Genre | Electronic |
---|---|
Date (CEST) | 2019-07-06 02:13:59 |
Group | BEAMS |
Size | 120 MB |
Files | 7 |
M3U / SFV / NFO |
GLOK-Dissident-WEB-2019-BEAMS
Infos
Similar Releases
- For_Tracy_Hyde-Ethernity-JP-WEB-2021-BEAMS
- For_Tracy_Hyde-New_Young_City-JP-WEB-2019-BEAMS
- For_Tracy_Hyde-he(r)art-JP-WEB-2017-BEAMS
- For_Tracy_Hyde-Film_Bleu-JP-WEB-2016-BEAMS
- Land_Of_Peace-Thank_You_See_You_Tomorrow-SINGLE-WEB-2020-BEAMS
- Boyish-BLUE_RAIN-JP-WEB-2021-BEAMS
- The_Kopycat-SWIRL-WEB-2022-BEAMS
- Whimsical-Melt-WEB-2022-BEAMS
- Sooner-Days_And_Nights-WEB-2022-BEAMS
- FOG-Unreleased_Demo_16-19-WEB-2022-BEAMS
Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-glok-dissident.mp3 | GLOK | Dissident | 320 | Unknown |
2 | 02-glok-kolokol.mp3 | GLOK | Kolokol | 320 | Unknown |
3 | 03-glok-pulsing.mp3 | GLOK | Pulsing | 320 | Unknown |
4 | 04-glok-weaver_(edit).mp3 | GLOK | Weaver (Edit) | 320 | Unknown |
5 | 05-glok-projected_sounds.mp3 | GLOK | Projected Sounds | 320 | Unknown |
6 | 06-glok-cloud_cover.mp3 | GLOK | Cloud Cover | 320 | Unknown |
7 | 07-glok-exit_through_the_skylight.mp3 | GLOK | Exit Through the Skylight | 320 | Unknown |
NFO
ARTIST.....: GLOK
TITLE......: Dissident
LABEL......: Bytes
GENRE......: Electronic
RIP DATE...: 2019-07-06
RETAIL DATE: 2019-07-05
RUNTIME....: 51:56
SIZE.......: 119,91 MB
QUALITY....: 320Kbps 44.1kHz
ENCODER/CODEC: LAME - MP3 (MPEG-2 AUDIO LAYER 3)
URL........: https://play.google.com/store/music/album?id=Bldoi7uoenmwwocbmwfblud3qqu
Track List:
01. Dissident 19:35
02. Kolokol 6:42
03. Pulsing 8:54
04. Weaver (Edit) 4:30
05. Projected Sounds 3:52
06. Cloud Cover 4:03
07. Exit Through the Skylight 4:20
Release Notes:
https://glok.bandcamp.com/album/dissident
RIDE's Andy Bell is in for a busy year. As well as
releasing a new album with the revitalised shoegaze
legends (This is Not a Safe Place, out on Wichita
Recordings in August), Bytes is proud to announce the
first physical release of his solo recordings under the
alias GLOK.
The bulk of the tracks were slipped out anonymously a
couple of years ago, until Andy finally broke cover to
reveal that he was the man twiddling the knobs in an
interview with Clash in May 2017. "I didn't want people
to be hearing the first tunes with a picture of me, a
middle-aged guitarist, in their heads," he explained. "I
wanted the music to exist outside of any preconceptions,
at least for a few months."
Avid RIDE fan and Bytes co-owner Joe Clay fell in love
with the music before discovering that GLOK was Andy. It
was destiny for the tracks to end up being released on
Bytes, with two unreleased tracks joining the five
already available, with the whole album remastered by
Keith Tenniswood to stunning effect.
The name GLOK is a misspelling of the German word for
Bell. The German connection fits well as there is a
strong Krautrock influence in the music, especially on
the title track, 'Dissident', an epic clocking in just
shy of the 20-minute mark, which blends synthwave,
minimalism, trance, Detroit techno and John Carpenter
soundtracks, with Andy even dropping in some killer John
Squire-esque guitar licks. Ití»s a real journey, but
rather than driving down Kraftwerkí»s Autobahn, this is
one for a spaced-out night time joyride down the M40
that connects Andyí»s home city of Oxford to the
capital, a journey evoked in the grid of time-lapsed car
light tracers of the cover art (by Graeme Swinton).
The previously unreleased 'Kolokol' is named after the
Russian for Bell and was the original artist name for
the project, until Andy discovered it was also the word
for a chemical poison used in assassinations. However,
there is nothing dark about this blissed-out slice of
Balearic gorgeousness, the perfect soundtrack for the
sunset at Cafe Del Mar. 'Pulsing' is the heart of the
album, a widescreen ambient techno wonder that
Weatherall and Fearless would be proud to put their name
to, with dissonant atmospherics and an acid throb.
The next three tracks demonstrate Andy's versatility,
nodding more to his day job as his sublime guitar
playing comes to the fore. 'Weaver' is like a Ghost Box
remix of the Beatles' Strawberry Fields Forever; the
propulsive 'Projected Sounds' has echoes of Neu! and Can
in its buzzing guitar and hammered piano melody, while
the soaring acoustic bliss of 'Cloud Cover' could be a
RIDE track shorn of the band's Byrdsian vocal harmonies.
Closer 'Exit Through the Skylight', another previously
unreleased track, is Skee Mask on the happy pills.