Colin_Vallon_-_Patrice_Moret_-_Julian_Sartorius-Samares-CD-2024-D2H

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-colin_vallon_-_patrice_moret_-_julian_sartorius-racine.mp3 Colin Vallon / Patrice Moret / Julian Sartorius Racine Unknown Unknown
2 02-colin_vallon_-_patrice_moret_-_julian_sartorius-mars.mp3 Colin Vallon / Patrice Moret / Julian Sartorius Mars Unknown Unknown
3 03-colin_vallon_-_patrice_moret_-_julian_sartorius-lou.mp3 Colin Vallon / Patrice Moret / Julian Sartorius Lou Unknown Unknown
4 04-colin_vallon_-_patrice_moret_-_julian_sartorius-ronce.mp3 Colin Vallon / Patrice Moret / Julian Sartorius Ronce Unknown Unknown
5 05-colin_vallon_-_patrice_moret_-_julian_sartorius-etincelle.mp3 Colin Vallon / Patrice Moret / Julian Sartorius Etincelle Unknown Unknown
6 06-colin_vallon_-_patrice_moret_-_julian_sartorius-timo.mp3 Colin Vallon / Patrice Moret / Julian Sartorius Timo Unknown Unknown
7 07-colin_vallon_-_patrice_moret_-_julian_sartorius-samares.mp3 Colin Vallon / Patrice Moret / Julian Sartorius Samares Unknown Unknown
8 08-colin_vallon_-_patrice_moret_-_julian_sartorius-souche.mp3 Colin Vallon / Patrice Moret / Julian Sartorius Souche Unknown Unknown
9 09-colin_vallon_-_patrice_moret_-_julian_sartorius-brin.mp3 Colin Vallon / Patrice Moret / Julian Sartorius Brin Unknown Unknown
NFO
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Number : ECM 2809 / 659 3279 ▓███ ███▓ Street Date : 2024-11-15 ▓███ ███▓ Rip Date : 2025-01-04 ▓███ ███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███ ███▓ Quality : 245kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 9 ▓███ ███▓ Playtime : 00:43:11 (80.1MB) ▓███ ███▓ URL : http://https://ecmrecords.com/product/samares-colin-va ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Racine 3:25 ▓███ ███▓ 02 Mars 6:46 ▓███ ███▓ 03 Lou 5:38 ▓███ ███▓ 04 Ronce 4:06 ▓███ ███▓ 05 Etincelle 6:16 ▓███ ███▓ 06 Timo 4:45 ▓███ ███▓ 07 Samares 3:39 ▓███ ███▓ 08 Souche 3:33 ▓███ ███▓ 09 Brin 5:03 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 43:11 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ The lyricism and melancholy of Colin VallonÆs compositions as well ▓███ ███▓ as his trioÆs understated three-way interaction remain a trademark ▓███ ███▓ on Samares. Yet, much has evolved in the sound of the Swiss ▓███ ███▓ pianistÆs group since their last record for ECM, 2017Æs Danse, as ▓███ ███▓ the bandÆs chemistry has grown even stronger, delving deeper into ▓███ ███▓ thick trio tapestries of sound. Dynamic extremes are explored and ▓███ ███▓ tuneful hooks û some melody-, some harmony-, others beat-based û ▓███ ███▓ patiently assembled, often completed in mesmerizing fashion. Where ▓███ ███▓ subtle rhythmic twists and harmonic progressions constructed around ▓███ ███▓ piano triads recall cutting-edge inspirations from the world of ▓███ ███▓ art-rock, other expositions reveal a tight-knit jazz trio ▓███ ███▓ elaborating a chamber sound focused on close listening and ▓███ ███▓ reacting. As a whole, the varying pulses are connected by an ▓███ ███▓ underlying theme that permeates the music like a heartbeat. ▓███ ███▓ ▓███ ███▓ ôRacineö (Root), ôRonceö (bramble or blackberry), ôBrinö (a twig or ▓███ ███▓ blade of grass), ôSamaresö û the binding idea of Colin VallonÆs new ▓███ ███▓ trio album is spelled out clearly, in the songs it comprises and in ▓███ ███▓ its own title. The French ôSamaresö refers to the samara fruit ▓███ ███▓ that, visually a blend between a seed and a leaf, is characterised ▓███ ███▓ by its wing-like flaps û theyÆre found on maple trees for instance, ▓███ ███▓ falling from their branches in graceful pirouettes, always making ▓███ ███▓ an elegant landing. This imagery couldnÆt be more fitting to the ▓███ ███▓ contemplative sound worlds that unfold throughout this trio record. ▓███ ███▓ Once again accompanied by double bass player Patrice Moret and ▓███ ███▓ Julian Sartorius on drums, the Swiss pianist uncovers a programme ▓███ ███▓ that mirrors inspirations from nature û plants in specific û with ▓███ ███▓ organic grooves and seemingly telepathic interplay. Jazztimes ▓███ ███▓ magazine described the latter with ôcool detachment, insistent ▓███ ███▓ grooves and post-postmodern sensibilityö. ▓███ ███▓ ▓███ ███▓ ôI think the development of our trio has always been towards ▓███ ███▓ finding a collective sound and not focusing on individual ▓███ ███▓ performances,ö says Colin. ôWe share a love for textures and ▓███ ███▓ blending. Julian is a master of creating a unique atmosphere and ▓███ ███▓ has a strong sense of space for each musical piece. His sound ▓███ ███▓ palette extends well beyond the drums and his playing is extremely ▓███ ███▓ original. And PatriceÆs supportive playing, but also his way of ▓███ ███▓ orchestrating music as well as his creative ideas in shaping the ▓███ ███▓ songs are essential elements for our collective identity.