███████ ██ ██ ████ ▒██████ ██ █▓ ▒███████████████ █████ ██ ░█▓ ██ ▒███▒ ██████▒ ██ █▓ ▓█████████████ ███ ██ ▓█░ ██ ███ ███ ░██ ██ █▓ ████████████ ██ ██ ░█▓ ██ ███ ▓██ ░█▓ █░ ░█ ██████████ ░ █▒ ▓█ ▒█████▓█▓███ ███ ░█████ ▒█ █░ █████████ ██ ▓█ ▒█░ █ ███ ▒███ ██ ██ ░█ ▓███████ █ █▒ ██ ██ ░███ ███ █ █▒ █▒ ██████ █ ███░██▒██████ ▒██ ████ ▒█ ██ ██ █████ █ ██ ███████ ███ ▒███ ██ ██ ▓█ ████ ███ ███ ▓██ ███ ███ ███ ░█ █ ███ ███ █████████████ ████ ▒████ █ █ ██ ██▒ ▒█████████████ ██████ █ ░█ █ ████ ██████████████████ █ ▓█ ▄██████▄ ███ ██ ▓█████████ ▄████░    █ ██ ▄██████▀▀▀████▄ ███ █▓ ▓█████▒   ▄████████ ▒       ▒█ █ █████▒ ███ ███▓ ░█ ░█████  ░████▒ ▒███░       ██ ████ ▒██ ████ ▒ ██████  ▄██████ ▓██░    █▒ ███▒ ██ ████▓▒█ █▓█████▒█████▀ ███ ██░▒ █ ██▒ ██ ██████░▒░█████████████████▀ ██░▒ ▒░▒ ██▒ ██   ░█████████████████████░█░ ▓█ ▓██████████░ ▀██ ██ ███ █████ █████████████ █ ░███ ███▓ ▀███ ███ ██░ ░██   ████▓ ▒█▒ ▒▓███████ ██ ░███ █▓ ░██ ███ ██ ███  ███ █░ ▒██████ ███░ ▒███ ▒██ ███ ▒████▄ ███ ▒▒ ░▓██████  █████████▒ ▄███ ██ ██ ██▄███ ░▒ ▓▓█████         ██░ ▄█████▒ ██ ██ ▀███░ ██████ ░█ ▓█████   ████████████████▀ ░██ ▄██░ ▀███ █████ █▒ ██████  ██░ ██████▓▀▀ ▒███ ███ ██████ ███ ░ ░████ █▓ ▄███ ██ ▒█████ █ ███████ █ ▄████▒ ███ ▒███▀███ ▒ ▒█████ █░░░ ▄█████ ██▒ ████▀ ██▓ ▒█░ ▒░░▒▒██ █▓▒▒▒ ▒░██████ █████▓░▒ █████▀ █░ ░██ ████████████████████ █████████████▀    █████████████ ░▒ ░ ░░ ░░ ░░ ░░ ░ ▒ ░░ ░░ ░ ░ ░ ░ ░ ░░ ███████▓██████████░█░████████████░▓███████░████████████████▓███████▒█████ ▒██████▓ ░▓███▓░███░ ░░█░███████▓ ░██████████░░ ▓░█████ ██▓█ ░██░▒ ▒▒░ ▓██▒ ████░ ▒██▒ ▓█▓░ ██ ▓▓ █░██████▒ ▓█ ░████▒ ▓░ ▓████████ █ ░████░▒ █ █░ ████████████ ▒ ▓████████▓ ████████████ ▒▓ ▒█████████▒ █ █░ ░▓██████░ ▓░ ░████████████░ ▒████████░ ▒▒ ████████░███▒█░░█░ ██░ ░███ ▒█ ███████░ ░▒ ██▓▓ ▒░ █░░██░░ ▒▒██ ░██ ▒▒ ▒████ ▒████░ ▒▒ ▒███░ ░██▒ ▒▓█ ▒▒███░░█▓██░▒▓░█████ █▓░ ▒ ██▓██░░██▓▓█▓████▒ ░░█▓▓░█████▒ ▓▓██▒░▒▒▓░░ ░███░ ░███░ ░███░ ░███░ ░███░ ░███░ ░███░ George Bizet - Carmen Suites (London Festival Orchestra) ░███ ░███░ ░███░ ░███░ ░███░ ░███░ Artist.........: George Bizet ░███ ███░ Album......: Carmen Suites ░███ ███░ Genre.......: Classical ░███ ███░ Source.........: CDDA ░███ ███░ Encoder....: LAME 3.97 -V2 --Vbr-New ░███ ███░ Quality......: VBRkbps 44100 kHz Joint Stereo ░███ ███░ Tracks......... : 20 ░███ ███░ Time........: 67:14 min ░███ ███░ Size......: 86,6 MB ░███ ███░ Language.......: - ░███ ███░ ░███ ███░ ░███ ███░ ░███ ███░ ░███ ███░ 01. l'arlesienne - prelude 06:45 ░███ ███░ 02. l'arlesienne - minutetto 02:45 ░███ ███░ 03. l'arlesienne - adagietto - adagio 02:51 ░███ ███░ 04. l'arlesienne - carillon 04:51 ░███ ███░ 05. l'arlesienne - pastorale 05:13 ░███ ███░ 06. l'arlesienne - intermezzo 03:42 ░███ ███░ 07. l'arlesienne - minuetto 03:59 ░███ ███░ 08. l'arlesienne - farandole 03:34 ░███ ███░ (allegro deciso) ░███ ███░ 09. carmen suite no. 1 - prelude 01:22 ░███ ███░ (les toreadors) ░███ ███░ 10. carmen suite no. 1 - aragonaise 02:14 ░███ ███░ 11. carmen suite no. 1 - intermezzo 02:41 ░███ ███░ 12. carmen suite no. 1 - seguidilla 01:54 ░███ ███░ 13. carmen suite no. 1 - les dragons 01:36 ░███ ███░ d'alcalo ░███ ███░ 14. carmen suite no. 1 - les toreadors 02:20 ░███ ███░ 15. carmen suite no. 2 - marche de 03:58 ░███ ███░ contrebandieros ░███ ███░ 16. carmen suite no. 2 - habanera 02:12 ░███ ███░ 17. carmen suite no. 2 - nocturne 04:10 ░███ ███░ 18. carmen suite no. 2 - chanson du 02:40 ░███ ███░ torΘador ░███ ███░ 19. carmen suite no. 2 - la garde montante 03:53 ░███ ███░ 20. carmen suite no. 2 - danse bohΘme 04:34 ░███ ███░ ░███ ███░ ░███ ███░ George Bizet (1838-1875) composed his opera ░███ ███░ Carmen following the old tradition of setting ░███ ███░ operas in Spain, more than 20 in Seville alone. ░███ ███░ It opened in 1875 at the Opera Comique in ░███ ███░ Paris.The story-line is more complicated than ░███ ███░ Prosper MerimΘeÆs novel; more characters were ░███ ███░ added and stereotypes exaggerated by the ░███ ███░ libbrΘtists Meilhac and Halevy. The original ░███ ███░ story had to be adapted to conform to the ░███ ███░ conventions and expectations of the audience ░███ ███░ accostumed to bourgeois melodrama. The result ░███ ███░ was a little too shocking for the family theater ░███ ███░ (Carmen was a public enemy, a threat to law and ░███ ███░ order, conjuring revolutionary ghosts, and ░███ ███░ inevitably had to die in the end, something ░███ ███░ unseen in the Opera Comique) but also a little ░███ ███░ too diluted and denaturalized for the purist, ░███ ███░ who considered it basically a French opera ░███ ███░ imbued with Spanish gypsy motifs, perhaps a ░███ ███░ Spanish reflection of a moment in French ░███ ███░ history, after the failed revolution of the ░███ ███░ Paris Commune. It was not a success, initially. ░███ ███░ Nevertheless, Carmen would soon become the most ░███ ███░ popular opera of all time and the Spanish Gypsy ░███ ███░ the enduring symbol of the exotiziced romantic ░███ ███░ construction of Spain. ░███ ███░ ░███ ███░ ░███ ███░ ░███ ███░ * MP3 / TV / XViD / Rippers & Suppliers ░███ ███░ * 100MBit+ affil sites .EU .SE ░███ ███░ ░███ ███░ ░███ ███░ ░███ ███████ ██ ██ ██ █▓ ▒███████████████ █████ ██ ░█▓ ██ █▓ ▓█████████████ ███ ██ ▓█░ ██ █▓ ████████████ ██ ██ ░█▓ █░ ░█ ██████████ ░ █▒ ▓█ ▒█ █░ █████████ ██ ▓█ ██ ░█ ▓███████ █ █▒ █▒ █▒ ██████ █ ██ ██ █████ █ ██ ▓█ ████ ░█ █ ███ █ █ ██ █ ░█ █ █ ▓█ █ ██ ▒█ █ ██ █▒ █