▀ ░ ▄█ ▄▄██▓█▄▄ ░░ ▀▀▀ ▄▄▄████▓▀▀▀█████▄ ░░░ ▄▄▄█████▄▄▄ ▄███▀▀▀ ░ ▀█▓▓█ ░░░ ▄▄██▀▀ ▄▄ ▀████▄ ░ ▄█▓█▀ ▄▄██▄ ░░ ▐█▓▓▌ ░░░ ▄███▀ ░░ ███ ▀█▀ ░ ▀███▀ ██▓██ ░░ █▓▓█ ░░░ ▄███▀ ░░░ █▓█▌░ ▄▄▄▄ ▀ ▐████▌ ░░ ▄█▓█▀ ░░ ▐█▓█▀ ░░░ ███▌░░ ▄█▓████▄ ░░ █████ ▄▄▄██▀▀ ░░░ ███▌ ░ ██▓▌░ ▄███▀ ▀████ ░ ███▓█ ▄███▓▀▀ ░░░░ ▐█▓█ ░░ █▓▓▌ █▓█▀ ░░ ▐█▓▓▌░ ██▓▓█ ▀███▄ ░░░ █▓▓▌ ░░ █▓▓▌▓▓█▌ ░░ ▐▓▓█▌░ █▓███ ░ ▐███▌ ░░░ ▄ ░ ▐▓▓▓█ ░░ ██▓███▀ ░░ ███▌░ ██▀ ▄ ░░ ▐█▓▓▄ ░░░ ▄ █▓▓█▌ ░░░░ █▓██▀ ▄ █▓█▌ ▀ ▄██▀ ░ ▀████▄ ░ ▄█ ░ ▐▓▓▓█▄ ░░░ █▀▀ ▄██▀ ▀ ████ ░▄██▀ ░░ ▀█▓██▄█▀ ░░ ▀███▓█▄▄ ▄▄▄███▀ ░░░ ▀██████▀ ▄█ ░░░ ▀██▀ ░░ ▀▀███▓██████▀▀ ░░░creepah▀▀▀ ▄▄█▓▓█▄ ░ ░░ ▀▀▀▀▀ ▄▄▄█▀ ░░ ██▓▓▓█▀▀▀▀ ▀ ░ ▀█▀ ▀ ▀▀▀▀▀ ░░░░ ░ ▄▄▄ ▄ ░ ░ ░░░░░░ ▄▄▄ █░▀ ▀▀ ▀▀▀ ▀▀▀ ▀▀ ▀░█ ███▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀███ █░ ░█ █░ C H R O M A N C E ░█ █░ ░█ █▄▄▄▄▄▄▄▄▄ ▄ ▄█▄▄▄ ▄▄ ▄ ▄▓▄ ▄ ▄▄ ▄▄▄█▄ ▄ ▄▄▄▄▄▄▄▄▄█ ██▀ ▄ ▀ ▀ ▀ ▄ ▀██ █▌ ▀▓▀ ▄▄▓█▄▄ ▄▄▓█▄▄ ▀▓▀ ▐█ ██▄ ▄▄████████▄ P R E S E N T S ▄████████▄▄ ▄██ █░██████████▀▀█▓▌▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▐▓█▀▀██████████░█ █░ ▀▀▓██▀▀ █ █ ▀▀██▓▀▀ ░█ █░ Artist : Glauco Sagebin ░█ █░ Album Title : When Baden Meets Trane ░█ █░ Record Label : Blue Toucan Music ░█ █░ Genre : Jazz ░█ █░ Rip Date : 05/14/2004 ░█ █░ Ripped By : Team CHR ░█ █░ Source : CDDA ░█ █░ Encode Bitrate : VBRkbps ░█ █░ Total Size : 79,1 MB ░█ █░ Tracks : 11 ░█ █░ Total Length : 55:57 min ░█ █░ ░█ ███▀▀▀▀▀▀▀▀ ▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀ ▀▀▀▀▀▀▀▀███ ██████████▀▀█▌ ▀▀▀▀▀▀- Track Listing -▀▀▀▀▀▀▀ █▀▀███████████░█ █░ ░█ █░ 01 When Baden Meets Trane 04:24 ░█ █░ 02 Fascinating Rhythm 03:40 ░█ █░ 03 Olha Maria 03:41 ░█ █░ 04 Short Story 05:39 ░█ █░ 05 Earlier Departure 04:59 ░█ █░ 06 Villa 05:55 ░█ █░ 07 Nada Como ter Amor 04:09 ░█ █░ 08 Luiza 07:26 ░█ █░ 09 Rio Negro 04:06 ░█ █░ 10 Pra Dizer Adeus 05:27 ░█ █░ 11 Laura 06:31 ░█ █░ ░█ ███▀▀▀▀▀▀▀▀ ▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀ ▀▀▀▀▀▀▀▀███ █░▀ ▀▀ ▀▀▀ ▀▀▀ ▀▀ ▀░█ ███▀▀▀▀▀▀▀▀▀▀▀▀▀▀ - RELEASE NOTES - ▀▀▀▀▀▀▀▀▀▀▀▀▀▀███ █░ ░█ █░ Blue Toucan Music (USA) presents: ░█ █░ Glauco Sagebin - When Baden Meets Trane ░█ █░ ░█ █░ Personnel: ░█ █░ Glauco Sagebin - Piano ░█ █░ Santi Debriano - Acoustic Bass ░█ █░ Paulo Braga - Drums ░█ █░ ░█ █░ Produced by Glauco Sagebin ░█ █░ Assistant Producer: Paulo Braga ░█ █░ Executive Producers: Tony Spaneo & Carol Jannotte ░█ █░ Recorded and Mixed by Michael Brorby ░█ █░ Mastered at Sterling Sound by UE Nastasi ░█ █░ ░█ █░ Liner Notes: ░█ █░ If pianist Glauco Sagebin had his choice for the ideal business ░█ █░ card, it would say, "Glauco Sagebin, Brazilian Jazz Pianist." ░█ █░ That's because, while he prides himself on being a Brazilian ░█ █░ musical artist, he