████████████████████████████████████████████████████████████████████████████████ ████████████████████████████████████████████████████████████████████████████████ ████████████████████████████████████████████████████████████████████████████████ █████████████████████████████████▓▓▓▓███████████████████████████████████████████ ████████████████████████▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒████████████████████████████████ █████████████████▒▒▒▒▒▒▒ ▒▒▒▒▒▒██████████████████████████ ████████████▒▒▒▒▒ ▒▒▒▒▒█████████████████████ █████████▒▒▒ ▒▒███████████████████ █████▒▒▒▒ ▒▒▒████████████████ ███▒▒ ▄▄▄▄▄▄ ▒▒▒█████████████ ██▒ ▄███████▒ ▒▒███████████ █▒ ██████████▄ ▒▒█████████ █▒ ████████████ ▒████████ █▒ ████████████ ▒▒██████ █▒ █████████████ ▒▒████ █▒ ███████████▀▒ ▒███ █▒ ▒███████████████████▄▄ ▒██ █▒ ▀███████████████████▄▄ ▒█ █▒ ▓██████████████████████▄▄ ▒█ █▒ ▄██████████████████████████▄ ▒█ █▒ █████████████████H███████████ ▒█ █▒ ▒████████████████C████████████ ▒█ █▒ ███████████████T█████▒ ▓████ ▒█ █▒ ██████████████A███████ ███▀ ▒█ █▒ █████████████R█████████▒ ░███ ▒█ █▒ ▓███████████C██████4█████░█████▓ ▒█ █▒ ▄██████████S██████0███████▓ █████▓▄▄▄▄ ▒█ █▒ ████▒███████████0████████▀▄▄▄████░▒███▄ ▒█ █▒ █████ ▀ ▀████2████████▀▀▄███▄▀▀▀ ██ ▀██ ▒█ █▒ ████▀ █████████▀▄▄▄██▄██████▒▒▀ ▄██ ▒█ █▒ ▄███ ▓█████▀▄▄███▒▄██████▒▀▄████▒ ▒█ █▒ ███ ▓███▀ ▄███▒ ▄███▀▀▀▄▄███▀▀ ███ ▒█ █▒ ▒███ ▀▀▄▄▓████▒ ▀█ ▄▒█████▀ ▄█ ████ ▒█ █▒ ▄██▒ ▄▄▀▀ █▀▀█████████████▀ ▄███ ████ ▒█ █▒ ███ ▄▀ ▄█ ▒ ▀█████████▀ ▄████ ████▄█████ ▒█ █▒ ▄████ ▄▄▄▀ ▒ ▀▒ █ ▓██████▒ ▄███████ ██████████ ▒█ █▒ ▄█████▄█████▀▓█░ █ █ ▄▄██ ▀ ▄ ██████▀▒▒ ▒████▒████ ▒█ █▒ ▒████▀▀██████░▒█░ ▒ ▄▄█████▀ ▄███ ███▀ ████ ████ ▒█ █▒ ████ ▄▄██ █ █▓░ ▄▄█████▀▀ ▄██████ ███ ▄▄ ████ ███▒ ▒█ █▒ ▒██████▀▀ ███░█████▀ ▄ ██████ ███ ▒███ ████ ▀ ░ ▒█ █▒ ▀ ▄▄▄██ ▄▄███▒░██▀ ▄▄████ ▀ ████ ███ ████ ▀▀ ▒█ █▒ ▄██▄▄▄░█████████████▀ █████▒█ ▒█▒█ ████▓███ ▒█ █▒ ▒████▒████████▓▒██ ▄▄▄ ████████ ████ ██████ ▒█ █▒ ███████████████▀▀▀ ▄█████ ████ ████ █████ ███▀ ▒█ █▒ ███████▀▀▀ ▄████████ ████▄████ ████ ▒█ █▒ ▀▀ ▄▄ ████▀ ███ █████████ ▒██▀▀ ▒█ █▒ ▄▄████ ████▄████▄ ███████████ ▒█ █▒ ▄████████ ██████████ ████ ▓█▀ ▒█ █▒ ████▀ █▓▀ ████▀▀████ ████ ▒█ █▒ ▄▄▓██ ████ ████ ████ █▀ ▒█ █▒ ▄▄██████ ████ ▄▄█ ████ ██▀▀ ▒█ █▒ ████▀█▀▀ ████ ████ ████ ▒█ █▒ ▒████▄▄▄▄▄ ████ ████ █▀ ▒█ █▒ ██████████ ████████▀ ██▄ ██▄ ▄██ ▄██ ▄██ █▄ █ ███ ▄██ ▒█ █▒ ▀▀████████ ██████▀ █ █ █ █ █▄ █▄ █▄ █▀▄█ █ █▄ ▒█ █▒ ████░ ██▀▀ ██▀ ██▄ █▀ ▀█ █▀ █ ▀█ █ ▀█ ▒█ █▒ ▒▄███▄████ε █ █ █ ▀██ ██▀ ▀██ █ █ █ ██▀ █ █ █ ▒█ █▒ ███████▀ ▒█ █▒ ████▀ ▒█ █▒ ▒█ █▒████████████████████████████████████████████████████████████████████████████▒█ █▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒█ █▒╔══════════════════════════════════════════════════════════════════════════╗▒█ █▒║ ███████████████████████████████████████████████████████████████████████ ║▒█ █▒║ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ║▒█ █▒║ ║▒█ █▒║ ║▒█ █▒║ Djinxx - Hi-Rez on Proton Radio-10-14 ║▒█ █▒║ ║▒█ █▒║ ║▒█ █▒╠══════════════════════════════════════════════════════════════════════════╣▒█ █▒║ ███████████████████████████████████████████████████████████████████████ ║▒█ █▒║ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ║▒█ █▒║ ║▒█ █▒║ Release Info ║▒█ █▒║ ║▒█ █▒║ ARTiST : Djinxx ║▒█ █▒║ TiTLE : Hi-Rez on Proton Radio-10-14 ║▒█ █▒║ LABEL : n/a RiPPER : Scratch Crew ║▒█ █▒║ CAT # : n/a BiTRATE : VBRk ║▒█ █▒║ GENRE : House MODE : Joint-Stereo ║▒█ █▒║ SOURCE : DAB RLS DATE : 10/17/2004 ║▒█ █▒║ URL : www.protonradio.com SiZE : 77,6 MB ║▒█ █▒║ ║▒█ █▒╠══════════════════════════════════════════════════════════════════════════╣▒█ █▒║ ███████████████████████████████████████████████████████████████████████ ║▒█ █▒║ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ║▒█ █▒║ ║▒█ █▒║ Tracklist ║▒█ █▒║ ║▒█ █▒║ TRK# TRACK TiTLE TiME ║▒█ █▒║ [01] Hi-Rez on Proton Radio-10-14-2004 58:54 ║▒█ █▒║ ║▒█ █▒║ TOTAL TiME : 58:54 min:sec ║▒█ █▒║ ║▒█ █▒╠══════════════════════════════════════════════════════════════════════════╣▒█ █▒║ ███████████████████████████████████████████████████████████████████████ ║▒█ █▒║ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ║▒█ █▒║ ║▒█ █▒║ Release Notes ║▒█ █▒║ ║▒█ █▒║ Djinxx / Bio ║▒█ █▒║ ║▒█ █▒║ Djinxx made a name for himself in the early 90s as a DJ in ║▒█ █▒║ electronic music field: a time when everything has to be created ║▒█ █▒║ from beats to lifestyle to career prospects. Born under the combined ║▒█ █▒║ signs of dance and music, the southerner is aware of this legacy and ║▒█ █▒║ defends the values of a living and dancing music as a DJ as well as ║▒█ █▒║ a producer. His path, from the frantic dance floors to records ║▒█ █▒║ production on Mangusta or F-Com, progressively compels recognition ║▒█ █▒║ on the electronic scene. ║▒█ █▒║ ║▒█ █▒║ One of his pseudonyms, The Soul Monkey, gives a glimpse of Djinxx's ║▒█ █▒║ disposition. The animal knows how to land on its feet. The man knows ║▒█ █▒║ he has to try his luck and seize any opportunity. His path renders ║▒█ █▒║ perfectly this theory. At the age of three, his father brought him ║▒█ █▒║ in club ("He was a night-addict in the true sense of the word. He ║▒█ █▒║ was the one who passed on this culture to me"). Not at all ║▒█ █▒║ surprising that we meet up with the young Karim, as early as the age ║▒█ █▒║ of twelve, in Italian clubs (he stayed there for nine years) where ║▒█ █▒║ he used to work as a dancer, and in the south of France where he ║▒█ █▒║ hosted hip-hop street battles and dance workshops. Yet, at the age ║▒█ █▒║ of seventeen, a DJ being late caused him his first emotion behind ║▒█ █▒║ the decks, in front of two thousands people. It marked a turning ║▒█ █▒║ point: for some times he is lent a mixing gear, he practices ║▒█ █▒║ organizing parties during his military service to come just at the ║▒█ █▒║ right time for the house and techno revival in 1995: "radios didn't ║▒█ █▒║ play house music, there were good records released, mainstream ║▒█ █▒║ parties didnΓÇÜt exist. We were fighting to impose our style !". ║▒█ █▒║ ║▒█ █▒║ Even if electro-funk tones have help Karim to be disciplined to ║▒█ █▒║ electronic textures, even if techno was Djinxx's favourite scene ║▒█ █▒║ when he started out, house music turns out to be the best medium ║▒█ █▒║ between the DJ and the audience. Encounters began to give rhythm to ║▒█ █▒║ his career like a bass drum beat punctuates a good dancing track: ║▒█ █▒║ "it increases your self-esteem working with people who have some ║▒█ █▒║ experience and things to tell with their music. To be an artist it ║▒█ █▒║ is to be an entrepreneur as well. These kind of contacts make a ║▒█ █▒║ career move forward". ║▒█ █▒║ ║▒█ █▒║ In 1998, just to poach on other territory, Djinxx left to Amsterdam ║▒█ █▒║ during ten months, then in 2000, he flew to Miami to live the ║▒█ █▒║ American dream. Djinxx found support with Eric Omores the French guy ║▒█ █▒║ head honcho