of Graceland < 03:23 █
█ 03 > Mother < 04:02 █
█ 04 > Stuck (On The Eastern) < 03:18 █
█ 05 > Lucy Bradley < 03:33 █
█ 06 > Flight < 02:54 █
█ 07 > Weatherman < 03:28 █
█ 08 > A Seat In The Trees < 03:04 █
█ 09 > New Year's Eve < 03:14 █
█ 10 > Cut The Wires < 04:14 █
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█▓▀ · ·< RELEASE NOTES >· · ▀▓█
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You vaguely remember a New Order-derived electro throb, an ear for a
hook, and a nagging melancholy just beneath soaring choruses.
'Pleasure and Consequence', 'Sense of Self'... What was it, three
years ago? What happened to those guys?Not much - and also a whole
lot. After turning heads with their Movements EP, City Calm Down
looked like a band on the verge of something big. To the band
themselves though, the process of writing and recording their debut
full-length album - In A Restless House - felt a lot like starting
from scratch.Merely coasting on their early buzz was never a serious
option for City Calm Down: they were fixed on something bigger - they
didn't know what that something was, but they were determined to find
out. Still, three years? As keyboardist Sam Mullaly says, "We had
minor successes, but it was just things falling into place, rather
than us really working as a unit."In this case, "working as a unit"
meant dropping out of the Melbourne live scene and completely
rethinking their working method. It meant ditching the computers in
favour of 16-hour jam sessions in seaside seclusion, and learning how
to accept the compromises and frustrations of a true democracy.That
meant exploring new terrain, stretching themselves as musicians, and
reaching consensus on every note. Needless to say, it took a while.
After writing 60+ songs and discarding countless demos, they
eventually found the 11 that all were willing to stand by. "There's
not a single part that I don't know off by heart in any of those
songs, and it'd be the same for the other three guys," says drummer
Lee Armstrong.The resulting album, In A Restless House, is a startling
document: an effortless, surefooted debut that manages to sound both
sprawling and focussed, an explosion of ideas that makes a mockery of
its tortured origins. This is a band reborn, or rather, born in
earnest. The lean, intense monochrome of their early work is still
present, but it shares the frame with startling cloudbursts of colour
and textural detail.With long-time producer Malcolm Beasley helming
the sessions, City Calm Down have weaned themselves off the synths,
adding synthetic and organic new variations to their sound. Songs like
the anthemic "Rabbit Run" carry a familiar blend of exhilaration and
brooding introspection, but those feelings are summoned by a greater
variety of means. Mullaly's glistening keyboard lines are now joined
by piano, organ, chugging guitars and even mournful horns.Likewise,
Armstrong's distinctive, post-punk-meets-disco beats share airspace
with the filtered hip-hop grooves of "Nowhere To Start", and the
dizzying, shapeshifting rhythms of "If There's A Light On".
Throughout, he and bassist Jez Sonnenberg establish the sort of
rhythmic understanding that allows their bandmates the freedom to
explore far-flung sonic realms.At the centre of it all, though, is
Jack Bourke's unmistakable baritone. The suave, weary croon is
immediately recognisable, but as with the rest of the instruments,
Bourke delights in bending his voice into new shapes across the 11
songs. He opens "Wandering" with confessional moan, mimics Robert
Smith's wounded-puppy yelp on "Your Fix", and amid the mannered post-
punk of "Falling" he threatens to flame out in a burst of ragged
despair.Across the record, Bourke's impressionist lyrics act as a
moral ballast, exploring the trials of devotion and the difficulty of
doing right in an unstable age. His is a restless conscience, a kernel
of doubt at the heart of these soaring, swaggering songs."I've got
nothing to complain about, but you look around in your mid-twenties,
and you wonder what the world has in store for our generation," Bourke
says. Beyond that general theme, Bourke is reluctant to examine his
lyrics too closely. "I almost think it's irrelevant...the important
thing is that someone can grab onto it and find their own meaning."For
a band that thrives on control, this is no small thing: are they
really ready to let go of their baby? "I'm proud of it, so I don't
really give a shit," says Sonnenberg, with typical candour. "We made
the album that we wanted to make."
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▓▒ https://play.google.com/store/music/album?id=B4eao5uttof7o5rezt2qhsvhkne ▒▓
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█ · ·< GREETINGS >· · █
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█▀ Shout out to all of those who keep the dream of the scene alive. ▀█
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█▀ Special thanks to those who have paved the way and parted. ▀█
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█▀ We miss you! ▀█
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