ö ▓███ ███▓ ▓███ ███▓ With ôRacineö, the album begins on a solemn, introspective note, ▓███ ███▓ with brushes against snare seemingly emulating soft waves crashing ▓███ ███▓ against the shore. It works as a preamble for the large lyrical ▓███ ███▓ piano-waves that dominate ôMarsö û a single progression dynamically ▓███ ███▓ developed in a steady crescendo. Deeply attuned to each other, the ▓███ ███▓ trio ebbs and flows together, forming a single breath. ▓███ ███▓ ▓███ ███▓ ôLouö and ôTimoö are named after VallonÆs children, marking another ▓███ ███▓ change that has made an impact on the pianistÆs life since the last ▓███ ███▓ album: newfound fatherhood. First ruminative, spacious, ôLouö ▓███ ███▓ develops a firm pulse around a melancholy progression, while ▓███ ███▓ ôTimoöÆs upbeat rhythmic furore makes up the backdrop for muted ▓███ ███▓ prepared-piano improvisation. Contrasting but complementary, as ▓███ ███▓ revealed on many juxtapositions over the course of the album. ▓███ ███▓ ▓███ ███▓ Equipped with the arguably most hard hitting beat on the record, ▓███ ███▓ ôRonceö falls into line with the afore mentioned ôTimoö and ôMarsö ▓███ ███▓ type of compositions, presenting a spiralling forward motion, where ▓███ ███▓ the trioÆs energy builds one long, captivating arc. Here, Vallon ▓███ ███▓ alters the pianoÆs pitch with slight synth-modulations to a ▓███ ███▓ haunting effect. ô╔tincelleö can be considered the polar-opposite ▓███ ███▓ in its rubato design, with its soft piano arpeggio accompanied by ▓███ ███▓ sharp cymbal splashes and firm double bass plucking building ▓███ ███▓ momentum in unexpected ways û at its conclusion frantic cymbals ▓███ ███▓ fade out as naturally as they entered the picture. ▓███ ███▓ ▓███ ███▓ Meanwhile, the groupÆs live-experience has exponentially increased, ▓███ ███▓ due among other things to the trioÆs bi-weekly concert series in ▓███ ███▓ Thun, which ôradically changed the sound of the band, reinforcing a ▓███ ███▓ huge complicity in our playing. I would say between Le Vent and ▓███ ███▓ Samares we developed a deeper connection as well as a freer way of ▓███ ███▓ playing. The material evolved naturally, together and over time, ▓███ ███▓ allowing for more explorations and more contrasts.ö ▓███ ███▓ ▓███ ███▓ The title trackÆs stark rubato-flow speaks to the groupÆs ▓███ ███▓ communicative energy, highlighting the dialogues between the ▓███ ███▓ instruments, while ôSoucheö, like an obscurely transfigured bolero, ▓███ ███▓ emphasizes the musiciansÆ ability to develop sparse material to a ▓███ ███▓ reverberating result. Here once again, Colin VallonÆs inventive ▓███ ███▓ prepared piano work û in this case wood-blocks jammed between the ▓███ ███▓ piano strings û adds haunting microtonal flavours to the warm ▓███ ███▓ acoustic spectrum. With ôBrinö, the album is brought full circle, ▓███ ███▓ concluding with the same kind of atmospheric interplay that graced ▓███ ███▓ its beginning, but now inducing a sense of relief. ▓███ ███▓ ▓███ ███▓ ôThe name æSamaresÆ, like the seeds of the maple tree, has guided ▓███ ███▓ me for the entire process. And it seems so fitting, if you just ▓███ ███▓ imagine these seeds dancing in the wind. Danse, Le Vent are the ▓███ ███▓ titles of the two previous trio albums. And while there are without ▓███ ███▓ a question many differences between this recording and the two ▓███ ███▓ previous ones, they are nonetheless also closely connected and form ▓███ ███▓ a trilogy.ö ▓███ ███▓ ▓███ ███▓ Recorded at LuganoÆs Auditorio Stelio Molo in 2023, Samares was ▓███ ███▓ produced by Manfred Eicher. ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀

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