of Nikki Beach and Bash and with Tony Guerra from New ║▒█ █▒║ Jimmy's. During three intense months Djinxx feels at home: he ║▒█ █▒║ struggles to survive, mixes every weekends hanging with artists such ║▒█ █▒║ as Junior Sanchez, Ron Trent, Roy Davis Jr, Stacey Pullen and Paul ║▒█ █▒║ Johnson. He is invited by George Morel (Groove On prod./Strictly ║▒█ █▒║ Rhythm) in his studio where he stayed for two days. He even managed ║▒█ █▒║ to run off with a second best DJ prize at the Winter Music ║▒█ █▒║ Conference. ║▒█ █▒║ ║▒█ █▒║ On the production side, after he ran away to Miami, Djinxx blew his ║▒█ █▒║ last US dollars in the purchase of machines and settled near Aix, in ║▒█ █▒║ the mining city of Gardanne, "a kind of small-size Detroit" he likes ║▒█ █▒║ to say.. The connection, made in Miami with Deep Touch, leads to the ║▒█ █▒║ release of three titles. Then, with So True Recordings, the label ║▒█ █▒║ set up by Djinxx in association with Limited Editions, some other ║▒█ █▒║ compositions lead to a series of five EPs named The Unexpected. Some ║▒█ █▒║ remixes will follow for producers such as Ron Carroll (The Sermon on ║▒█ █▒║ Riviera, High Again on Black Jack), Sebastien Leger (Victory EP ║▒█ █▒║ along with Josh Wink on Black Jack and Defected), Carlos Fauvrelle ║▒█ █▒║ (Talking on Serial), David Duriez. In April 2003, Serial released ║▒█ █▒║ The Time Out Gallery noticed, among others, by DJ Mag (rated 5/5 in ║▒█ █▒║ their columns) and was elected "record of the month" by Roger ║▒█ █▒║ Sanchez. At the same time Djinxx expands remixes of deep-house ║▒█ █▒║ artist, keyboard player and producer, Neo (Smoking Blues and A Night ║▒█ █▒║ in Marseille on Black Jazz) followed by a real collaboration with ║▒█ █▒║ the musician on the double EP (Let's Have a Party), crossover ║▒█ █▒║ between funky jazz and house music. And above all, our man ║▒█ █▒║ christened Mangusta's debut releases, another label from Grosso Modo ║▒█ █▒║ Production galaxy with some unrealised EPs (My Clouds, In Your ║▒█ █▒║ Heart, Rain in Africa, The Music Takes Control) heralding the album ║▒█ █▒║ Travel Notes. This house music LP, all composed arranged and ║▒█ █▒║ produced by Djinxx, released in June 2003 gets good feedbacks from ║▒█ █▒║ David Duriez, Josh Wink or Laurent Garnier. His singles receive a ║▒█ █▒║ remix treatment by Stacey Pullen on In Focus, John Tejada and Didier ║▒█ █▒║ Sinclair on In Your Heart Again. As regards the Youngsters and Fafa ║▒█ █▒║ Monteco, they deliver a version of the very deep Music in Jamaica. ║▒█ █▒║ Quite a nice lot. 2003/2004 marks a real turning point. On one hand, ║▒█ █▒║ Djinxx settles in Paris gaining a foothold in the capital's clubs, ║▒█ █▒║ on the other hand he is booked all over the world. ║▒█ █▒║ ║▒█ █▒║ In the course of the year, the machines race out of control with ║▒█ █▒║ appeal from New York label UNDO (one EP to be released in summer ║▒█ █▒║ 2004). And, above all, Laurent Garnier hadn't kept an eye on Djinxx ║▒█ █▒║ during months for nothing: the impeccable label F-Com releases three ║▒█ █▒║ tracks for the summer 2004: "Blue Flag" has for the occasion, led ║▒█ █▒║ Djinxx on techno territories he well knows. The odds are this new ║▒█ █▒║ bounce will not be the last. ║▒█ █▒║ ║▒█ █▒║ URL: http://www.djinxx.com/ ║▒█ █▒║ ║▒█ █▒║ #################################################################### ║▒█ █▒║ ║▒█ █▒║ Tracklisting: ║▒█ █▒║ ║▒█ █▒║ 1. John Dahlback - Passion In Her Eyes [Affected] ║▒█ █▒║ 2. Donnacha Costello - Grape [Minimise] ║▒█ █▒║ 3. Sebbo & Mike V.D. Viven - Even [Phono Elements] ║▒█ █▒║ 4. OZY - Imaginary Rockstar Syndrome [Trapez] ║▒█ █▒║ 5. Stephen Brown - Sustain [Affected] ║▒█ █▒║ 6. Shinedde - Dillema [100% Pure] ║▒█ █▒║ 7. Dorian Paic - Umschwung (Dub Taylor Remix) [Raum...Musik] ║▒█ █▒║ 8. Jackmate - Male Isms [Philpot] ║▒█ █▒║ 9. John Arnold - Universal Mind [Fragile] ║▒█ █▒║ 10. Mad Mike - Transition [UR] ║▒█ █▒║ 11. Chris J - Out Of Time [Statra] ║▒█ █▒║ 12. Sven Brede - Rondo [Highgrade] ║▒█ █▒║ 13. Djinxx - Tasty [Undo] ║▒█ █▒║ ║▒█ █▒╠══════════════════════════════════════════════════════════════════════════╣▒█ █▒║ ███████████████████████████████████████████████████████████████████████ ║▒█ █▒║ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ║▒█ █▒║ ║▒█ █▒║ Group Info ║▒█ █▒║ ║▒█ █▒║ FFS died for good and chromi left us :/ He brought his best to the ║▒█ █▒║ scene with an excellent state of mine so big shout to him and good ║▒█ █▒║ luck in your life bro. SCRATCH crew is approximately the same as it ║▒█ █▒║ was under "FFS" name so get ready for cool releases as usual :) ║▒█ █▒║ People leaves, people comes... and the scene is still active so we ║▒█ █▒║ hope you'll enjoy our work. SCRATCH does not recruit rippers. ║▒█ █▒║ However, if you're an experienced ripper and you feel you can ║▒█ █▒║ contribute to SCRATCH development, you can email us at the address ║▒█ █▒║ below. ║▒█ █▒║ SCRATCH is only interested in serious site affiliations (100+ .EU). ║▒█ █▒║ -FR stuff available on site is a plus. ║▒█ █▒║ ║▒█ █▒║ Eh ouais FFS est mort et chromi nous quitte :( Il a beaucoup donne ║▒█ █▒║ pour la scene et cela avec un excellent etat d'esprit (ce qui est ║▒█ █▒║ assez rare de nos jours pour etre souligne). En tout cas remercions-le ║▒█ █▒║ et souhaitons-lui bonne chance dans sa nouvelle vie sans la scene. ║▒█ █▒║ L'equipe de SCRATCH est quasiment la meme que celle de feu FFS alors ║▒█ █▒║ ne vous inquietez pas, les bombasses seront toujours la :) ║▒█ █▒║ Les gens partent ou bien arrivent, mais la scene, elle, est toujours ║▒█ █▒║ la, c'est la vie... Nous esperons que vous serez toujours satisfait ║▒█ █▒║ par notre travail. Enfin, SCRATCH ne recrute pas. Cependant, si vous ║▒█ █▒║ etes un dieu vivant du rip en mal de team, vous pouvez toujours nous ║▒█ █▒║ envoyer un mail α l'adresse ci-dessous. ║▒█ █▒║ SCRATCH ne prend en consideration que les propositions serieuses ║▒█ █▒║ d'affiliations sur sites 100+ .EU. Si en plus, vous avez du stuff -FR ║▒█ █▒║ sur votre site, cela met des chances supplementaires de votre cote. ║▒█ █▒║ ║▒█ █▒║ Email : [email protected] ║▒█ █▒║ ║▒█ █▒╠══════════════════════════════════════════════════════════════════════════╣▒█ █▒║ ███████████████████████████████████████████████████████████████████████ ║▒█ █▒║ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ║▒█ █▒║ ║▒█ █▒║ Greetings ║▒█ █▒║ ║▒█ █▒║ Serious guys and serious groups int the scene. They know who they are. ║▒█ █▒║ Thanks to the siteops taking us on their sites and to the sceners ║▒█ █▒║ supporting us. Finally, thanks the artists and DJs for their tunes :) ║▒█ █▒║ ║▒█ █▒║ ║▒█ █▒╚══════════════════════════════════════════════════════════════════════════╝▒█ █▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒█ ████████████████████████████████████████████████████████████████████████████████ ...( v Topsite Scripts v2.0 )... - --= Dont Imitate - Innovate =-- -