hates being confined to the stereotype of ░█ █░ Brazilian musiciansà that they "must be from Rio de Janeiro" and ░█ █░ can only play samba or Bossa Nova music. He's from the south of ░█ █░ Brazil, Porto Alegre. For Glauco, his music goes further than any ░█ █░ stereotype. Glauco grew up listening to all the music of Brazil, ░█ █░ plus music from a wide range of outside sources, from Coltrane's ░█ █░ jazz to Mahler's symphonies. Glauco began his professional career ░█ █░ in Sπo Paulo, Brazil as a studio musician and composer. In 1985 he ░█ █░ won the Gramado Brazilian Film Festival Award for Best Original ░█ █░ Soundtrack for Short Animated Film, one of the most prestigious ░█ █░ awards in Brazil for cinema. ░█ █░ ░█ █░ The first time I met Glauco was in Tokyo, Japan where we both ░█ █░ lived in the 1990's, Glauco playingmusic, and myself working on FM ░█ █░ radio. I heard him with a band led by Babe Hanna, a ░█ █░ singer/percussionist from San Francisco. In that band Glauco ░█ █░ showed his total range of talents, from sensual ballads to ░█ █░ straight ahead jazz and he always brought down the house. ░█ █░ ░█ █░ Glauco's intent on this CD is showing the product of an artist ░█ █░ molded by both American jazz and Brazilian music, and he does that ░█ █░ with his band members. Paulo Braga is the drummer and legend of ░█ █░ the Brazilian musical scene, he is held in high regard by the top ░█ █░ jazz players in America, Japan and Europe. Paulo has played with a ░█ █░ wide range of well-known artists like Antonio Carlos Jobim & Joe ░█ █░ Henderson. The bassist, Santi Debriano, first learned about music ░█ █░ from his father. Since then, he has toured the world and worked ░█ █░ with artists like Kenny Barron, Sonny Fortune and Archie Shepp. ░█ █░ ░█ █░ I asked Glauco to give me some background on the music in this CD. ░█ █░ He began by talking about his 5 original songs: ░█ █░ ░█ █░ "When Baden Meets Trane" is the one, in my opinion, that ░█ █░ represents all those things I was trying to create, this hybrid of ░█ █░ jazz and Brazilian song. What I used was the harmonic style of ░█ █░ Baden Powell's Afro sambas full of diminished 7 chords, and on top ░█ █░ of that I started to rearrange things using the cycle of ░█ █░ descending major thirds (a composition technique often used by ░█ █░ Coltrane). That's how I got that result. "Earlier Departure" is my ░█ █░ favorite of the 5. I have the tendency to write in 4/4, so I ░█ █░ forced myself to write something in 6/4. I was pretty happy with ░█ █░ the result." ░█ █░ ░█ █░ "Short Story" is my attempt to write a jazz ballad (and is not to ░█ █░ be confused with Kenny Dorham's song of that title). As Paulo ░█ █░ said, "It seems like your classical side interfered with that." I ░█ █░ was happy because it sounded like an ECM recording date, very ░█ █░ classy." ░█ █░ ░█ █░ "Villa" As the name suggests, is a tribute to the Brazilian ░█ █░ classical composer Heitor Villa-Lobos." ░█ █░ "Rio Negro" was composed with Paulo and Santi in mind, because I ░█ █░ knew the sound I could get from them. The title is an ░█ █░ afterthought. The nipping rhythm interaction reminded me of the ░█ █░ infamous, wild Brazilian river with strong currents and dark ░█ █░ waters full of Piranhas." ░█ █░ ░█ █░ "Fascinating Rhythm" was the suggestion of Paulo Braga, when he ░█ █░ mentioned to me that it was one of Jobim's favorites from the ░█ █░ American songbook. I felt I was able to work some voodoo with ░█ █░ Jobim in the studio, basically knocking it out in the first take. ░█ █░ Actually, the majority of the selections are first or second ░█ █░ takes. I always prefer to compromise with a few mistakes here and ░█ █░ there and keep the freshness and spontaneity. ░█ █░ ░█ █░ "Luiza" was my choice as a waltz for the album. "Olha Maria" is ░█ █░ one of my favorite Jobim compositions. Especially, with Paulo ░█ █░ Braga around, I wanted to record a real bossa-nova track. "Nada ░█ █░ Como Ter Amor" by Carlos Lyra was my choice because it is so ░█ █░ beautiful and not that well-known. "Pra Dizer Adeus," I thought, ░█ █░ would be a great vehicle for Santi. ░█ █░ ░█ █░ "Laura" was a suggestion from the executive producer and its one ░█ █░ "I dug a lot." ░█ █░ ░█ █░ Hey Glauco, that works for me! ░█ █░ ░█ █░ Rob Crocker (WBGO-FM) ░█ █░ New York City, 2003 ░█ █░ ░█ █░ For more information: ░█ █░ http://www.bluetoucanmusic.com/baden.html ░█ █░ ░█ █░ Respect the artists. ░█ █░ Support their work. ░█ █░ If you liked this CD, buy it. ░█ █░ ░█ ██▄▄▄▄▄▄▄▄ ▄ ▄█▄▄▄ ▄▄ ▄ ▄▓▄ ▄ ▄▄ ▄▄▄█▄ ▄ ▄▄▄▄▄▄▄▄██ ██▄▄▄▄▄▄▄▄ ▄ ▄█▄▄▄ ▄▄ ▄ ▄▓▄ ▄ ▄▄ ▄▄▄█▄ ▄ ▄▄▄▄▄▄▄▄██ ██▀ ▄ ▀ ▀ ▀ ▄ ▀██ █▌ ▀▓▀ ▄▄▓█▄▄ ▄▄▓█▄▄ ▀▓▀ ▐█ ██▄ ▄▄████████▄ A T T E N T I O N ▄████████▄▄ ▄██ █░██████████▀▀█▓▌▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▐▓█▀▀██████████░█ █░ ▀▀▓██▀▀ █ █ ▀▀██▓▀▀ ░█ █░ ░█ █░ CHROMANCE IS CURRENTLY LOOKING FOR DEDICATED RIPPERS AND ░█ █░ HARDWARE SUPPLIERS FROM ALL AROUND THE GLOBE. ░█ █░ IF YOU FEEL LIKE YOU ARE THE ONE FOR US, PLEASE CONTACT AN OP AT ░█ █░ #CHR ON EFNET, OR EMAIL US FOR AN APPLICATION FILE. ░█ █░ ░█ █░ IRC : #chr [EFNET] ░█ █░ WWW : CLOSED. ░█ █░ Email : [email protected] ░█ █░▀ ▀▀ ▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀▀ ▀▀ ▀░█ █░▀ ▀▀ ▀▀▀ Logo by creepah -Layout by G-Childz and MistahWax ▀▀▀ ▀▀ ▀░█ ▀▀ ▀▀ ▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀▀ ▀▀ ▀▀