Genre | Thrash Metal |
---|---|
Date (CEST) | 2020-11-29 20:41:59 |
Group | GRAVEWISH |
Size | 90 MB |
Files | 9 |
M3U / SFV / NFO |
Dismantle-Enter_the_Forbidden-2012-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-dismantle-revenge_of_the_wicked.mp3 | Dismantle | Revenge of the Wicked | 283 | Unknown |
2 | 02-dismantle-enter_the_forbidden.mp3 | Dismantle | Enter the Forbidden | 277 | Unknown |
3 | 03-dismantle-realm_of_the_warmaster.mp3 | Dismantle | Realm of the Warmaster | 290 | Unknown |
4 | 04-dismantle-illusions.mp3 | Dismantle | Illusions | 285 | Unknown |
5 | 05-dismantle-secrets_from_the_dark_room.mp3 | Dismantle | Secrets from the Dark Room | 292 | Unknown |
6 | 06-dismantle-dwelling_(in_darkness).mp3 | Dismantle | Dwelling (In Darkness) | 275 | Unknown |
7 | 07-dismantle-the_lost_dimension.mp3 | Dismantle | The Lost Dimension | 291 | Unknown |
8 | 08-dismantle-gateways.mp3 | Dismantle | Gateways | 275 | Unknown |
9 | 09-dismantle-the_beyond.mp3 | Dismantle | The Beyond | 284 | Unknown |
NFO
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██▌ Artist...: Dismantle ░▐██▌
░▐██ Album....: Enter the Forbidden ░██▌░
▓▐██ Year.....: 2012 ▓▐██▓
▓▐██ Rel.Date.: 2020-11-28 ░▐██▓
▐██ Genre....: Thrash Metal ██▌░
░ ██▌ Label....: AreaDeath Productions ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Revenge of the Wicked 5:37
2. Enter the Forbidden 4:32
3. Realm of the Warmaster 5:06
4. Illusions 3:33
5. Secrets from the Dark Room 4:49
6. Dwelling (In Darkness) 4:52
7. The Lost Dimension 5:29
8. Gateways 4:09
9. The Beyond 6:12
------
44:19
California has perhaps the most extensive history insofar as thrash
metal goes, and not just with regard to the explosion in the San
Francisco Bay Area during the late 80s. Although the traditional and
glam metal were more a staple of the general Los Angeles area during the
80s, it was also the birthplace of pioneering act Metallica along with
fellow southern California natives Slayer. So it is fitting to see
affiliates of the ongoing revival rising through the ranks further south
of the Bay Area. While many of the prime movers of the style in the 80s
have been generally caught up in the modern groove craze, there are some
younger acts that are rediscovering the old ways, and among them is a
power trio from Rosemead going by the name of Dismantle.
In contrast to a number of eastern European and Brazillian acts of late
that are pretty well obsessed with recreating the madness of Slayer and
Possessed, this outfit comes off as a bit more eclectic in their
influences and consequently don't have the same level of stylistic
uniformity and brevity ruling their songwriting. "Enter The Forbidden"
is definitely a multifaceted beast that makes frequent use of haunting
interludes, crunchy mid-tempo grooves and the obligatory mosh inspiring
speed sections to churn out a series of moderate length epics that
create an auditory vision of horror, but more of a nuanced and
otherworldly variety that would become more a staple of the early occult
oriented works of the transitional death metal bands of the late 80s.
The resulting variety of musical depictions of looming darkness are a
good reflection of the broader character of the 80s Bay Area, though
dwelling more upon the lyrical pursuits of darker bands rather than
dabbling in the environmental and political aspects that became
widespread in the late 80s. "Illusions" definitely takes some nods from
the mid-tempo mishmash of clean and distorted aggression that typified
later 80s Megadeth. Similarly, more up tempo and violent numbers like
"Enter The Forbidden" and "Gateways" that listen a bit closer to the
model set by Slayer also have a highly melodic character to them and a
level of restrained and frequent breaks from the moshing frenzy that is
heavily reminiscent of early Exodus. Then again, the dissonant to the
point of being death metal "The Lost Dimension" throws in a heap of
early Death and even some early Cannibal Corpse sounding riffs and the
occasional blast beat that throws the whole formula for a total loop,
though it avoids the guttural vocal trappings and retains an essential
thrash character.
Basically everything about this album and the musicians involved proves
to be an exercise in balancing the extreme with a sense of subtle
moderation. The guitar solos are definitely titled towards a chaotic
approach in line with death metal, but the riff work and general song
structure is a bit more methodical and symmetrical. As a whole, this
album dances pretty close into the death/thrash circle, and is largely
kept out of it by the vocals of Adam Gonzales (aka Adam Warrior) which
sound pretty similar to the higher end gruff of Death Angel's Mark
Osegueda. All of this results in a sound that is definitely fresh and
fierce, and one that should be looked into by anyone who still wants
more of what California had to offer circa 1987 and doesn't mind the
production being a bit louder and drier.
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