Genre | House |
---|---|
Date (CEST) | 2020-08-03 19:48:37 |
Group | AFO |
Size | 49 MB |
Files | 3 |
M3U / SFV / NFO |
GMJ-Edge_of_Remembrance-(PSI1417)-WEB-2014-AFO
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-gmj-the_formless_real_(original_mix).mp3 | GMJ | The Formless Real (Original Mix) | 320 | Unknown |
2 | 02-gmj-nothing_is_lost_(original_mix).mp3 | GMJ | Nothing Is Lost (Original Mix) | 320 | Unknown |
3 | 03-gmj-edge_of_remembrance_(original_mix).mp3 | GMJ | Edge of Remembrance (Original Mix) | 320 | Unknown |
NFO
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[: ARTIST..... :] GMJ
[: TITLE...... :] Edge of Remembrance
[: GENRE...... :] House
[: RIP DATE... :] 2020-08-03
[: LABEL...... :] Particles
[: CAT NR..... :] PSI1417
[: TRACKS..... :] 3
[: SIZE....... :] 49m
[: QUALITY.... :] 320kbps 44.1kHz
[: CODEC...... :] MP3 (MPEG-2 Audio Layer III)
[: ENCODER.... :] LAME
[: URL........ :] https://play.google.com/store/music/album?id=B6wjnsw5v3qklraiveet54qsvjy&hl=en
[ ::.. Tracklist ..:: ]
............................
01. The Formless Real (Original Mix) ............. 07:23
02. Nothing Is Lost (Original Mix) ............... 07:02
03. Edge of Remembrance (Original Mix) ........... 06:50
[ ::.. RELEASE NOTES ..:: ]
............................
Hailing from the populous city of Melbourne on the South coast
of his Australian homeland, Gavin Griffin has gained
considerable notoriety under his GMJ production moniker,
reaching a further milestone with his debut for Particles in the
shape of the Edge of Remembrance EP. A seasoned professional
with over twenty years of experience in the cutthroat world of
the electronic music scene, Griffin's DJ skill and production
expertise has seen him forge a considerable reputation for deep,
spatial, atmospheric music, under a variety of guises, including
Gavin Martin, Fulcrum and GMJ. Borne of a deep passion for his
craft, Griffin's abilities have enabled him to headline a number
of international events in addition to regular appearances
within his Melbourne locale. A highly respected producer
alongside his undoubted DJ abilities, work since 2007 have seen
a clutch of releases under both his Fulcrum pseudonym where
Jetlag Digital, Bellarine and System Recordings have seen the
benefit of his talents.
However, it is the GMJ moniker that has seen Griffin concentrate
the bulk of his efforts in recent years. His music signed to
such luminary imprints as Balkan Connection, Vapour, Aurium and
Stripped Recordings, his work for the latter towards the end of
2013 saw the release of the highly regarded Recoil EP with
remixes from industry heavyweights, Dousk and Tvardovsky.
Supported by Hernan Cattaneo throughout the summer of that year,
support for the GMJ sound has come from all quarters including,
Eelke Kleijn, DAVI, Luke Porter and Cid Inc. A sought after
remixer in his own right, Dousk, SQL, Fiord and Kasey Taylor all
feature within the GMJ production portfolio.
Now featuring on Particles for the first time, we are proud to
announce the release of the cultured sounds of Edge of
Remembrance. Opening proceedings, The Formless Real combines
house beats and percussive grooves to form a tightly integrated
rhythmic bed upon which a series of groove-laden stabs and
cleverly placed delays are matched with breathy vocal pads in
effortless ease to create a subtle retro vibe that drips quality.
Nothing is Lost continues the adventure with crisp hi-hat
percussion tapping out intricate rhythms as tension is provided
with hypnotic and metronomic plucks that parallel rhythmic
expertise in conjunction with delicious warm bass. Rising pads
and beautifully reverb-drenched piano motif add to the overall
feel as a warm embrace envelops an impressive work.
Title track, Edge of Remembrance completes the triptych. A
strong and dominant beat provides a house anchor while shakers
and hats belie their understated part in producing drive and
energy with carefully placed 808 claps. A dizzying collage of
delayed, cyclical motif swims across the stereo spectrum held in
partnership with a second melody, while a deep bass combines
with percussion to create a tight, locked groove. The overall
impression is a track with the freedom of movement, reminiscent
of Underworld circa 1994
Three new pieces from the imagination of GMJ has ensured that
the Edge of Remembrance is likely to remain long in the memory.
Directed by Jay Epoch
AandR by Marina Gerardi
Mastering by GMJ
Design by Ben Mautner
Text by James Warren
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