Genre | Unknown |
---|---|
Date (CEST) | 2025-01-22 12:45:07 |
Group | TOTENKVLT_iNT |
Size | 83 MB |
Files | 8 |
M3U / SFV / NFO |
Elffor-From_The_Throne_Of_Hate-REISSUE-VINYL-2024-TOTENKVLT_iNT
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01_elffor-old.mp3 | Elffor | Old | Unknown | Unknown |
2 | 02_elffor-rare_woods.mp3 | Elffor | Rare Woods | Unknown | Unknown |
3 | 03_elffor-my_hatefull_end.mp3 | Elffor | My Hatefull End | Unknown | Unknown |
4 | 04_elffor-echoes_of_the_past.mp3 | Elffor | Echoes of the Past | Unknown | Unknown |
5 | 05_elffor-upon_the_barbarian_woods.mp3 | Elffor | Upon the Barbarian Woods | Unknown | Unknown |
6 | 06_elffor-grimmest_winternights.mp3 | Elffor | Grimmest Winternights | Unknown | Unknown |
7 | 07_elffor-the_essence_of_hate.mp3 | Elffor | The Essence of Hate | Unknown | Unknown |
8 | 08_elffor-wicked_shadows.mp3 | Elffor | Wicked Shadows | Unknown | Unknown |
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Artist : Elffor
Album : From the Throne of Hate
Year : 2024
Genre : Black Metal
Style : -
Date : 01.22.2025
Grabber : Audacity
Encoder : LAME 3.1
Quality : avg. 254kbps / 48,0kHz / Joint Stereo
Songs : 08
Playtime : 45:23
Company : Northern Silence Productions
Size : 82,68 MB
Language : English
Country : Spain
Format : MP3
Type : Album
Source : Vinyl
Catalognr: NSP 075
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01.Old [07:38]
02.Rare Woods [05:53]
03.My Hatefull End [04:58]
04.Echoes of the Past [04:08]
05.Upon the Barbarian Woods [05:37]
06.Grimmest Winternights [07:30]
07.The Essence of Hate [04:30]
08.Wicked Shadows [05:09]
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45:23 min
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From the Throne of Hate is next in line of Northern Silence
reissues of the well-underground Spanish medieval black metal
entity Elffor. Manned, in its majority, by one mysterious Eol,
who writes and performs just about everything with exception of
some guitar lines, Elffor continues its run of atmospheric,
synth-saturated music which, in my opinion, is often in
contradiction with the album/songs titles.
Just reading the name, From the Throne of Hate, one can imagine
some of the grimmest rawest black metal. Instead, continuing on
the wings of its previous effort Son of the Shades, Old
presents a swaying, floating and often rousing atmosphere of
dimly lit medieval castle full of wind chimes with hoof beats
approaching in the distance and lightning cracking the sky
above it. It is rather difficult to gather how extreme dislike
can emanate from The Essence of Hate and Wicked Shadows. The
latter, in my mind, invokes more the spirits of the fallen
warriors from the wars past. Perhaps, that is the part of
ElfforÆs beauty and appeal as oneÆs imagination is allowed to
run limitless while listening to these expansive soundscape-like
pieces. If these compositions are merely sketches giving the
overall description of some far-away land (or time), then they
come off looking extremely vivid, but the pictures created are
going to be up to each concrete individual. At times, the title
is right on, as Grimmest Winternights could not have been more
icily melodic, the story told from the inside of some northern
hut with Aurora Borealis glimmering overhead.
To be more descriptive, My Hatefull End [Elffor spelling] and
Upon the Barbarian Woods do showcase more aggressive approach,
taking on the horror and violent atmosphere. In this light From
the Throne of Hate does extend a lot more into the purer black
metal territory than Son of the Shades. There is quite a bit
more of guitar lines on the album, although they are almost
entirely fuzzed out beyond any point of individual string
picking recognition. Drums and vocals also make more frequent
appearance, with My Hatefull End having the blasts rather
audible, even if pushed way into background in the mix. The
vocals of Eol come out for about one verse per track, to deliver
the lyrical message, mostly in the form of the anguished raven
cry or, as in the case of the bonus track Mysterious Dawn, they
remind me of Silencer madness on an otherwise very epic
sounding track.
If some find Elffor tedious, you have got to come in with the
mindset that atmosphere here by far supersedes any ôactionö. To
be fair, Eol constructs his compositions out of many
kaleidoscopically changing parts and melodies, so no individual
track gets stale, but the whole album needs a certain mood
disposition to click. If you are a dedicated fan of Summoning,
you probably already know of Elffor. If not, this is absolutely
your cup of tea as even the horns on Rare Woods sound like the
ones from South Away on Let Mortal Heroes Sing Your Fame.
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R.I.P. MY <3
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